Sentences with phrase «glass art experiment»

For Szösz, setting up just one glass art experiment is an involved process, with preparation taking anywhere from a half a day to four weeks.

For Szösz, setting up just one glass art experiment is an involved process.

For Matthew Szösz, setting up just one glass art experiment is an involved process.

Not exact matches

Corse's experiments with the optical and subjectivity started in the late 1960s, which led her to incorporate reflective glass beads into her art practice.

An incredible opportunity for artists to experiment with glass in our state - of - the - art facility, the Fellowship includes technical support, private studio space, and a $ 1,500 honorarium.

Drawn to the «magical, fluid, molten glow of glass,» she went on to study glass and digital media at Rhode Island School of Design and has been experimenting with glass arts ever since, often transforming the material into something that doesn't look or behave like glass.

Traveled to: deCordova Museum and Sculpture Park, Lincoln, Massachusetts, February 13 — April 6; Archer M. Huntington Art Gallery, University of Texas, Austin, July 31 — September 21; May and Leigh Block Gallery, Northwestern University, Evanston, Illinois, October 23 — December 14; Williams College Museum of Art, Williamstown, Massachusetts, January 15 — March 8; Akron Art Museum, Ohio, April 9 — May 31; Madison Art Center, July 26 — September 20, 1987 (Catalogue) Self — Portrait: The Photographers» Persona, 1840 — 1985, The Museum of Modern Art, New York, November 7 — January 7, 1986 Workshop Experiments: Clay, Paper, Fabric, Glass, Brattleboro Museum and Art Center, Vermont, October 18 — December 8, 1985 (Catalogue) American Realism: The Precise Image, Isetan Museum of Art, Tokyo, July 25 — August 19, 1985.

As a participant in the Toledo Museum of Art's Guest Artist Pavilion Project, the Atlanta artist was able to experiment with glass.

The lecture and panel discussion series will include a full program of daily presentations; Michael Kimmelman, Chief Architecture Critic and Former Chief Art Critic for The New York Times, «The View from Over There, Over Here»; Jun Kaneko, «In Between»; William Warmus, Former Curator of Modern Glass at Corning Museum of Glass will moderate roundtable discussion, «The Studio Glass Experiment — The First 50 Years 1962 - 2012»; a thought provoking panel moderated by Bruce Helander, Editor - in - Chief of The Art Economist; Willis «Buzz» Hartshorn of International Center of Photography, «The ICP Legacy and New Directions in Photography»; Ullysees Dietz, Curator of Decorative Arts at the Newark Museum, «Ceramics as Art, Not a New Idea»; and Mark Leach, Executive Director of the SECCA, Southeastern Center of Contemporary Art will present «The New SECCA: Directions in Contemporary Art».

Technologists have been experimenting with virtual reality since the mid-19th century, working their way up from realistic art panoramas to driving simulators to glasses that could replicate a virtual environment in front of a user's eyes.