Sentences with phrase «glammiest scenes of the film»

Meeting the Prefect of the CDF does have an agreeable sense of drama about it — the opening scenes of a film.

The swimming pool has been a central part of Hollywood mythology since the dawn of silent pictures, a truth observed and then turned upside down in the opening scene of the film classic Sunset Boulevard.

The Jallianwala Bagh massacre was one of the most memorable scenes of the film, and especially shocking to those in the West who had not heard of it before.

Behind the scenes of filming 5 - Minute Chest Exercises ⭐ this took two attempts since one transition didn't film as #diastasisrecti aware as I liked.

I'm tempted to write off the entire documentary as being solely of interest to nut - and - bolts geeks, except for the segment devoted to Oliver Reed, who died of a heart attack three weeks before principal filming wrapped, necessitating some CGI trickery to insert him into a crucial final scene of the film.

But we aren't introduced to Defendor first; the introductory scene of the film instead presents the man behind the mask, Arthur Poppington.

«Let The Sunshine In» (the title is a horrifically bad translation / transposition of a pertinent phrase that is uttered in the last scene of the film) soon puts these characters into clothes and in conversation.

In the opening scene of the film, Lomax stands over the lone survivor of the latest expedition, a dazed biologist named Lena (Natalie Portman), and demands answers she doesn't know how to provide — and that the movie doesn't really care to.

Not only is In the Fade Kruger's first film in her native language, it's also the most prominent onscreen role she has ever had; she appears in practically every scene of the film.

The actors are really just playing themselves as far as their line delivery goes and the plot really doesn't go anywhere new, especially since the opening scene of the film rewinds through the entire film, showing every action beat, which was a really bizarre move.

When Tommy's misogyny is on display during a scene of filming — laughing about a woman getting beat up and sent to the hospital, despite being told over multiple takes not to — «The Disaster Artist» doesn't question what's underneath it.

The film try's to go into what's right and wrong among many other themes but ultimately all of them go nowhere with the last scene of the film being spacey burrying his dead dog.

For someone with no real acting experience, Lustig excels with a humane performance, effortlessly inhabiting every scene of the film.

I did not want to write a review, but the last scene of the film made me do it.

Quickly becoming apparent in the opening scenes of the film, Demange is reluctant to let «71 become bogged down in the complexity of political context to the conflict.

And Jordan, who appears in virtually every scene of the film, delivers a riveting, devastating performance.

The opening scenes of the film has a younger version of Wayans» Darryl continuously trying to string together lots of cheesy contraptions to get his antenna TV to work, ultimately only responding when he sticks his foot in the toilet.

A late introduction of the recently deceased Nigel Hawthorne (as a crusty theatre critic) only serves to heighten the distance the film gains on its increasingly dismayed audience — the key scene of the film, in fact, is one with Hawthorne gazing forlornly from his second - story window at two young lovers in embrace.

The final scenes of the film show the real Vince Papale.

However, the interactions with the women in his life are among the most tense scenes of the film.

From the very first scene of this film, you want to get wring every little drop out of it.

The final scenes of that film, when the two clash and then make up are something that most of us have gone through.

In fact, the best scene of the film includes one particularly effective torture scene, with the irony being the torture is only heard; yes, the best scene in the film takes place offscreen.

Every scene of the film is an exclamation point delivered from atop a worst - of - Capra soapbox; those bemoaning that they don't make»em like they used to, take a big, heaving bite of Swing Vote, compared to which the Pollyannaism of Mr. Smith Goes to Washington reads like P.J. O'Rourke snark.

Now I hated the first scene of this film.

The priest is Father Lavelle (Brendan Gleeson), and he appears in almost every scene of the film, beginning with its first one: a single take close - up of Lavelle in his confession booth, listening intently as some unseen person relates the trauma he suffered at the hands of another holy man.

Most of my favorite films are those in which the lead character is in every scene of the film.

The scenes of this film have more impact than any other horror film since this is based on real events.

In the opening scene of the film, first - time director Grandage depicts this quite literally, with a bustling Manhattan in black and white — until Wolfe appears.

Evangeline, do you feel you're speaking for all womankind getting their super moment in a very special scene of the film?

This blend of all - new lighting helped give the Valkyrie flashback a flair and a style all its own, and it created one of the more memorable scenes of the film.

The final scenes of this film are as disastrous as they are odd, and could only be more damaging to the film overall if the first two hours had been better.

And the opening scenes of the film certainly feel right.

While the actual teaser focused on Deadpool giving his best Bob Ross impersonation, complete with happy clouds and trees, we did get a brief collage of footage from the actual movie, snippets and all - too - brief looks at various characters and scenes of the film.

But in the mid-credits scene of the film, we saw that Thanos was about to board the Asgardian ship, making everyone wonder what type of carnage would follow.

I also love the final scene of the film the most, which I won't give away, but genius is all I have to say.

Kidman is seemingly in every scene of the film, and certainly was in every scene of the trailer, but how much she truly resembles Grace Kelly is still up for debate.

The best scene of the film, by far, involves a tracking long take from a horizontal viewpoint as Marina walks screen left.

I didn't like the idea of flashing back to the rest of the Olympics after that stage was perfectly set in the opening scenes of the film, in fact they could have edited the film to have the entire hostage - drama portion before the credits, the flip over to Avner and company and not keep coming back to it.

Like many plays that try to adapt to the big screen, there is a stiffness factor that settles in to most scenes of the film, and what might work in the knowing artifice of the stage becomes strange when played out in the «real world.»

The Blu - ray combo pack includes a «Making of» featurette that goes behind the scenes of filming in two languages with a local cast, who share their painful stories of their personal conflict during the war.

A new Molly's Game featurette video takes you behind the scenes of the film, with Sorkin, Chastain, producer Mark Gordon, and even the real Molly Bloom herself discussing the film's story, and more.

The opening scene of the film comes to N'Jobu and Zuri (performed through Denzel Whitaker on this scene and flashbacks, and Forest Whitaker afterward) making a plan to damage her out.

«The War on Wall Street» (6:40) takes us behind the scenes of the film's biggest battle.

For some exclusive peeks behind the scenes of the film, pick up the latest Empire in traditional magazine and digital formats.

It doesn't quite all hold together in terms of making sense, as there are dream sequences mixed into the reality, and reality mixed into dream scenes of the film itself.

An additional bonus disc includes «The Director's Notebook,» which is an interactive look behind the scenes of the film with concept art, translated text from del Toro's notes and video spots giving further insight in the development of the film.

It's a continual guessing game up until the last couple scenes of the film, which makes the cinematic ride all the more enjoyable to sit through.

One of the key scenes of the film, John Travolta and Uma Thurman winning a dance competition in Jack Rabbit Slim's, has gone down in cinematic history, thanks to superb choreography and a Chuck Berry song that no other director of a 90s movie would go near.

The truly memorable and most gut - wrenching scenes of the film come in the form of found - footage (truly found fooage!)