Michael Lash, the city's director of public art and the man credited with drawing Chihuly to the Garfield Park Conservatory, said the blown
glass sculpture looked like an orange, pear - shaped vase with a sunflower and a leaf planted inside.
Not exact matches
It may
look like a
glass sculpture, but this is actually a miniature organism that belongs to a group called Foraminifera.
They are the type of couple who are beautiful to
look at, stylishly dressed, and even show up with a blown -
glass sculpture as a gift for their new neighbors.
The car's sloping, tapered nose, concealed headlights, mildly pinched waist, rounded tail with cleanly integrated spoiler, and the plentiful curved and angled window
glass all contribute to the GT - S»
sculptured, futuristic good
looks.
In redesigning the Galaxy S6 series — Samsung retained its basic physical
look but went with a
sculptured metal frame and all
glass design, which certainly gives it a much more premium
look and feel.
The redesigned Galaxy S6 series — while retaining its basic physical
look, Samsung went with a strong
sculptured metal frame and all
glass design, which makes it
look more premium, but also makes it somewhat fragile if dropped.
Oscar also makes
sculptures out of
glasses and bottles, and paintings with molded concrete, which are very heavy but don't
look it.
For families with children, Through the
Looking Glass of Louise Bourgeois will focus on the medium of
sculpture as an inimitable imaginative force that Bourgeois used to great effect.
Mucha's meticulously constructed
sculptures — he often works with industrial materials such as aluminum, float
glass, felt, gloss paint, steel, or blockboard —
look variously like showcases and display cabinets or like baroque theatrical installations.
10/11/2017 -11 / 2/2018 Peter Bremers:
Looking Beyond the Mirror From a master of the kiln - casting technique in
glass sculpture comes two distinct bodies of work in Peter Bremers» abstract style that express his exploration of human existence, from the perspective of the individual's perception of the world as well as an observation of our collective power as a group of individuals.
The gallery at Roche Court — a small
glass box
looking out onto an expansive
sculpture park in the Wiltshire countryside — must be an inspiring and intimidating place to exhibit.
Explore this magical collection of
glass sculptures, then
look for other inspiring color combinations in abstract expressionist paintings on the Museum's third floor.
Composed of
glass blocks and piles of the vintage magazines, her precariously stacked
sculptures comment on ways of
looking and seeing, providing varying perspectives, a lens through which to view the past and give context to contemporary culture.
Looking ahead to the second phase of the renovation, she reveals, «Jean - Michel will be showing his monumental
sculptures, some paintings and smaller
glass pieces here in November.»
The lower gallery is occupied by
Looking for One (2015), a 120 x 405 x 195 cm white ceramic tile intervention reminiscent of a toilet or shower area featuring a still life (comprising a polished steel laptop - shaped item, an ashtray with cast popcorn sprouting from it and a multi-purpose cleaner cast in resin) and Taken by Your Equivocal Stance I, II and III (2015), three metal and
glass installations framing hoodies and puffer jackets, adorned with eggs balanced on the edges of the
sculpture.
Our Artist of the Month for January is Korean artist Eunsuh Choi and her out - of - this - world ethereal
glass sculptures that
look delicate, but make a huge statement.
Early on in his career, he stood out as one of the first artists to make installations with found materials, while his relief and free - standing
sculptures, for instance CHILD (1959) and
LOOKING GLASS (1964), received critical acclaim at the time for their masterful compositions and markedly sombre nature.
Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the
Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative
Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.
The 7 m high glazed doors with opaque
glass reflect the hazy light;
looking rather like Japanese screens, they can be closed and open inwards to load
sculpture.
Lorna Simpson, best known for her photographic installations, debuted her first new
sculptures in 25 years at the Frieze art fair in New York last spring: One of them, «They Cheated Death,» consisted of short stacks of vintage Ebony magazines, held down by pieces of
glass that
looked like blocks of ice.
Tall and
looking very constructed, these
sculptures are made of steel and
glass and have bar - shaped parts which project themselves
Her blown
glass, pigmented figures of birds risk
looking generic in summoning echoes of earlier
sculpture as disparate as that of Constantin Brancusi and of Pharaonic Egypt.
The
sculptures, which
look like shields or types of armor, recall earlier works in which the artist employed a geometric alphabet of
glass shapes intermingled with linear neon elements.
Dan Graham is famously wide - ranging, working in film, performance, print, photography, and more, but his best - known pieces remain the pavilions that he began to develop in the late 1970s, steel - and -
glass structures that shift in the viewer's mind between
sculpture to be
looked at and architecture to be entered and moved through.
The hallways were crowded and the elevator packed, but the large main gallery, featuring a mammoth steel
sculpture by Pierre Vadi and Christian Dupraz, was relatively empty, perhaps because no one wanted to step on the frail, barely there
glass rings on the floor (although by the
looks of it, several already had).
Built in the 1940s and opened to the public in 2007 following the death of David Whitney, Johnson's partner of many years, the
Glass House is but one piece of architectural art standing on the 47 - acre estate, which also includes art galleries, outdoor
sculptures, buildings that
look like
sculptures and more (philipjohnsonglasshouse.org).
Looking into a corner of the foyer: a Manolo Valdés alabaster
sculpture stands in front of a
glass wall
sculpture by Rob Wynne.