Sentences with phrase «glass at»

Chatter has talked about front and back glass panes for the phone's design with 2.5 D curved glass at the back.

The phone retains the 5.5 - inch Full HD display as the Redmi Note 3, but we're now looking at a metal unibody design with chamfered edges and much - needed 2.5 D glass at the front.

The View 10 follows the example of the Honor 7X by stacking glass at the phone's front over an aluminum enclosure at the rear.

The metal back and the buttons are great to the touch and the addition of 2.5 D curved glass at the front allows the panel to blend well with the metal frame.

While it is a technical marvel to make glass at this scale, that's not the achievement.

The handset sports the same design as its predecessor — a metallic chassis that is covered with 3D curved glass at the front and back.

Samsung Galaxy S9 / S9 + top tip: If you're struggling to find the settings you want, head into the settings menu and tap the magnifying glass at the top.

The handset features a 2.5 D curved glass on both its front and rear, while it has around 15 layers of glass at its back to offer a distinctive premium and innovative visual appeal.

The 2.5 D curved glass at the back has a mirror finish, and it looks striking — even more so when light reflects off it.

The big change however is the use of glass at the back, to enable wireless charging like the iPhone X.

The 5.5 - inch LTPS IPS display on the Mi A1 makes for a good design choice with 2.5 D curved glass at the top.

If it has rolled out to your device, it will show up as a tiny magnifying glass at the bottom of your screen when you take a photo or open one.

With glass at the front and back with an aluminium frame, the device's edges are rounded perfectly to give off the Korean OEM's expertise.

The home button for the phones is now located under the glass at the bottom of the displays and offers haptic feedback when pressed by users.

Just like the high - end edition, this smartphone features glass at both its front and rear although a plastic body frame is in place.

Read next: DAQRI raises $ 15M to develop its augmented reality platform, will support Google Glass at launch

It looks fantastic, the build quality is superb, and we love the addition of sapphire glass at this price.

When glass cracks it seems almost instantaneous thanks to the speed at which glass shatters — cracks form in glass at a staggering 3200 meters per second.

Windshield and glass damage (if your crack or chip is smaller than a dollar bill, Progressive will repair your glass at no cost to you)

Steelers receiver, Santonio Holmes, denies claims that he hurt a woman in Orlando; after allegedly throwing a glass at her in a nightclub on March 7.

DO verify that your local community accepts glass at the curb.

The mantle is not «fluid rock», it's as solid as glass at room temperature, which no one considers «molten».

Gasses conduct heat between two plates of glass at a rate proportional to the speed of the gas, and less efficiently with greater distance between the plates [the effect also varies in different pressure regimes, it is very efficient at low vaccuum, because gas molecules can travel from plate to plate without being intercepted.

Long before Bushwick Open Studios and the Bushwick Collective there was Ad Hoc Gallery in a part of Brooklyn better known for bullet proof plexi - glass at the corner deli than being any kind of artists haven.

The lecture and panel discussion series will include a full program of daily presentations; Michael Kimmelman, Chief Architecture Critic and Former Chief Art Critic for The New York Times, «The View from Over There, Over Here»; Jun Kaneko, «In Between»; William Warmus, Former Curator of Modern Glass at Corning Museum of Glass will moderate roundtable discussion, «The Studio Glass Experiment — The First 50 Years 1962 - 2012»; a thought provoking panel moderated by Bruce Helander, Editor - in - Chief of The Art Economist; Willis «Buzz» Hartshorn of International Center of Photography, «The ICP Legacy and New Directions in Photography»; Ullysees Dietz, Curator of Decorative Arts at the Newark Museum, «Ceramics as Art, Not a New Idea»; and Mark Leach, Executive Director of the SECCA, Southeastern Center of Contemporary Art will present «The New SECCA: Directions in Contemporary Art».

Hales Gallery is pleased to announce Hew Locke's inclusion in White Light / White Heat: Contemporary Artists & Glass at the Wallace Collection.

The UK exhibitions will include examples of many of the techniques used by the artist such as the Song of Songs (which combines lithography and helio - relief) at The Black - E gallery in Liverpool; sprayed automotive lacquer, plastics, ceramics, china painting and glass at Riflemaker; and a variety of works on paper and needlework at Ben Uri.

Shifting Connections returns to the work of Fred Wilson, staring through the looking glass at a different facet of the artist's creative practice.

(1980 --RRB- Nao Matsunaga studied at the University of Brighton (1999 - 2002) on the «Wood, Metal, Ceramic and Plastic» course, and completed his MA in Ceramic and Glass at the Royal College of Art in 2007.

He trained at the University of Brighton before completing an MA in Ceramics and Glass at the Royal College of Art.

Once the victim of a knife - attack it now hangs behind unbreakable glass at the Ludwig Museum.

She studied Fine Art and Theatre at Brighton University before completing an MA in Glass at the Royal College of Art.

This follows on from her solo exhibition Silent As Glass at the London gallery space.

Installation view of exhibition Judy Chicago in Glass at the Canadian Clay and Glass Gallery, Waterloo, ON, Canada, September, 2007.

She holds a BFA in Glass from the Tyler School of Art at Temple University and an MFA in Glass at the Rhode Island School of Design.

«ReView: Glass at the Monte Cristo,» a group exhibition by 13 artists of recent glass sculpture and prints.

Selectors: Deirdre Figueiredo MBE, Director, Craftspace; Skinder Hudal, CEO / Director, New Art Exchange; Geoffrey Mann, Programme Director, Glass at Edinburgh College of Art; Clare Twomey, artist and Sarah Williams, Head of Programme, Jerwood Visual Arts.

The artist, whose studio is located at Brooklyn Glass at 142 13th St., is contemplating a switch in subject matter.

In 2004, he completed his second MFA in glass at the Rhode Island School of Design.

The works, which often show a density of cut and painted circles like confetti, refer to Pindell's childhood experience of segregation: in the 1950s she noticed her glass at a root beer stand was painted with a red dot to indicate «for coloureds only».

His solo exhibitions include «Potential Difference,» Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014) and recent group exhibitions include «Paracosm», Norte Maar, Brooklyn, NY (2016); «50 Years of RISD Glass: Material», Providence Art and Design Film Festival, RI (2016); SIKKA Art Fair, Dubai (2016); «Perched in the Eye of a Tornado,» Ying Space, Beijing (2015); «Art of the Fellowship,» Museum of American Glass at WheatonArts, NJ (2015); Pioneer Works Artist in Residence, Brooklyn, NY (2014); and «Come Together: Surviving Sandy,» Brooklyn, NY (2013).

She holds a BFA in Glass from the Tyler School of Art at Temple University and an MFA in Glass at the Rhode Island School of Design and is a recipient of the Toby Devan Lewis award, Van Lier Fellowship award and a Franklin Furnace Grant.

«Slow Glass at Lisa Cooley,» Artslant.com, posted July 27, 2008 Zucker, Kevin.

Sigmar Polke began his art training with an apprenticeship in stained glass at the glassmakers Derix in Düsseldorf - Kaiserswerth in 1959 — 1960.

Masterman graduated from Kingston University in 2008 with a First Class Honours BA in Fine Art, and recently completed her MA in Ceramics and Glass at the Royal College of Art.

He currently studies the art of stained glass at the workshop of the world - renowned master glassmaker, JM Bonet, and has participated in the restoration, conservation and construction of the stained glass windows of the Sagrada Familia cathedral.

It was curated by Kelley Elliott, the assistant curator for modern and contemporary glass at the upstate New York institution.

Pan is a recipient of the University Fellowship at Temple University, the Laurie Wagman Prize in Glass at Tyler School of Art, the Award of Excellence and the Art Achievement Award at George Fox University.

Highlights include three exhibitions opening at Guild Hall on October 22; a show featuring artists working with glass at the Islip Art Museum; and this year's «Artists Choose Artists» exhibition opening at the end of the month at the Parrish Art Museum.

Visible through a broad wall of glass at the building's entrance, the installation is one of the central components of New - York Historical's new Robert H. and Clarice Smith New York Gallery of American History.