Sentences with phrase «glass pavilion of»

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These trident - shaped exterior columns are set against a distracting architectural background consisting of a skewed diagonal arrangement of white steel beams bolted to one another and then pinned to the steel - mail grid to which the pavilion's exterior glass cladding is attached.
Over the next year, a glass pavilion and the rest of the memorial will be built around the tridents.
A spacious family room sits to the left of the entrance while a fully fitted western kitchen and spacious, glass - walled sea view dining space occupy the lower floor of a pavilion to the right.
The elegant yet welcoming villas are inspired by the historic city of Ayutthaya and feature charming peaked roofs, open - air or glassed - in pavilions and plenty of polished teak.
Set on a private beach overlooking the ocean, the yoga pavilion is a breath - taking wooden construction with panoramic glass windows giving you an unparalleled view of miles of stunning coastline.
The brand is known for its signature «glass - wall» pavilion and upscale level of essential service and amenities, including the 24 - hour Pavilion Pantry, that contribute to a welcoming sense of arrival.
Tucked away in a peaceful corner of the gardens is the Black & White bedroom pavilion, with its own sitting area, twin beds which can be effortlessly converted to a king and three sets of sliding glass doors open onto the gardens.
Making the most of the exceptional ocean view is a pavilion with a glass balcony virtually suspended over a small gorge that cuts into the cliff face.
MASTER BEDROOM: - Located in a very private pavilion close to the river, Villa Pangi Gita's master bedroom is perfect for honeymooners - Furnished with a queen - size four - poster bed and featuring a polished teak floor, vaulted ceiling, generous dressing room and glass doors that open onto a furnished terrace above the pool - Equipped with TV, DVD player and stereo; air conditioned and fan cooled - Air - conditioned bathroom with his - and - hers vanities, separate WC, a huge tiled tub and secluded massage deck GUEST BEDROOMS: - Peacefully situated towards the rear of the property - One king and one queen - size four - poster beds, polished teak floors, vaulted ceilings and sliding glass doors opening onto veranda furnished with daybed and reading chair - Both rooms equipped with TV / DVD players, air - conditioning and ceiling fans - Balinese - style enclosed garden bathrooms with rain showers and bathtubs
Indoor Living The large, light - filled living pavilion features a vaulted roof, signature screen walls of Bengkirai - wood blocks, and a wall of glass sliding doors opening onto the terrace and looking across the pool towards the master pavilion and the ocean beyond.
The main two - storey pavilion is a jewel - like marriage of wood and glass offering stunning panoramic views of the rice fields, allows for an appreciation of the complexity and beauty of time - honoured practices of rice farming.
INDOOR LIVING: - Open - plan living room with walls of glass doors leading onto the pool terrace giving guests the option of open - air or air - conditioned comfort - Oversized cream sofas - 60inch LED TV, Apple TV, DVD and iPod - Two dining tables of reclaimed teakwood, seating six each - Teakwood island serves as a buffet, bar and cooking station - Fully - equipped chef's kitchen capable of serving 20 guests OUTDOOR LIVING: - 12m x 5m free - form tension - edge swimming pool - Expansive ironwood deck bridging the main living pavilion and the beach furnished with poolside beanbags, sun loungers and daybeds - A shoreline pergola with oversized daybed and semi-circular seating area - Gardens and lawn leading directly onto the beach
The beach villas nurture a sense of relaxation through distinctive features including floor - to - ceiling sliding glass doors leading directly to the beach, a skylight to provide a naturally illuminated space, and a new bathroom featuring the signature outdoor shower and bathing pavilion.
Both suites in the Pilisan pavilion feature walls of carved teakwood and beds facing the garden beyond sliding glass doors.
BEDROOMS MASTER SUITE: - Housed in its own pavilion separated from the living and dining area - King - sized bedroom with vaulted ceiling, dark teak floors, glass doors leading out onto a private deck with garden and ocean views - TV lounge with comfortable sofas, large flat - screen TV with DVD player - Small reading room which «floats» above the fish pond with glimpses of the pool - Huge dressing room - Semi-open ensuite bathroom with large rectangular terrazzo bathtub, his - and - hers vanities, and walk - in rain shower - Private garden - Air - conditioned GUEST BEDROOMS 1 & 2: - Both guestrooms are housed in a separate pavilion adjacent to the dining area — designed for children but flexibly accommodate adults - One room has a queen - sized bed with large flat - screen TV and DVD player, while the other one has twin beds and a small outdoor balcony - A corridor with built - in - robes connects the two bedrooms while also giving access to the shared bathroom - Shared bathroom features grey slate walls and flooring, indoor terrazzo bathtub and walk - in shower, additional outdoor shower with water feature - Large shared wooden deck - Air - conditioned GUEST SUITES 1 & 2: - Two - bedroom guesthouse located 50m from the main house for privacy - Queen - sized beds complimented by light and airy cream walls and teak floors - Garden bathrooms with indoor shower and glass sliding doors leading onto a wooden deck - Adjoining living area for the two rooms - Self - contained kitchen with breakfast bar and stools
BEDROOMS - All four air - conditioned bedroom suites are in a two - storey sleeping pavilion at one end of the pool - All have sliding glass doors with teakwood shutters, polished wood floors, hand - made coffered timber ceilings and handsome furniture enriched with Jim Thomson silks - All have 32 - inch TVs with cable channels - The second level master bedroom and guest bedroom have king - size beds (convertible to twin) and share a long balcony with daybeds looking onto the garden.
Atulya Residence's layout of spacious pavilions, high vaulted ceilings and sliding glass doors that seamlessly connect the indoor and outdoor spaces is in complete harmony with its natural surroundings.
Fourteen - foot glass walls, vaulted ceilings and an airy open - plan layout give the central pavilion of Casa Bellavia the magical contrast of refined architecture in a wildly vibrant jungle setting.
Glass folding doors open widely to admit a cooling breeze and the peaceful sound of trickling water emanates throughout the pavilion.
The resort will also offer a world - class spa, featuring eight private pavilions surrounded by the glass - like waters of a lotus pond.
INDOOR LIVING - Large open - plan living pavilion with three walls of glass doors that slide back for fan - cooled tropical living or close for air - conditioned comfort.
Unique artwork adorns what solid wall space there is, while the front facade of the living pavilion is an abstract notion of floor - to - ceiling glass doors and windows that remain open to the elements.
Conceived by noted Balinese architect, Komang Suardika of Jeghier Architect, the villa's generous living areas appear to extend beyond their glass doors and across the shallow pond that flows around the contours of the pavilion, emulating the form of the surrounding rice terraces.
Valuable and renowned artworks line much of what solid wall space there is, while the front facade of the living pavilion is an abstract notion of floor - to - ceiling glass doors and windows that remain open to the elements.
From here, stunning views of the Andaman Sea are visible through the vast sliding glass doors to the front and back of the villa's living pavilion.
The social heart of Tawantok Beach Villa 1 is the bright living and dining pavilion, with its huge rustic wooden table, large comfortable sofas facing a wall - mounted TV screen and broad glass doors opening onto the garden and sea views from two sides.
Glass - walled pavilions topped by peaked roofs make the most of the natural scenery and lush landscaping by renowned designer Bill Bensley.
The only building along a 20 kilometre (12 mile) stretch of coast, it looks over the coast from two glass pavilions.
Conceived by noted Balinese architect, Komang Suardika of Jeghier Architect, the villa's generous living areas appear to extend beyond their glass doors and across the shallow pond that flows around the contours of the pavilion.
Two master bedroom pavilions lie opposite each other across the T - shaped 17 - metre swimming pool (with shallow area for kids), while a glass - wrapped living pavilion sits at the heart of the villa.
The main pavilion features a wall of sliding glass to highlight the stunning view.
Composed of five pavilions, a landscaped garden and a two - tiered swimming pool, the Amandari Villa features three detached terrace - style bedrooms around a glass - walled living room and kitchen.
Composed of five pavilions, a lush garden and a two - tiered swimming pool, the 1,500 - square - metre (16,146 square feet) Amandari Villa features three detached terrace - style bedrooms around a glass - walled living room and kitchen.
Neutral wood, glass, and stone reflect the encompassing landscapes and offer a Zen - like ambiance, which follows through into each of the 16 pavilions that house two beautifully appointed and tastefully decorated guest rooms each.
Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.
The Renzo Piano design integrates the three landmark buildings with three intimately scaled new pavilions constructed of steel - and - glass panels to create an accessible, inviting setting.
Lara Almarcegui fills the pavilion's spaces with mountains of different materials such as brick, concrete, cement, and glass: the same type and quantity of construction materials used by workers to construct the pavilion in the early 20th century.
Strauss - Kahn takes the perp walk in Angel Vergara's Belgian pavilion, in which TV news flashes across seven screens while a gentle paintbrush dabs away at the luminous glass surfaces, as if trying to make sense of the onslaught of appalling images of lust, violence, greed — the seven deadly sins in grim total — turning television into both the base and the source for a new kind of helplessly beautiful abstract expressionism.
They include Peaux de Lapins, chiffons ferrailles à vendre (2006), one of the series of installations that the artist called «Cells», which consists of an arrangement of flesh - coloured materials and significant objects; it will stand at the centre of the glass octagon in an exhibition that fills the pavilion and one floor of the gallery.
On the occasion of Berlin Art Week, Farmer will present two large - scale, site - specific installations — in the Pavillon's rotundas in the souterrain and in the glass pavilion on the first floor.
Los Angeles Metropolitan Transit Authority awarded her a large glass pavilion project, which will be a part of the new LAX / Crenshaw line, slated for completion in 2019.
Refined and minimalist in design, the glass pavilion completes a circuit with the four existing wings of the Museum.
The simple square glass pavilion is a powerful expression of his ideas about flexible interior space, defined by transparent walls and supported by an external structural frame.
Engaging with the history and mission of The Arts Club itself, the two - part installation will bring together McElheny's film The Light Club of Vizcaya: A Women's Picture (2012) and a new site - specific installation titled The Club for Modern Fashions (2013), a constructed glass pavilion into which performers and guests are invited during the lunch hour, Tuesdays through Fridays, dressed in vintage attire from the 1920s to the 1970s — decades that signify the height of a modernist imperative across the cultures of fashion, design, and architecture.
Bridging the gap between art and architecture, Graham's pavilions are engineered out of steel, mirror and glass to create diverse optical effects.
The space mimics that of an open plan gallery, taking over a pavilion - style single storey building with a two wall facade almost fully in glass.
Dan Graham's two - way mirrored - glass pavilion offers a seductively reflective maze, while Anish Kapoor fills an entire gallery with a giant hovering hat - cum - flying saucer called At the Edge of the World.
During my visit, the pavilion was housing an inaugural exhibition of Hiroshi Sugimoto, entitled The Sea and the Mirror, featuring ten large format photographs and an optical glass sculpture from the series Five Elements by the Japanese artist.
Wilson's first work in Venetian glass — a large - scale black Murano glass chandelier (Speak of Me as I Am: Chandelier Mori, 2003) was installed in the vaulted central entrance of the American pavilion during his solo exhibition at the 50th Venice Biennale.
In the glass - enclosed pavilion, each viewer's experience of the work will differ depending on the weather, time of day, and the season.
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