Sentences with phrase «glass artists such»

In the 1970s young British stained - glass artists such as Brian Clarke were influenced by the large scale and abstraction in German twentieth - century glass.

The impressive lineup includes glass artists such as Dale Chihuly, photographers such as Robert Mapplethorpe and Andres Serrano, and a who's - who of contemporary art, including works by Robert Motherwell, Red Grooms, Tim Rollins, Carrie Mae Weems, Whitfield Lovell, Benny Andrews and William Wegman.

Not exact matches

Signal, Meet Noise: Adrian (Adam Goldberg, with Lucy Punch) is an avant - garde sound artist who creates abstract symphonies by breaking glass, popping bubble wrap and such.

A fixture on the New York art scene in the»60s and»70s, Jonas worked alongside some of the leading artists of the time such as Nancy Holt, Susan Rothenberg, Robert Smithson and Claes Oldenburg — and hung around with composers and choreographers foundational to modern performance like John Cage, Philip Glass, Simone Forti and Yvonne Rainer.

Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.

The Mono - ha artists explored the encounter between natural and industrial materials, such as stone, steel plates, glass, light bulbs, cotton, sponge, paper, wood, wire, rope, leather, oil, and water, arranging them in mostly unaltered, ephemeral states.

The set by Damien Hirst has glass and silver casts of medicine bottles that act as chess pieces, while the American artist Paul McCarthy, a keen chess player, has made his set from random objects found in his own kitchen such as a coffee grinder and a ketchup bottle serving as Rooks.

These glass cabinets offer a mode of presentation where artworks and historical documentation come together, offering an insight into the working methods, influences, collaborators and supporting institutions, and the significance of women artists in the broader cultural field, such as Patrick who co-founded the Glasgow Women's Library over two decades ago, of which photographs from the 1990s are also on display.

Initiated in the 1990s and spanning four continents, Reality Hacking consists of over 300 interventions to date, including such varied works as RH No. 320 (Snow Monsters)(2015), a constellation of twelve marble snowmen in various stages of melting that occupied the plaza outside of the Flatiron Building in New York City; RH No. 202 (2002 — 2003), a composition performed by the Ensemble for New Music Zurich based on a recording the artist made of a glass shelf filled with crystal objects crashing down a flight of stairs; RH No. 200 (2002), an artificial doughnut - shaped island built at the delta of a river in Switzerland using rocks and earth from the construction of a nearby tunnel; and RH No. 244 (2007), a snowman installed at the southernmost point of the African continent.

Among the acquisition highlights during the past two decades have been: in Archaeology, the Renée and Robert Belfer Collection of Ancient Glass and Greek and Roman Antiquity and the Demirjian Family European Bronze Age Collection; in Jewish Art and Life, an illuminated Mishneh Torah of Maimonides (ca. 1457), acquired jointly with the Metropolitan Museum of Art, and the restored 18th Century Tzedek ve - Shalom Synagogue from Paramaribo, Suriname; and, in the Fine Arts, Nicolas Poussin's «Destruction and Sack of the Temple of Jerusalem» (1625), Rembrandt van Rijn's «St. Peter in Prison» (1631), the Arturo Schwarz Collection of Dada and Surrealist Art, Jackson Pollock's «Horizontal Composition» (1949), the Noel and Harriette Levine Collection of Photography, and Gerhard Richter's «Abstraktes Bild» (1997); together with an active and ongoing program of acquisitions in contemporary art, including site - specific commissions by such artists as Olafur Eliasson, Anish Kapoor, and Doug and Mike Starn.

The artist was deeply inspired by then rising musicians and composers such as LaMonte Young, Phil Glass, and Steve Reich.

The new artists include many familiar to collectors in the Washington area, such as jeweler Megin Diamond and glass artist Gayla Lee, as well as work by well - known glass artist Alison Rusza from Brooklyn.

Run by two former art gallerists and based in a closet - sized shop in Manhattan's West Village, the three - year - old business works with a roster of artists, selling classics, such as Yves Klein's gold - leaf - filled glass tables, alongside commissions such as Gerrard's cutlery or the rococo cuckoo clock soon to launch from painter Kehinde Wiley.

Playing the role of alchemist, each artist in Between Spaces will recast familiar materials and objects such as wood, paint, mirrors, moving blankets, Plexi - glass, Venetian blinds, and metal grating to make the ordinary strange.

The first includes an artist such as Paul Klee, for whom each picture is a singular and exacting exploration of a chosen poetic theme (the conflation, for example, of the structure of a stained glass window with that of a plant).

But the most striking characteristic of these paintings is the artist's usage of mixed materials - such as wooden sticks, sand and glass onto the thick acrylic paints - to allow the painting to present a totally different texture from the traditional paintings.

The altering of manufactured material such as steel plates and beams, glass, metal stud, lumber, drywall and CMU etc.; for the purposes of making art becomes an act of ventriloquism by the artist.

Between 1970 and 1980, 112 Greene Street, a raw space provided by artist Jeff Lew, was used by 112 Workshop (the precursor to White Columns) for installations and performances by artists such as Gordon Matta - Clark, Trisha Brown, Vito Acconci, Laurie Anderson, Richard Serra, Philip Glass and many more.

The films use a variety of cinematic techniques: fast cuts, tracking and close - ups that slide over random objects the artist has collected or inherited, such as coins, golden bangles, glass vessels, stone heads, heavy dark chains, crystals and lipstick cases.

Ms Büttner, a Stuttgart - born artist who studied at the Royal College of Art in London, works in prints, sculpture, painting and film, but attracted attention for her use of unfashionable media such as woodblock prints and glass painting.

Recognized for his conceptually rigorous approach, and a physical mastery of materials, such as glass, McElheny explores vastly - ranging topics from astronomical cosmology and the infinite, to under - recognized artists or oeuvres, including the visionary abstraction of Hilma af Klint, Blinky Palermo's wall paintings, and Robert Smithson's crystalline sculptures.

In addition to my research I would also like to meet and possibly work with New Orleans contemporary artists and arts organizations such as Creative Glass at YAYA in New Orleans, and the blacksmith Daryl Reeves.

This is an artist with a rich technical vocabulary, unique vision and unsurpassed skill, who is just as comfortable working with unconventional materials such as glass tableware, thousands of dice stacked together to form fluid overlapping folds, found objects, and plastics, as he is with the more accepted media, such as perforated steel, wood or bronze.

Such was the case of artist Anni Albers, who was barred from the architecture and glass workshops and was advised to defer to weaving.

This body of work is characterized by what the artist termed «bouncing objects, floating things,» such as a radically oversized red bird and glass hovering in front of a simple background in the work and have a strong affinity to Surrealism, a recurring theme in the artist's career.

Aside from visual artists, the Club also has hosted lectures and performances from such prominent musicians as John Cage, Philip Glass, Ramsey Lewis and Igor Stravinsky, and poets W. H. Auden, Gertrude Stein and William Butler Yeats.

Our textile artists use materials such as yarn, fabric, paper, thread, wire, metal, and glass to create unique and original jewelry, wall hangings, clothing, sculpture, accessories, and many other inventive works of art.

Artists have used a wide variety of materials to create mosaics, such as glass, rock, glazed clay tiles, and even mirrors.

Artists such as Deborah Rudolph, Erica Iman and Eva Burton create unique cutlery, dishes, bowls and glasses that celebrate experimentation and are driven by a desire to discover new ways to enjoy food.

Roman Road is always a sure bet when you are in search of something new and different.For his first solo exhibition Cuban artist Victor Payares, who is currently finishing an MFA at the Royal College of Art, is going to present new works and a site - specific installation that narrates elements of a memory from his youth during the Cuban «Special Period»: «Payares» artistry is further inspired by elements of the everyday; he collects disregarded objects such as cables, clothing labels and trampled glasses found lying in the streets and repurposes them in his paintings.

FIRED: Glass explores contemporary glass art and includes local, national, and international artists such as glass masGlass explores contemporary glass art and includes local, national, and international artists such as glass masglass art and includes local, national, and international artists such as glass masglass masters.

It will include a screening of Michael Blackwood's New Music: Sounds and Voices from the Avant - Garde back - to - back with John Sanborn and Kit Fitzgerald's re: Soundings, which follow artists such as Vito Acconci, Laurie Anderson, David Behrman, Earle Brown, John Cage, Philip Glass, Alvin Lucier, Gordon Mumma, Meredith Monk, Max Neuhaus, Ben Patterson, Liz Phillips and more.

During this time, he made friends with other New York - based artists such as Sol LeWitt, Nancy Graves, Michael Snow, Bruce Nauman, Laurie Anderson, and Chuck Close (who created a now - famous portrait of Glass).

, a group show that involves such artists as El Anatsui, Pedro Reyes, and Susanta Mandal, promises to be an interesting variation on the theme, and the Kanazawa museum building — a gorgeous, low - slung glass circle — is worth a visit no matter what's inside.

Often working with every day and found materials such as fabric, glass, wood, metal and ceramics, the artist typically makes small to medium scale organic constructions that combine an almost «Beuysian» shamanistic or ritualistic use of materials with the formalism of early modernist sculptural objects.

The subjects are artists from Close's creative circle of friends — such as Cindy Sherman, Philip Glass, Lorna Simpson and James Turrell.

Whether engaging with long - standing traditions, such as producing millefiore beads, or utilizing glass in equally compelling yet inherently modern conceptual frameworks — these artists emphasize the flexibility and variability of glass as a medium for expression.

Organized by the museum's senior curator, Valerie Cassel Oliver, Perspectives 179 — Alvin Baltrop: Dreams Into Glass fits into a recent pattern of CAMH historical reclamation projects such as her 2010 retrospective of Fluxus artist Benjamin Patterson and last year's survey of Stan VanDerBeek, a new - media innovator whose experiments, though prescient, were quickly left in the technological dust.

Los Angeles - based artist Matthew Monahan creates sculptures using contemporary materials such as polyurethane foam, epoxy resin, glass and bubble wrap.

The artist transforms mundane materials such as plastic pearls, glass beads, acrylic paint, crystals, knives, and machine - made Persian rugs into intricate, laborious works of art.

The 74 - year - old New York artist has a condition called face blindness, but it has not stopped him from painting famous friends such as Barack Obama, composer Philip Glass and actor Brad Pitt.

She championed the presentation of many groundbreaking exhibitions and secured major collection gifts, including the Haub Family Collection of Western American art; 30 masterworks from the 1790s to the present by Charles Bird King, Thomas Moran, Frederic Remington, Georgia O'Keeffe and others; and the Rebecca and Jack Benaroya Collection comprising 225 works including American studio glass featuring Pilchuck Glass School artists such as Dale Chihuly, Ginny Ruffner and Therman Statom, as well as artworks by Northwest artists such as Morris Graves and Deborah Butterfglass featuring Pilchuck Glass School artists such as Dale Chihuly, Ginny Ruffner and Therman Statom, as well as artworks by Northwest artists such as Morris Graves and Deborah ButterfGlass School artists such as Dale Chihuly, Ginny Ruffner and Therman Statom, as well as artworks by Northwest artists such as Morris Graves and Deborah Butterfield.

In addition, the installation incorporates objects with functional intent, such as original wallpaper designs by Charles Burchfield, furniture by Frederick Kiesler, Moving Mountains, and Aaron Poritz and Nika Taubinsky, as well as glass vessels by Louis Comfort Tiffany and artist stools from the studio of Jackson Pollock.

The multitalented Argentine artist Amalia Pica uses simple materials such as lightbulbs, projectors, drinking glasses, and cardboard to create aesthetically captivating work that is deeply concerned with the issues of communication and the importance of being heard.

Chihuly, Dale (b. 1941) American glass blowing artist specializing in abstract glass works; best known for his multipart glass sculptures such as Towers and Chandeliers.

The artists worked with various different materials, combining industrially manufactured objects such as neon lights, glass and clothes with natural organic materials such as vegetables, living animals, earth, fire and water.

The variety of material on exhibition is great, as the exhibiting artists incorporate such materials as wood, plastic, glass, clay, metal, digitized / kinetic technology, fabric, paper, and so forth.

Artists employed a vast array of raw materials, such as rags, hessian sacks, coal, sand, soil, wood, seeds and vegetables, as well as manufactured items such as glass and metal.

Among the artists favourite materials are glass, stainless steel, granite, marble and sandstone, which help to give a timeless feel to simple forms of recognisable objects such as lamps, bricks, boxes, keyholes and tins.

These artists, though at the beginning of their careers, already have achieved accolades from such sources as New American Paintings, Vox Populi, Title Magazine and the Fleisher Art Memorial, and won awards including the Belgium International Glass Prize and Pew Fellowship in the Arts.