Sentences with phrase «glass out of the museum»

Not exact matches

Afterwards, maybe check out the Picasso Museum for an artistic experience before grabbing dinner and a glass of sangria.

The museum is sold out of eclipse glasses, however guests participating in the day's events will have two options for safely viewing the maximum partial eclipse: A community viewing party with solarscopes and a live stream of eclipse sites from across the country in The Lab and Magic Wings Butterfly House.

Look out for the special «museum lates» where your favourite places stay open after - hours, so you can browse with a glass of wine and have a fun - filled evening.

If you're feeling adventurous, pick a few favorites, print out some pictures (i.e. a picture of art for an art museum, coffee for a coffee date, Miles Davis for a jazz night), choose a meeting place, have a glass of wine, and let your date choose the adventure!

For two of the more unique Venice attractions, check out the Jewish Museum which details the rich history of the Jewish people in Venice, and the Glass Museum on the island of Murano, which has a fine collection of typical glasswork from the area.

Sculptural constructions by Richard Stankiewicz, Betye Saar, and Abe Ajay, a mobile by Alexander Calder, a large glass piece by Dale Chihuly, and several large - scale metal pieces by Seymour Lipton — some of which are currently on view in the Hamer Sculpture Garden — round out the museum's collection of post-war sculpture.

The Aldrich Contemporary Art Museum is about 20 min away from the Glass House, but certainly worth a look while you're out in the countrysides of Connecticut.

These objects fall into the standard range of museum merchandising: the mugs are silkscreened glass or white porcelain, bags are of untreated cotton, candles play on transparency, the umbrellas recall the glass sails, make - up bags turn inside - out.

Group shows have included Building Blocks: Contemporary Works from the Collection, Museum of Art, Rhode Island School of Design, Providence, Rhode Island (2011), Painting the Glass House: Artists Revisit Modern Architecture, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2008), and Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum, Cornell University, New York (2006).

Tilda Swinton Is Currently Art at MoMA — The actress and artist has brought a performance piece titled The Maybe to the museum in which she lies in a glass box for the whole day (but only on random days, with an unannounced schedule) for the viewing pleasure of agog visitors, and it turns out she did this at London's Serpentine too all the way back in 1995 (predating James Franco!).

At 6:15 p.m., Barry Curator of Glass Diane Wright will give a private tour of Rene Lalique: Enchanted by Glass, followed by a 7 p.m. lecture / demonstration, «Lalique Inside and Out: A Studio Approach to Process and Techniques» by Amie McNeel at the Chrysler Museum Glass Studio.

Image Credit: Tavares Strachan You Belong Here (Yellow), 2012 (detail) Blocked - out neon and glass Blanton Museum of Art, University of Texas at Austin Gift of Anthony Meier in honor of Jeanne & Michael Klein, 2014.

, Tony Shafrazi Gallery, New York, US Intervention / Decoration, Foreground Projects, Frome, Somerset, UK Ambition d'Art, Institute d'Art Contemporain, Villeurbanne - Lyon, FR Redone, Kröller - Müller Museum, Otterlo, NL A Bookcase for Onestar Press by Lawrence Weiner, Christophe Daviet - Thery, Paris, FR Mes Amis, Dvir Gallery, Tel Aviv, IL Reconstruction # 3: Artists» Playground, Sudeley Castle, Winchcombe, Gloucestershire, UK Advancing the Experience: Robert Ryman & Urs Raussmüller, Hallen für Neue Kunst, Schaffhausen, CH Art Basel, Kino Mascotte, Basel, CH Cul - de-sac, curated by Lino Polrgato, Small Dead End Courts Around Venice, IT 2008: FREEDOM - American Sculpture, curated by Marie Jeanne de Rooij, Stichting Den Haag Sculptuur, Den Haag, NL Revolutions - Forms That Turn, Biennale of Sydney, Museum of Contemporary Art, Sydney, AU Slow Glass, Lisa Cooley, New York, US Thoughts On Democracy: Reinterpreting Norman Rockwell's «Four Freedoms» Poster, The Wolfsonian, Florida International University, Miami, Florida, US artCRUSH, Aspen Art Museum, Colorado, US NOLEFTOVERS, Kunsthalle Bern, CH Translocomotion 7th Shanghai Biennale, curated by Julian Heynan, Henk Slager, Shanghai, CN German Angst, Neuer Berliner Kunstverein, Berlin, DE TEXT drawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, US Order.

Located on a landmark site on the edge of the fjord and divided into two halves separated by water, the museum is a spectacular architectural addition to the waterfront, constructed out of wood with a dramatic double curved glass roof.

Cigarettes and smoking have featured repeatedly in Hirst's works, as a series of stubs individually isolated and displayed on seventeen rows of narrow shelves in a glass - fronted cabinet in Dead Ends, Died Out, Examined 1993 (private collection), or heaped in a stinking mass of butts, ash and other smokers» detritus in an eight foot wide white ashtray called Party Time 1995 (Denver Art Museum).