Sentences with phrase «giving viewers the feel»

It serves as a nice «warmup» and gives the viewer the feeling that the presentation is more individually customized for them.

Mosaic is an interesting mystery that, as a series, unfolds a little more awkwardly than expected, giving viewers the feeling that it was something else previously and was repurposed.

These all do give the viewer the feel of being on the mountain with the climbers.

It's a good thing Can Evrenol's Baskin is smart about it, using its Tarantino-esque aesthetic of guys talking in an ominous restaurant as a chance to establish character detail and backstory, giving the viewer a feeling of familiarity and camaraderie before these blue - collar policemen descend into a literal hell that would do Clive Barker proud.

Following the lead of films like Fly Away Home and My Dog Skip, Director Peter Markle combines a teenaged girl and a spirited horse in Virginia's Run to give viewers a feel - good movie aimed at young teens and tweens.

The film uses sounds to generate visual cues that give the viewers the feeling that their senses are heightening as their eyes dim.

The exhibition will also feature the artist's most recent body of work, Breaking News 2015, where hundreds of red and white drawings pick out various slogans and familiar sayings that give the viewer a feeling similar to reminiscing or glancing through newspaper headlines.

Not exact matches

In the most recent episode of his CBN show, The 700 Club, Pat Robertson gave this advice to a viewer who wrote in that he felt conflicted about continuing his engagement to a Muslim woman.

Mixed Reality gives video viewers a feel of what Virtual Reality is all about and this Assetto Corsa race at old - school Monza is a great example of it.

A journalist at CBS News, reporting a school of blue whales putting on a show off Southern California, felt the need to give inland readers and viewers a feel for just how large a blue whale is.

When I started my site three years ago it was originally called Bella and Darcy, and while I loved this name I felt it didn't give my viewers a clear idea of what the purpose of the site was.

Focusing on the female perspective, the showcase gives an up close and private look that permits viewers to truly get a feel for the real daily lives and personalities of... Read More»

The film is too standard for its own good, and there are viewers who will definitely feel uncomfortable with its depiction of gun violence given current events in the country.

While watching, it is difficult to find Lewis within Lincoln, and the immersion this provides gives the viewer an almost uncanny feeling of gazing directly into history.

Torres and Blasi wrap up the movie's central conflict so rapidly and so carelessly that it feels like an afterthought — as if they're eager to give the audience its happy ending, hoping against hope that viewers won't stop to think about what that ending really means.

There's no interest in shielding the viewer from the many indignities and outrages of America's greatest disgrace, from the monstrous — that unforgettable flogging sequence, which made me feel physically sick, something that I'm probably not alone in — to the, well, more quietly monstrous — Benedict Cumberbatch «s character, who's as kind to Solomon as he could be, given that he doesn't consider him to be a human being.

While Zack and Miri definitely gives viewers not averse to perpetual sexual references and scatological humor its share of solid belly laughs, there is a feeling of Kevin Smith finally beginning to appear a little long in the tooth in terms of his ability to connect with the modern day audience for R - rated romantic comedies.

This decision gave the film a grander feel for the viewer so it didn't seem like a low budget horror film.

Number three may eventually give you a headache, and the film occasionally feels like a pileup of gonzo shorts stitched together, but it's engagingly loony while it (and the viewer) lasts.

This is the first male character that is not completely evil and the viewer is given reasons to feel sorry for this sympathetic and flawed person.

Some viewers will shake their heads in disbelief at the film's last part, or feel robbed by the ending, but I would argue that you're so invested by that point that any scripting implausibilities are rendered moot, and, no, that ending is perfect given the movie's themes.

It does start strong, but as more information comes out as to the whos and whys of what's going on, the film's weaknesses begin to show, and it is nearly all undone by two epilogue scenes that feel tacked - on in order to give the viewers the semblance of a happy ending.

The decision to double down on the film's already latent tension between authenticity and delusion doesn't feel conceptually off, but may prove divisive to viewers, as it comes across as facile, or at least too simple, a final refuge for characters already given no past or future.

Doctor Strange's first cinematic debut, however, gives viewers a quickly paced origin story that feels as familiar as most contemporary superhero stories, where the viewer tags along to see how a man adapts to become something extraordinary, but in every other aspect the film provides relentless spectacle and levity.

Sensitive viewers should be warned that there is a graphic torture scene late in the film, one that feels out of place, given Anderson's intended audience.

It's a short scene that probably would have felt out of place within the actual film but nonetheless gives viewers added insight into Okoye and W'Kabi's complicated relationship.

Given a fair amount of attention, that rekindled romance feels like it will play more to adults than young viewers, but it shouldn't tax kids» patience or gag reflexes, for it somehow manages to be just as sweet and charming as everything else here.

One has the option of watching the film with subtitles that prompt the viewer when to throw the rice, etc.; another overlays an audio track of an actual theatre audience over the film's soundtrack to create a faux you - are - there feeling; and a third gives viewers the option to temporarily leave the film at certain junctures to watch video shot of an actual RHPS audience performing to the film.

Whether the background is a tennis court, a fancy hotel, a beach — doesn't matter — the people in the scene are always engaged in some pleasant pastime that gives viewers a nice warm feeling, some emotion they can relate to.»

Within those parameters I felt I had the best chance of giving the work, the painter and the viewer the kind of experience they deserved.

However, as Hotaling points out, viewers can still feel human presence in his landscapes because agricultural farming has given character to even the remote fields of the rural Ohio that he paints.

That's a lot of exposure, more than one show a year, and I feel sure that all these shows have given a lot of pleasure to their viewers.

The problem for the hard - core figurative painter is how to stand out from the herd — how to give the viewer something more than the feeling of, «Wow, that looks so real.»

At first glance, they give an impression of light - hearted simplicity, as brightly colored depictions of confetti balls, pom - poms and piñatas attract viewers and provoke a feeling of festivity.

Almanza Pereda perceives his sculptural environments as exacerbating viewers» feelings of anxiety triggered by possibly unsafe spaces; as he contends, the «hope [is] to give the viewer an uneasy tension... it is through this tension that the installation ceases to be static.»

The subdued tones of black and white and the closed field of vision give an intimate feel to the series, an almost voyeuristic sensation that grips the viewers, drawing them into the intriguing atmosphere of secret interiors and exteriors.

The steep perspective of the cobble stone street leaning toward the viewer, giving one the feeling that they can step into the painting, had a formative impact; the idea that one cold walk into a painting was already germinating in her mind at a young age.

It's that same feeling intimated in the work that gives a complicated and unsettling feeling for the viewer».

Given the current social context, in which everyone constantly sees and shares images of themselves on different networks, Carvalhosa's installation triggers a strange feeling within the viewer, who instantly pauses and enters something of a «non-place,» where the lack of narrative can be disconcerting.

I feel like your work not only teases out our relationship to memory, space, architecture, but also gives the viewer an opportunity for self - awareness.

Pieces like Mist draw the viewer into a quiet and eerie state, giving one pause for long enough to feel the sense of mystery O'Neil is trying to evoke.

I paint from past memories and feelings of place, giving the viewer a sense of peace and serenity even with the bright color combinations I use to create my works.»

The book focuses on the spatial organisation of these exhibitions, with floor plans and installation photographs that give the viewer a sense of what it felt like to be in those spaces.»

This way, he aims to make the viewer feel distant from what they know and give them a new perspective on the role of everyday objects.

In each piece, a conveyed physicality speaks directly to the viewer, giving rise to emotional states that are felt in and through the body.

Given the now notorious threats to Rushdie's life, the film alludes to potential physical threat — and the viewer perhaps feels unease at watching Rushdie in a state of such vulnerability.

The exhibition's humour steadily gives way to a feeling of unease at the sheer quantity of existential contrivance surrounding us, the viewer — the creation of ideas and objects given meaning through entirely subjective invention; in an attempt to support meaning and therefore social order.

Gregory Crewdson: «I wanted the photographs to feel like a suburban window, to give a sense that the viewer is looking into a world»

I agree, the media makes celebrities out of anyone they feel can give them more viewers.

Also, because native ads give viewers the kind of content they're already looking for, they feel more empowered in their decision to buy or sell.