Not exact matches
But there are many other materials that you can
work with to make jewelry —
glass, plastic,
beads, feathers, even wood, to name just a few.
For this, they use a microabrader, a tool resembling a corded pen that
works like a very small sandblaster but uses gentler baking soda, talc,
glass beads, and aluminum oxide.
He recovered more than 12,000
glass beads and several kilograms of
glass -
working debris.
Here I am listing you some of the best dresses with delicate embroideries and fancy
work having patches,
beads, stones,
glass work and much more.
It would even
work well in winter with a black suede knee high heeled boot, some jet
glass bead jewellery, and a black hat.
For over fifteen years now, she have been
working with and have taught many different mediums including acrylic painting, children's art murals, painted
glass,
glass tile mosaics, punched tin, making handmade paper, scrapbooking,
beaded jewelry.
About Blog Pohlman Knowles featuring the
glass art
work of artists Jenny Pohlman and Sabrina Knowles including
Beads, Birds, Heads, Homage, Murals, Spears / Staffs, Tapestries, Wheels.
For over fifteen years now, she have been
working with and have taught many different mediums including acrylic painting, children's art murals, painted
glass,
glass tile mosaics, punched tin, making handmade paper, scrapbooking,
beaded jewelry.
About Blog Pohlman Knowles featuring the
glass art
work of artists Jenny Pohlman and Sabrina Knowles including
Beads, Birds, Heads, Homage, Murals, Spears / Staffs, Tapestries, Wheels.
Featuring 50
works, «Maryland to Murano» is the first exhibition to pair the
beaded neckpieces and wall hangings Scott constructs in her Baltimore studio — her foundational
work — with the blown
glass sculptures she has created over the past five years in Murano, Italy.
JOYCE C. SCOTT «Maryland to Murano» Neckpieces and Sculptures by Joyce J. Scott Museum of Arts and Design, New York Sept. 30, 2014 to March 22, 2015 Joyce C. Scott's exquisitely rendered
bead and
glass works are steeped in provocative narratives and sociopolitical commentary about racism and sexism.
Joyce C. Scott's
bead and
glass works will be on view at the Museum of Arts and Design.
Wynne's
works, made of
glass, glitter, and
beads, are lyrical poetry in motion — glossy and gleaming, almost breathing as the oxygen and water in the exhibition title suggest.
Entering the «artificial paradise» of
glass beaded butterflies, spiders and their webs, mirrored
glass declarations such as «I Walk Everyday In Search of You» and «The Vanished World,» Wynne's
work embodies Rococo complexity and allure in a wide variety of forms and materials.
The hand -
beaded drawings on vellum, each of which take upwards of fifty hours to complete, are an intimate counterpoint to the poured
glass works.
Appropriation is far too narrow a boundary, however, for this conceptual artist who creates his unique
works with either hand
beaded or machine sewn embroidery and pours hot molten
glass in sculptural puddles which when assembled become whirlpools of spiraling dots, words or phrases, and magical forests of mushrooms.
For the exhibition at Goodman Gallery, Lou explores the surface normally accepted as the ground for art — the canvas — making it into the subject of the
work, but instead of cloth, the «canvas» here is woven out of unified, off - white
glass beads.
Other striking
works include Present Tense, in which she uses tiny red
glass beads pressed into blocks of olive - oil soap made in the Palestinian city of Nablus in the northern West Bank to trace the outline of Palestinian territories as defined by the Oslo Accord in 1993.
Using
glass stringers in the flame we will
work with modular design principles to create geometric, floral, and animal forms on
beads, We will delve into a variety of special materials and techniques that change the
glass surface lending an interesting depth to the surface of the
work.This will be a playful, fun session building on the methods we developed using stringer and design.
Among the major group shows in which she has participated are Division of Labor: Women's
Work in Contemporary Art at The Bronx Museum of the Arts; Bad Girls at the New Museum in New York; World
Glass Now «94 at Hokaido Museum of Modern Art in Sapporo, Japan; American Dreams, American Extremes at The Kruithuis Museum in Hertogen Bosch, The Netherlands; and Surface and Structure:
Beads in Contemporary American Art at Renwick Gallery of the National Museum of American Art in Washington, D.C..
In addition to performance, Lee Bul makes three - dimensional
works using a variety of materials such as silicon,
glass beads and ceramic —
works that are artificial and richly ornamental, and which express her concern for the human body and interest in the cyborguesque form.
This is visible in The Future is Present (2011), a
work that combines historically artisanal
glass beads and quartz with more contemporary, urban objects like barbed wire.
In her newest body of
work, Lou creates sculptures and reliefs that reference common objects such as ropes, book pages and fencing that when layered or made into multiples and then cloaked in brilliant
glass beads evoke themes of containment, labor and repetition.
Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott @ Museum of Arts and Design Sept. 30, 2014 — March 15, 2015 Joyce J. Scott's exquisitely rendered
bead and
glass works are steeped in provocative narratives and sociopolitical commentary about racism and sexism.
During the last few years, the oft - finicky art world seems to have developed an appreciation for arts that are often labeled crafts: innovative and skilled
work in ceramics,
beading, fabric,
glass, wood and jewelry.
Homeostasis features Benzant's mixed media sculptures made from
glass beads, clothes, coffee grinds, glitter and other miscellaneous items, as well as
works on paper completed during his recent residence at the Galveston Artist Residency which serve as a visual diary.
The expansive faux stained
glass window and
beaded sculptures he presented at the 2017 Whitney Biennial were among the exhibition's most acclaimed
works.
Widely recognized for her exquisite craftsmanship and bold themes addressing race and gender, WPA will show several examples of her
beaded and
glass works incorporating African sculpture.
Each artist is an innovator with their chosen medium (which includes textiles,
beading, metal, ceramic, and
glass) and imbue their
work with fascinating personal and cultural narratives, pushing past common conceptions of what each material can express formally and conceptually.
For her Cyborg series (1997 - 2000), Lee drew inspiration from the machine aesthetic of early 20th - century Modernism, suspending fragmentary female bodies from the ceiling; another series of sinewy, chandelier - like
works are draped in
glass and acrylic
beads, offering a more abstract counterpart to the figurative cyborgs.
For more than two decades, she has
worked with
glass beads as her primary medium.
This monumental shimmering
work is comprised of thousands of blades of grass (small stainless steel wires), arranged in brilliant squares of 30 colors (over 2 million tiny
glass beads strung on the wires).
Representing five years of solo labor, this groundbreaking
work introduced
glass beads, a material Lou has consistently used since then.
The artist transforms mundane materials such as plastic pearls,
glass beads, acrylic paint, crystals, knives, and machine - made Persian rugs into intricate, laborious
works of art.
The 2015 exhibition
BEAD featured
works ranging from jewelry that mimics natural forms or incorporated live ammunition, to sculptural assemblages created from materials including hand - blown
glass, animal skulls, and re-purposed mops, to two - and three - dimensional
works exploring heady themes including identity, gender, race, and nature.
The exhibition includes Lou's largest
work — an iridescent grid of tiled colors comprised of cylindrical
glass beads.
In this
work, which is wall mounted like an gargantuan floral wreath, tiny little objects such as angel figurines and silk flowers are camouflaged and completely overpowered by molten matter made up of large masses of foam and
glass paint with
beads, while actual bubbles are emitted into the viewer's space with the assistance of an aerator.
The
work itself is six floor - to - ceiling windows, each divided into three sections to constitute eighteen «stained
glass» windows made of acetate, glue, and
beads.
His
work, eyeDazzler, a Diné textile comprised of 78,050, 4 mm,
glass beads, QR codes, and web - based video was featured at the International Symposium on Electronic Arts in 2012.
The
glass beads that American artist Liza Lou has
worked with since the 1990s have been deployed in incredible feats of personal discipline and attention to detail.
We were
working on a sculpture called Book of Days, which was comprised of 365 woven sheets of silver - lined
glass beads, which were to be each stacked one on top of another like pages in a manuscript.
The back of the phone is actually two - tone, with a glossy «
glass shade» across the top to make antennas
work better and a more ordinary
bead - blasted metal finish across the bottom.
For over fifteen years now, she have been
working with and have taught many different mediums including acrylic painting, children's art murals, painted
glass,
glass tile mosaics, punched tin, making handmade paper, scrapbooking,
beaded jewelry.
About Blog Pohlman Knowles featuring the
glass art
work of artists Jenny Pohlman and Sabrina Knowles including
Beads, Birds, Heads, Homage, Murals, Spears / Staffs, Tapestries, Wheels.
It's a pleasure to see her
work using the glitz of our
Glass Bead Gel, the shimmer of the Metallic Paint Collection, and the versatility of our ShimmerStone and both our Metallic and Venetian Plaster.