Sentences with phrase «glass plate photographs»

Twice during Steven Spielberg's Lincoln, a collection of glass plate photographs are featured.

A tiny speck on a glass plate photograph taken through a telescope in 1923 increased the known size of the universe exponentially.

Not exact matches

He grabbed the photograph — an 8 - by - 10 inch glass plate — and headed off to the darkroom (yes, these were the days of developing images by hand).

A few pioneers like the Shoemakers began to catalog the faint smudges on the glass plates they used to photograph the night sky.

The photographs were recorded on three type of glass photographic plates, sensitive to blue - green, red and near - infrared light.

Scottish physicist James Clerk Maxwell creates the first colour photograph using filters made of coloured glass plates.

Connor's peripatetic practice demonstrates a longstanding interest in the relationship between systems of belief and the natural world, and has seen her photographing wide - ranging subjects, from sacred sites and intricately jagged cliff faces, to antique plate - glass negatives from San Jose's Lick Observatory and petrified bodies from the eruption of Mt. Vesuvius in Pompeii.

In addition to Abbott's own work, the archive includes Eugène Atget photographs printed by Abbott as well as original Atget glass - plate negatives, reminders of her tireless work to rescue and promote the French photographer's oeuvre.

The photographs are scanned from glass plate negatives dating from the turn of the century and printed on tyvek.

Harold E. «Doc» Edgerton (American, 1903 - 1990) Two Photographs: Hammer Breaks Glass Plate and Dancing Ballerina, Nancy Crompton, 1933 and 1952, respectively, both printed c. 1980.

In his series Corona, he photographed the rings created when petrol evaporates on a glass plate.

-LSB-...] This is where I'm at — I have gathered some material, and I'll be re-photographing some of the glass - plate photographs of the sun from the late 19th and early 20th centuries on a lightbox.»

Changing Colors: a workshop on toning black and white photographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Pphotographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Portland, OR

Charles Thomson Rees Wilson, cloud chamber photograph, glass plate negative, c. 1911 — 13, Royal Scottish Academy of Art & Architecture collections (The CTR Wilson collection of Cloud Chamber Photography) © the estate of CTR Wilson, image © Sandy Wood

Using a hundred year old camera, she creates photographs from eight by ten inch wet - collodion glass plate negatives.

This and the following three photographs are part of a series Connor made using glass - plate negatives culled from the archives of the Lick Observatory in California.

When producing color photographs became commercially feasible in 1907 in the form of the glass - plate Autochrome, leading artists like Alfred Stieglitz (1864 — 1946) were initially overjoyed, according to Rohrbach.