Sentences with phrase «glass installation at»

A close - up of L.A. artist Cheryl Walker's colorful stained - glass installation at 18th Street Arts Center

Not exact matches

One of the most eye - catching features of last year's $ 30 million investment at O - I in Alloa was the installation of new glass decoration capability...

The development of Liverpool FC's new retail store at Anfield has continued with the installation of new glass panels.

Gordon Huether attended the Pilchuck Glass School in Washington and has created installations for the Jacksonville International Airport, the LBJ School of Public Affairs at the University of Austin, Texas, and the Hiroshige Museum in Japan, among many others.

«Finch is known for his poetic installations that recreate the ephemeral qualities of light and color in media as varied as watercolor, glass plates and ice cream cones,» said Jo - Ann Conklin, director of the Bell Gallery at Brown and a member of the Public Art Committee.

Far Cry 4: A game crash may be experienced when switching between windowed and full screen mode Far Cry 4: Flickering may be experienced in the in - game cinematics when launched in landscape SLS mode Youtube: Random block corruption may be experience with simultaneous 1080p video streams Youtube: Microsoft Internet Explorer may crash if exited while Youtube sessions are ongoing Battlefield Hardline: Corruption / stutter may be experienced while changing resolution with vsync enabled Battlefield Hardline: Broken glass may flicker during gameplay Dirt 4: Poor performance may be experienced in some configurations Monitors may switch off when changing orientation from portrait SLS to landscape SLS Metal Gear Solid V — Ground Zeroes: The game may crash when run at lower resolutions in windowed mode Sleeping Dogs — Definitive Edition: The game may not run on certain Kaveri platforms when High Performance mode is enabled A manual installation (via inf) may fail on certain R9 295X2 configurations

The Batik is nestled in Kuching city centre, in the epicentre of its commercial, tourist and entertainment districts.It offers 15 spacious rooms designed with guests comfort and convenience in mind.Room offerings include silk duvets, LCD TV with satellite channels, iPod docking station and speaker, complimentary specialty tea and coffee and free wifi.The property has adopted batik as its design style and representations of the batik pattern may be seen in various elements within the hotel, including its flooring, lighting, feature walls, glass installations and front facade.Within the hotel premises, The Batik houses Tarot Salmon serving Japanese cuisine, Boutique Bar at the reception area, an outdoor covered jacuzzi and a roof terrace.

Far Cry 4: A game crash may be experienced when switching between windowed and full screen mode Far Cry 4: Flickering may be experienced in the in - game cinematics when launched in landscape SLS mode Youtube: Random block corruption may be experience with simultaneous 1080p video streams Youtube: Microsoft Internet Explorer may crash if exited while Youtube sessions are ongoing Battlefield Hardline: Corruption / stutter may be experienced while changing resolution with vsync enabled Battlefield Hardline: Broken glass may flicker during gameplay Dirt 4: Poor performance may be experienced in some configurations Monitors may switch off when changing orientation from portrait SLS to landscape SLS Metal Gear Solid V — Ground Zeroes: The game may crash when run at lower resolutions in windowed mode Sleeping Dogs — Definitive Edition: The game may not run on certain Kaveri platforms when High Performance mode is enabled A manual installation (via inf) may fail on certain R9 295X2 configurations

An accompanying solo exhibition at the Mönchehaus Museum presented an untitled installation made in 2015 that is comprised of seven parts: four wooden towers and three columns incorporating a range of materials including mirror foil, glass, plastic flowers, spray paint, plaster, acrylic, woven polypropylene, medication instructions, coloured tape, photographs, metal clips, magazine covers, and paper.

Olafur Eliasson, Sunset Kaleidoscope, 2005, wood, steel, mirrors, motor, color - effect filter glass, dimensions variable; © 2005 installation view at Emi Fontana West of Rome, Jamie Residence; Photograph: courtesy of Fredrik Nilsen

Created at the same time, «About Another Body — Hair» is an open studio exhibition of a site - specific performance installation, featuring long black strands of hair trapped in a glass jar.

Public art weighed in joyously at the Fairchild Tropical Botanic Gardens with Dale Chihuly's riotous explosion of glass plantings, and at Collins Park with Fieldwork, 25 outdoor installations, many specially commissioned, such as Ernesto Neto's Cor - Ten steel hammock (nós sonhando) and Elmgreen & Dragset's bronze child on a rocking chair (Powerless Structures).

He has designed objects for the Spiderman — Turn Off The Dark, a musical production in New York City; Sea Glass, a futuristic carousel in Lower Manhattan NY; created site specific installations for an immersive theater project «Queen Of The Night» at Paramount Hotel in New York City; designed giant inflatable scenic objects for the Sochi Olympics Opening Ceremony.

Alumnus Nora Belovai, Marte Elisabeth Paulssen and Rianne Groen at installation of Through the Looking Glass; me Collector's Room; photo Jana Ebert

Although Smith has worked with glass for 20 years, she has refocused on the medium though recent public commissions, including her Art Production Fund installation of 2012, Kiki Smith's Chorus, and the 16 - foot East Window for the Museum at Eldridge Street / Eldridge Street Synagogue, both in New York and from 2012.

The exhibition to be held at Palazzo Cavalli Franchetti (seat of the Istituto Veneto di Scienze Lettere ed Acti) and the Berengo Centre for Contemporary Act and Glass will include sculptures, installations and design objects.

Light and sound are referenced both literally — through flashing lamps or speakers — and more subtly — the same sound insulation material deployed by Haroon Mirza in his Silver Lion - winning installation at the 2011 Venice Biennale can be found under glass itself, insulated and reduced to a minimal sculpture.

Chihuly's art remains at the cutting edge of the technical and virtuoso possibilities of glass as a medium, and this exhibition will include many iconic works for which Chihuly is known — Ikebana, Mille Fiori, Chandeliers, Tabac Baskets, Venetians, Boats, Persian Ceiling — as well as site - specific installations, taking advantage of our soaring Atrium and reflecting pools.

The final installation, in the last five weeks, is of Philip and David's permanent collection that resides at the Glass House.

Exhibition at Galerie de Bellefeuille in Montreal featuring multiple artforms including etchings on glass, lightboxes, limited edition photographs, Neon light installations and Photo Sculptures.

British artist Bruce Munro's latest installation, Light, intersects manicured hills and Seuss shaped hedges with 20,000 pulsating glass spheres, on view at Nashville's Cheekwood Botanical Garden and Museum of Art [May 24 - November 10, 2013].

Mortal, an exhibition of work by Kiki Smith at the Dallas Contemporary, on view through Dec. 17, spans the last 10 years of the artist's output and includes the installation of Pilgrim, a set of thirty industrial steel windowpanes of mouth - blown stained glass.

Among the highlights of the show are The Sun (1990), a floor installation of 360 triangular elements of white marble forming a grand circle, and the witty Self - Portrait (c. 1959) in which the artist's head is but a small ball of paper resting on a larger - than - life wooden torso with incredibly elongated legs (both works at Perry Rubenstein); the ethereal The Angel (1989) made of 125 spheres of thin clear Venetian glass delicately resting on the floor at Michael Werner; and at Mary Boone the five Concave Figures (1994), one of Byars» final works.

In 2012, The Art Production Fund presented Kiki Smith: Chorus, a public installation comprised of the artist's multicolored stained - glass stars at The Last Lot project space on 46th Street and 8th Avenue in New York City.

They include Peaux de Lapins, chiffons ferrailles à vendre (2006), one of the series of installations that the artist called «Cells», which consists of an arrangement of flesh - coloured materials and significant objects; it will stand at the centre of the glass octagon in an exhibition that fills the pavilion and one floor of the gallery.

As the exhibition title indicates, Bell approached the installation in an improvisational way insofar as he had no preconceived plan other than wanting to respond to the given architectural situation by employing a maximum of 39 glass panels - the number of panels at his disposition.

Irene Shum Allen (Curator and Collections Manager, The Glass House) provides us with an introduction to Philip Johnson as an art patron, and presents three major works on display at The Glass House: an outdoor sculpture by Donald Judd (Untitled, 1971), which is believed to be Judd's first outdoor site - specific installation; the painting Averroes (1960) by Frank Stella; and Bruce Nauman's neon sculpture Neon Templates of the Left Half of My Body Taken at Ten Inch Intervals from 1966.

Located in the glass atrium at the Time Warner Center, Anthropocene is a site - specific video installation that depicts a surrogate view of the geography within and between Central Park and Columbus Circle.

Raúl de Nieves Site - specific stained glass installation «Somos Monstros 2» at the Whitney Biennial (March 17 — June 11).

His installation at Chinati consists of 24 identical small pagodas made of optical glass inlaid with distinct seascape photographs (instead of the Buddha's ashes one would find in a traditional reliquary), and one large aluminum sculpture based on a mathematical function that approaches an infinite vanishing point.

The video installations are to be viewed with 3D glasses, and the effects are at times astonishing.

At the center of the installation: Beverly Fishman, Artificial Paradise, blown glass, 2013.

Where Ai Wei Wei's installation rises to meet the challenge of the site is the section called Refraction, viewed from the gun gallery (complete with shattered glass windows, among the most effective sculptural elements at hand).

The installation titled 33 - D mainly consists of two large glass sheets that are mounted at a 45 - degree angle to the external skin of the building.

For her exhibition at SculptureCenter, Akashi continues her exploration into specific connections between air and fire — two elements necessary to produce her glass works — by periodically lighting wax candles within her installations, altering the appearance of the works over time.

From an Historical Anecdote about Fashion 2000 Blown glass objects, display case, five framed digital prints case dimensions: 18 h. 25 1/2 inches, each installation view at Donald Young Gallery, Chicago

The additional works on view at RISD range from grids of Polaroid photographs from the Secrets series (1974 — 75), a large fan - shaped wall piece from the Peacock series (1979), and a group of large paper Vessel Lamps (2009), as well as pieces rendered in clay and glass and the five - piece Phantom installation.

Among the works on display are Innoportune: Stage one (2004, installation consisting of nine cars and sequenced multichannel light tubes), Reflection — A Gift from Iwaki (2004, excavated wooden boat and porcelain), and Head On (wolves jumping head on against a glass wall, first realized for Cai Guo - Qiang's solo exhibition at the Deutsche Guggenheim in Berlin).

His giant installations of smoked glass and mirrored glass were stunning additions to the art scene and included in the seminal Primary Structures show at the Jewish Museum.

Ellsworth Kelly, Austin, 2015 (interior, facing north), artist - designed building with installation of coloured glass windows, black and white marble panels, and redwood totem, 18.3 x 22.3 x 8 m. Courtesy: Blanton Museum of Art, The University of Texas at Austin © Ellsworth Kelly Foundation

Ellsworth Kelly, Austin, 2015 (West façade), artist - designed building with installation of coloured glass windows, black and white marble panels, and redwood totem, 18.3 x 22.3 x 8 m. Courtesy: Blanton Museum of Art, The University of Texas at Austin © Ellsworth Kelly Foundation

Main image: Ellsworth Kelly, Austin, 2015 (East façade), artist - designed building with installation of coloured glass windows, black and white marble panels, and redwood totem, 18.3 x 22.3 x 8 m. Courtesy: Blanton Museum of Art, The University of Texas at Austin © Ellsworth Kelly Foundation

New work by the Danish - Icelandic sculptor and installation artist Olafur Eliasson gleamed brilliantly at Tanya Bonakdar, including Polychromatic Attention 2015, a series of large glass globes shown in a circle on the wall that collectively presented the colours of the light spectrum but appeared clear when seen from the side.

Ellsworth Kelly, Austin, 2015 (interior, facing south), artist - designed building with installation of coloured glass windows, black and white marble panels, and redwood totem, 18.3 x 22.3 x 8 m. Courtesy: Blanton Museum of Art, The University of Texas at Austin © Ellsworth Kelly Foundation

Ellsworth Kelly, Austin, 2015 (southeast view), artist - designed building with installation of coloured glass windows, black and white marble panels, and redwood totem, 18.3 x 22.3 x 8 m. Courtesy: Blanton Museum of Art, The University of Texas at Austin © Ellsworth Kelly Foundation

Another work by the Starns, the mosaic, fused - glass and stainless steel installation See it split, see it change, is permanently on view at the South Ferry subway station.

This series first appeared as Mille Fiori (Italian for «a thousand flowers») at the Tacoma Art Museum in 2003, and with these forms, Chihuly has created spectacular installations that are true gardens of glass.

A Certain Slant of Light (2014), created for the glass atrium of New York's Morgan Library, reflected the colors of the four seasons, and his recent solo show at James Cohan, My business is circumference (2016), included installations inspired by fog, the light of a passing cloud, and the colors he noted during a hike through Yellowstone National Park.

Wilson's «Sala Longhi» installation, which he premiered at the 2011 Venice Biennale, takes up the second gallery, with a white glass chandelier emerging from a wall - mounted picture frame surrounded by smaller frames filled with black glass out of which face - shaped circles have been cut.

The exhibition, on view at 545 West 22nd Street from April 30 to June 19, 2010, features «Pilgrim», an installation composed of nearly thirty hand - painted stained glass panels.