Sentences with phrase «glass beads into»

Corse's experiments with the optical and subjectivity started in the late 1960s, which led her to incorporate reflective glass beads into her art practice.
A µSCALE user mixes millions of tiny opaque glass beads into a sample containing millions of yeast or bacteria and spreads the mixture on a microcapillary slide.

Not exact matches

Its 500 - meter by 120 - meter array of 677 detectors in glass globes dangle like love beads from electrical cables 1.5 kilometers down into South Pole ice.
Combined with a 2005 lab experiment that also showed a resonant frequency could jiggle glass beads in a fake fault into slipping, this simulation could suggest that actual faults have specific frequencies they're susceptible to.
Put a drop of superfluid on most surfaces, and it spreads out into a thin layer, rather than beading like water on glass.
Digital audio will be translated into genetic code and stored in DNA strands housed in tiny glass beads.
Pressed glass beads are formed by pressing a heated glass rod into a mold.
Pink Flower Murano Glass Charm: This bead will charm you into stopping to appreciate the sheer beauty of nature with its pink flowers in both light and dark hues.
Mexican artisan Antonio de la Cruz carefully threads the necklace with glass beads fashioning the pendant into a flower.
Green napkins were layered with red sheer fabric and tucked into a gold beaded napkin ring.For stemware I paired golden brown glasses with pale yellow.
It's made from a skirt of horse hair, so it really highlights the interesting materials McQueen used in his designs, and it has a bodice of very fine glass beads that have been built up into layers, so it has this mossy and algae - like quality, and it looks as though it's alive and growing.
Beautiful glass beads in so many gorgeous colors, I don't feel that my passion for them will ever change and you will continue to see those beauties incorporated into my designs and new collections...
For the exhibition at Goodman Gallery, Lou explores the surface normally accepted as the ground for art — the canvas — making it into the subject of the work, but instead of cloth, the «canvas» here is woven out of unified, off - white glass beads.
Other striking works include Present Tense, in which she uses tiny red glass beads pressed into blocks of olive - oil soap made in the Palestinian city of Nablus in the northern West Bank to trace the outline of Palestinian territories as defined by the Oslo Accord in 1993.
Using glass stringers in the flame we will work with modular design principles to create geometric, floral, and animal forms on beads, We will delve into a variety of special materials and techniques that change the glass surface lending an interesting depth to the surface of the work.This will be a playful, fun session building on the methods we developed using stringer and design.
She draws inspiration from a variety of cultural and historical traditions and incorporates them into her glass beads using unique surface treatments to create depth and visual interest.
In her newest body of work, Lou creates sculptures and reliefs that reference common objects such as ropes, book pages and fencing that when layered or made into multiples and then cloaked in brilliant glass beads evoke themes of containment, labor and repetition.
After he encounters a particularly engaging group, Nawa sources the actual object — whether a taxidermied animal or inanimate object — and encapsulatesthese into different sized cells, which are created through the use of glass beads.
After he encounters a particularly engaging group, Nawa sources the actual object — whether a taxidermied animal or inanimate object — and encapsulates these into different sized cells, which are created through the use of glass beads.
The glass beads become like single cells growing, through various methods of layering or stacking, into almost - living forms.
The artist transforms mundane materials such as plastic pearls, glass beads, acrylic paint, crystals, knives, and machine - made Persian rugs into intricate, laborious works of art.
But Corse's «aha» moment occurred in 1968, when she discovered glass microspheres, the tiny prismatic beads that are often embedded into highway pavement.
In this work, which is wall mounted like an gargantuan floral wreath, tiny little objects such as angel figurines and silk flowers are camouflaged and completely overpowered by molten matter made up of large masses of foam and glass paint with beads, while actual bubbles are emitted into the viewer's space with the assistance of an aerator.
The work itself is six floor - to - ceiling windows, each divided into three sections to constitute eighteen «stained glass» windows made of acetate, glue, and beads.
She also sought to find a way to «put the light into the painting» — a pursuit that soon led her to glass microspheres, the tiny prismatic beads most commonly found in highway dividing lines to illuminate lane boundaries at night.
I was, at once overwhelmed by the monumental effort it would have taken to create this piece of art, and awed by the idea of a small, seemingly insignificant element — the glass bead — coming into its own this way.
An old, worn spoon I found on the beach and some pink glass beads, are wired into the spine.
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