McElheny creates mysterious, shifting abstractions by inserting
glass prisms into his work, referring to the past yet suggesting possibilities for the future.
Not exact matches
Five paintings structured after works by Kandinsky and Malevich — McElheny's Crystalline
Prism Painting I, II, III, IV, and VI — feature press - molded and polished
glass prisms inset
into a field of black, matte oil paint brushstrokes, visible behind or through a surface made of a sheet of «museum
glass».
It is not a survey of recent drawings but it seeks to function like a
glass prism, that separates visible light
into its colour spectrum, and reveals some of the constituent parts of contemporary drawing practice.
'' He directed sunlight through a
glass prism to create a spectrum (the rainbow created when light is divided
into its colors) and then measured the temperature of each color.