Not exact matches
These trident - shaped exterior columns are set against a distracting architectural background consisting
of a skewed diagonal arrangement
of white steel beams bolted to one another and then pinned to the steel - mail grid to which the
pavilion's exterior
glass cladding is attached.
Over the next year, a
glass pavilion and the rest
of the memorial will be built around the tridents.
A spacious family room sits to the left
of the entrance while a fully fitted western kitchen and spacious,
glass - walled sea view dining space occupy the lower floor
of a
pavilion to the right.
The elegant yet welcoming villas are inspired by the historic city
of Ayutthaya and feature charming peaked roofs, open - air or
glassed - in
pavilions and plenty
of polished teak.
Set on a private beach overlooking the ocean, the yoga
pavilion is a breath - taking wooden construction with panoramic
glass windows giving you an unparalleled view
of miles
of stunning coastline.
The brand is known for its signature «
glass - wall»
pavilion and upscale level
of essential service and amenities, including the 24 - hour
Pavilion Pantry, that contribute to a welcoming sense
of arrival.
Tucked away in a peaceful corner
of the gardens is the Black & White bedroom
pavilion, with its own sitting area, twin beds which can be effortlessly converted to a king and three sets
of sliding
glass doors open onto the gardens.
Making the most
of the exceptional ocean view is a
pavilion with a
glass balcony virtually suspended over a small gorge that cuts into the cliff face.
MASTER BEDROOM: - Located in a very private
pavilion close to the river, Villa Pangi Gita's master bedroom is perfect for honeymooners - Furnished with a queen - size four - poster bed and featuring a polished teak floor, vaulted ceiling, generous dressing room and
glass doors that open onto a furnished terrace above the pool - Equipped with TV, DVD player and stereo; air conditioned and fan cooled - Air - conditioned bathroom with his - and - hers vanities, separate WC, a huge tiled tub and secluded massage deck GUEST BEDROOMS: - Peacefully situated towards the rear
of the property - One king and one queen - size four - poster beds, polished teak floors, vaulted ceilings and sliding
glass doors opening onto veranda furnished with daybed and reading chair - Both rooms equipped with TV / DVD players, air - conditioning and ceiling fans - Balinese - style enclosed garden bathrooms with rain showers and bathtubs
Indoor Living The large, light - filled living
pavilion features a vaulted roof, signature screen walls
of Bengkirai - wood blocks, and a wall
of glass sliding doors opening onto the terrace and looking across the pool towards the master
pavilion and the ocean beyond.
The main two - storey
pavilion is a jewel - like marriage
of wood and
glass offering stunning panoramic views
of the rice fields, allows for an appreciation
of the complexity and beauty
of time - honoured practices
of rice farming.
INDOOR LIVING: - Open - plan living room with walls
of glass doors leading onto the pool terrace giving guests the option
of open - air or air - conditioned comfort - Oversized cream sofas - 60inch LED TV, Apple TV, DVD and iPod - Two dining tables
of reclaimed teakwood, seating six each - Teakwood island serves as a buffet, bar and cooking station - Fully - equipped chef's kitchen capable
of serving 20 guests OUTDOOR LIVING: - 12m x 5m free - form tension - edge swimming pool - Expansive ironwood deck bridging the main living
pavilion and the beach furnished with poolside beanbags, sun loungers and daybeds - A shoreline pergola with oversized daybed and semi-circular seating area - Gardens and lawn leading directly onto the beach
The beach villas nurture a sense
of relaxation through distinctive features including floor - to - ceiling sliding
glass doors leading directly to the beach, a skylight to provide a naturally illuminated space, and a new bathroom featuring the signature outdoor shower and bathing
pavilion.
Both suites in the Pilisan
pavilion feature walls
of carved teakwood and beds facing the garden beyond sliding
glass doors.
BEDROOMS MASTER SUITE: - Housed in its own
pavilion separated from the living and dining area - King - sized bedroom with vaulted ceiling, dark teak floors,
glass doors leading out onto a private deck with garden and ocean views - TV lounge with comfortable sofas, large flat - screen TV with DVD player - Small reading room which «floats» above the fish pond with glimpses
of the pool - Huge dressing room - Semi-open ensuite bathroom with large rectangular terrazzo bathtub, his - and - hers vanities, and walk - in rain shower - Private garden - Air - conditioned GUEST BEDROOMS 1 & 2: - Both guestrooms are housed in a separate
pavilion adjacent to the dining area — designed for children but flexibly accommodate adults - One room has a queen - sized bed with large flat - screen TV and DVD player, while the other one has twin beds and a small outdoor balcony - A corridor with built - in - robes connects the two bedrooms while also giving access to the shared bathroom - Shared bathroom features grey slate walls and flooring, indoor terrazzo bathtub and walk - in shower, additional outdoor shower with water feature - Large shared wooden deck - Air - conditioned GUEST SUITES 1 & 2: - Two - bedroom guesthouse located 50m from the main house for privacy - Queen - sized beds complimented by light and airy cream walls and teak floors - Garden bathrooms with indoor shower and
glass sliding doors leading onto a wooden deck - Adjoining living area for the two rooms - Self - contained kitchen with breakfast bar and stools
BEDROOMS - All four air - conditioned bedroom suites are in a two - storey sleeping
pavilion at one end
of the pool - All have sliding
glass doors with teakwood shutters, polished wood floors, hand - made coffered timber ceilings and handsome furniture enriched with Jim Thomson silks - All have 32 - inch TVs with cable channels - The second level master bedroom and guest bedroom have king - size beds (convertible to twin) and share a long balcony with daybeds looking onto the garden.
Atulya Residence's layout
of spacious
pavilions, high vaulted ceilings and sliding
glass doors that seamlessly connect the indoor and outdoor spaces is in complete harmony with its natural surroundings.
Fourteen - foot
glass walls, vaulted ceilings and an airy open - plan layout give the central
pavilion of Casa Bellavia the magical contrast
of refined architecture in a wildly vibrant jungle setting.
Glass folding doors open widely to admit a cooling breeze and the peaceful sound
of trickling water emanates throughout the
pavilion.
The resort will also offer a world - class spa, featuring eight private
pavilions surrounded by the
glass - like waters
of a lotus pond.
INDOOR LIVING - Large open - plan living
pavilion with three walls
of glass doors that slide back for fan - cooled tropical living or close for air - conditioned comfort.
Unique artwork adorns what solid wall space there is, while the front facade
of the living
pavilion is an abstract notion
of floor - to - ceiling
glass doors and windows that remain open to the elements.
Conceived by noted Balinese architect, Komang Suardika
of Jeghier Architect, the villa's generous living areas appear to extend beyond their
glass doors and across the shallow pond that flows around the contours
of the
pavilion, emulating the form
of the surrounding rice terraces.
Valuable and renowned artworks line much
of what solid wall space there is, while the front facade
of the living
pavilion is an abstract notion
of floor - to - ceiling
glass doors and windows that remain open to the elements.
From here, stunning views
of the Andaman Sea are visible through the vast sliding
glass doors to the front and back
of the villa's living
pavilion.
The social heart
of Tawantok Beach Villa 1 is the bright living and dining
pavilion, with its huge rustic wooden table, large comfortable sofas facing a wall - mounted TV screen and broad
glass doors opening onto the garden and sea views from two sides.
Glass - walled
pavilions topped by peaked roofs make the most
of the natural scenery and lush landscaping by renowned designer Bill Bensley.
The only building along a 20 kilometre (12 mile) stretch
of coast, it looks over the coast from two
glass pavilions.
Conceived by noted Balinese architect, Komang Suardika
of Jeghier Architect, the villa's generous living areas appear to extend beyond their
glass doors and across the shallow pond that flows around the contours
of the
pavilion.
Two master bedroom
pavilions lie opposite each other across the T - shaped 17 - metre swimming pool (with shallow area for kids), while a
glass - wrapped living
pavilion sits at the heart
of the villa.
The main
pavilion features a wall
of sliding
glass to highlight the stunning view.
Composed
of five
pavilions, a landscaped garden and a two - tiered swimming pool, the Amandari Villa features three detached terrace - style bedrooms around a
glass - walled living room and kitchen.
Composed
of five
pavilions, a lush garden and a two - tiered swimming pool, the 1,500 - square - metre (16,146 square feet) Amandari Villa features three detached terrace - style bedrooms around a
glass - walled living room and kitchen.
Neutral wood,
glass, and stone reflect the encompassing landscapes and offer a Zen - like ambiance, which follows through into each
of the 16
pavilions that house two beautifully appointed and tastefully decorated guest rooms each.
Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some
of Lisson's leading artists,
of both the past and present — beginning with monumental works such as one
of Dan Graham's large - scale
glass - and - steel
pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.
The Renzo Piano design integrates the three landmark buildings with three intimately scaled new
pavilions constructed
of steel - and -
glass panels to create an accessible, inviting setting.
Lara Almarcegui fills the
pavilion's spaces with mountains
of different materials such as brick, concrete, cement, and
glass: the same type and quantity
of construction materials used by workers to construct the
pavilion in the early 20th century.
Strauss - Kahn takes the perp walk in Angel Vergara's Belgian
pavilion, in which TV news flashes across seven screens while a gentle paintbrush dabs away at the luminous
glass surfaces, as if trying to make sense
of the onslaught
of appalling images
of lust, violence, greed — the seven deadly sins in grim total — turning television into both the base and the source for a new kind
of helplessly beautiful abstract expressionism.
They include Peaux de Lapins, chiffons ferrailles à vendre (2006), one
of the series
of installations that the artist called «Cells», which consists
of an arrangement
of flesh - coloured materials and significant objects; it will stand at the centre
of the
glass octagon in an exhibition that fills the
pavilion and one floor
of the gallery.
On the occasion
of Berlin Art Week, Farmer will present two large - scale, site - specific installations — in the Pavillon's rotundas in the souterrain and in the
glass pavilion on the first floor.
Los Angeles Metropolitan Transit Authority awarded her a large
glass pavilion project, which will be a part
of the new LAX / Crenshaw line, slated for completion in 2019.
Refined and minimalist in design, the
glass pavilion completes a circuit with the four existing wings
of the Museum.
The simple square
glass pavilion is a powerful expression
of his ideas about flexible interior space, defined by transparent walls and supported by an external structural frame.
Engaging with the history and mission
of The Arts Club itself, the two - part installation will bring together McElheny's film The Light Club
of Vizcaya: A Women's Picture (2012) and a new site - specific installation titled The Club for Modern Fashions (2013), a constructed
glass pavilion into which performers and guests are invited during the lunch hour, Tuesdays through Fridays, dressed in vintage attire from the 1920s to the 1970s — decades that signify the height
of a modernist imperative across the cultures
of fashion, design, and architecture.
Bridging the gap between art and architecture, Graham's
pavilions are engineered out
of steel, mirror and
glass to create diverse optical effects.
The space mimics that
of an open plan gallery, taking over a
pavilion - style single storey building with a two wall facade almost fully in
glass.
Dan Graham's two - way mirrored -
glass pavilion offers a seductively reflective maze, while Anish Kapoor fills an entire gallery with a giant hovering hat - cum - flying saucer called At the Edge
of the World.
During my visit, the
pavilion was housing an inaugural exhibition
of Hiroshi Sugimoto, entitled The Sea and the Mirror, featuring ten large format photographs and an optical
glass sculpture from the series Five Elements by the Japanese artist.
Wilson's first work in Venetian
glass — a large - scale black Murano
glass chandelier (Speak
of Me as I Am: Chandelier Mori, 2003) was installed in the vaulted central entrance
of the American
pavilion during his solo exhibition at the 50th Venice Biennale.
In the
glass - enclosed
pavilion, each viewer's experience
of the work will differ depending on the weather, time
of day, and the season.