Sentences with phrase «glass sculptures on»

Glass has been used for the «Flying B» hood ornament as well, reverting to the practice in the»20s and»30s of putting Lalique glass sculptures on radiator caps.

Chicago police Monday plan to track down guests from a weekend wedding anniversary party in the Garfield Park Conservatory to determine who smashed a $ 70,000 glass sculpture on display in the middle of an ankle - deep pond at the popular Chihuly exhibit.

Not exact matches

I plan on actually constructing this mask out of stained glass as a sculpture one day.

It's not uncommon to come across an image of a pelican — usually stabbing itself in the chest with its own beak — in ornate stained glass windows or depicted on sculptures on the sides of churches.

But at least when we drive all this way, we know we're not going to get rained on,» said David Leppla, who traveled from Cedarville, N.J., to sell his and wife Melaine Guernsey - Leppla's stunning glass vases, bowls and sculptures.

Police said they learned little Monday about who broke a $ 70,000 Chihuly glass sculpture, but the artist said the incident has not soured him on the Garfield Park Conservatory exhibit of his work.

The village church where Strickland is buried has images of turkeys depicted in stained - glass windows, a carved lectern and even stone sculptures on the walls.

The patient then lies down on a brown sofa surrounded by artwork, sculptures of Buddha, and, on a nearby bookshelf, a little glass mushroom with a red cap.

I have gone back to school and am now working on my BFA majoring in sculpture, ceramics and a minor in glass.

We learn about Toronto activists who've drastically cut collision deaths by placing small markers on mirrored or clear - glass building surfaces that birds otherwise can't perceive; a fight between hunters and preservationists over the ortolan bunting, still a culinary delicacy despite its trapping being declared illegal in 1999; and monitors at a 9/11 memorial in New York, making sure that a temporary light sculpture doesn't confuse birds at the height of migration season.

The Perimeter of the instrument - panel face glass is set well back of the folded leather sculpture wall on which the clock is set.

Further Detailing Is Presented With The Unmarked 17» Seven Arm NSX Alloy Wheels Which All Sit On Branded Tyres, The Chromed Tipped Twin Oval Exhaust Pipes, The Reflective Back Light Panel That Dominates The Rear Decorated With The Honda Chromed H, The Gloss Black Engine Vents That Sits Neatly On The Boot Lid, The Blackened NSX Embossed Door Handles, The Glass Domed Rear Window Which Lifts For Easy Engine Access, The Face Lifted Bubble Head Lamps, The Blackened Mesh Lower Front Mesh Grille, The NSX Embossed Brake Calipers Finished In Factory Gold, The Colour Coded Sculptured Rear Wing Side Engine Vents, The Infamous Rear Boot Lid Spoiler And Decorated With A Subtle Chromed H On The Bonnet.

Perhaps you'll take a walk through the Monkey Forest Bali, where troops of grey monkeys live in the trees and amongst traditional Balinese sculptures — just remember to hold on to your hats as these cheeky primates are well known to run off with sun hats and glasses, especially if you're holding some fruit to feed them.

Don't miss Hall on the way in, a modern steel - stone - and glass tasting room with sculptures strewn throughout the 33 - acre property.

The works by 24 nationally renowned artists explore the removal of color and its aesthetic effect on myriad mediums, including wood, glass and sculpture.

At the New Museum's exhibition «Trigger: Gender as a Tool and a Weapon,» she has on view a glass sculpture in which clay is drained and re-drained while a sound recording tells viewers that the object is effectively useless.

Though the two shows have some pieces in common, including Richter's seminal paintings of the terrorist Baader - Meinhof group, the Tate offers a view of less well - known works on paper and glass sculpture, along with more recent pieces like 2005's «September,» Richter's depiction of the 9/11 attacks, and 2000's «Lilies,» shown here.

Welling has elaborated on the physical and conceptual properties of his interventions, explaining how Johnson's «glass box -LSB-...] seems like a conceptual sculpture, a gigantic lens in the landscape.

On 4th November, Gallery Elena Shchukina hosted the private view of Luke Jerram's glass sculptures.

The sculpture consists of two identical black lacquered solid steel «J' forms perforated with holes originally positioned right up close on either side of one of the imposing glass panes constituting the façade of Mies van der Rohe's iconic building.

On view here are a series of twisting glass brick sculptures and her largest painting to date, a breathtaking cloud - like triptych that measures more than 25 feet wide and conveys her interest in science, poetry, and metaphysical realities.

As the artist explains,» The space will be filled with sinuous, large, sprawling structures on two opposing walls (units composed of weaving of metal grid and clear, iridescent,» edge glowing» Plexi glass), which transmit, reflect, and refract light while the painted dark walls of the gallery are enclosed with images that echo the shadows and reflections of the gleaming sculpture.

At one point as I tried to get more information about a floor sculpture that resampled broken glass, and a set of blue paintings with some subtle white abstract elements on them, the gallery director couldn't even tell me about the work.

Normally a sun drenched thoroughfare, the spacious multi-story glass reception area directs patrons to the two galleries on the main floor or to the café overlooking the museum's sculpture garden.

Line becomes the frame for painting on glass that could be sculpture.

focus on Merz as an innovator in the field of sculpture and display sculptures and installations made of wax, glass, metal, wicker, wood, photography and neon.

Elements of the sculpture spread out on the floor are reflected in the glass that protects the photographs.

These are photographic series, works on paper, and sculptures of cast glass.

Two of Hirst's more recent paintings in which the artist returned to the traditional medium of oil on canvas are included, as well as «Resurrection» (1998 - 2003)-- a unique sculpture featuring a skeleton bisected by two glass panels, in the position of the crucifixion.

On view April 25 — August 19, 2018, the works — suspended plate - glass sculptures internally etched with images of clouds — evoke Isamu Noguchi's interest in sculpting ephemeral materials, and in using them to shape space.

Sculptural constructions by Richard Stankiewicz, Betye Saar, and Abe Ajay, a mobile by Alexander Calder, a large glass piece by Dale Chihuly, and several large - scale metal pieces by Seymour Lipton — some of which are currently on view in the Hamer Sculpture Garden — round out the museum's collection of post-war sSculpture Garden — round out the museum's collection of post-war sculpturesculpture.

Celebrated for her exquisite structures of fused metal and glass, the exhibition will also include works in a range of media, from early ceramic and wood sculptures to seminal explorations in metal to dynamic paintings and works on paper.

The artwork of Edgar Heap of Birds includes multidisciplinary forms of public art messages, large - scale drawings, Neuf Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor sculpture.

Comparing the opinions of various curators, Glasstress addresses this issue through glass sculptures specially made by major artists on the contemporary scene and through objects and sculptures made by designers, whose research was influenced by the formal aspect of the use of the object.

Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.

Exhibition at Galerie de Bellefeuille in Montreal featuring multiple artforms including etchings on glass, lightboxes, limited edition photographs, Neon light installations and Photo Sculptures.

Outstanding works in the contemporary collection include Frank Stella's monumental geometric painting Raqqa II (1970), Ellsworth Kelly's minimalist painting Blue Panel (1980), Anselm Kiefer's Untitled (1980 — 86) triptych, Gerhard Richter's abstract painting Station (577 - 2)(1985), Elizabeth Murray's three - dimensional painting Pigeon (1991), Guillermo Kuitca's evocative painting People on Fire (1993), Sean Scully's luminous painting Wall of Light Peru (2000), Jaume Plensa's illuminated sculpture Doors of Jerusalem I, II, & III (2006), Beth Lipman's monumental glass sculpture Bride (2010), Mickalene Thomas's powerful painting Three Graces: Les Trois Femmes Noires (2011), Kehinde Wiley's provocative portrait Judith and Holofernes (2012), and Yinka Shonibare's dynamic outdoor sculpture Wind Sculpture Isculpture Doors of Jerusalem I, II, & III (2006), Beth Lipman's monumental glass sculpture Bride (2010), Mickalene Thomas's powerful painting Three Graces: Les Trois Femmes Noires (2011), Kehinde Wiley's provocative portrait Judith and Holofernes (2012), and Yinka Shonibare's dynamic outdoor sculpture Wind Sculpture Isculpture Bride (2010), Mickalene Thomas's powerful painting Three Graces: Les Trois Femmes Noires (2011), Kehinde Wiley's provocative portrait Judith and Holofernes (2012), and Yinka Shonibare's dynamic outdoor sculpture Wind Sculpture Isculpture Wind Sculpture ISculpture II (2013).

On the Concept of History 2013 Pigment prints on anodized aluminum, mixed media on canvas, acrylic on wood, bronze, blackened steel, conrete, broach, stainless steel, chrome painted acrylic hand sculpture, and stainless steel scrubber with broaches attached in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 80 x 20 inches (203.2 x 203.2 x 50.8 cm) ARG # MEJ2013 - 0On the Concept of History 2013 Pigment prints on anodized aluminum, mixed media on canvas, acrylic on wood, bronze, blackened steel, conrete, broach, stainless steel, chrome painted acrylic hand sculpture, and stainless steel scrubber with broaches attached in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 80 x 20 inches (203.2 x 203.2 x 50.8 cm) ARG # MEJ2013 - 0on anodized aluminum, mixed media on canvas, acrylic on wood, bronze, blackened steel, conrete, broach, stainless steel, chrome painted acrylic hand sculpture, and stainless steel scrubber with broaches attached in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 80 x 20 inches (203.2 x 203.2 x 50.8 cm) ARG # MEJ2013 - 0on canvas, acrylic on wood, bronze, blackened steel, conrete, broach, stainless steel, chrome painted acrylic hand sculpture, and stainless steel scrubber with broaches attached in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 80 x 20 inches (203.2 x 203.2 x 50.8 cm) ARG # MEJ2013 - 0on wood, bronze, blackened steel, conrete, broach, stainless steel, chrome painted acrylic hand sculpture, and stainless steel scrubber with broaches attached in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 80 x 20 inches (203.2 x 203.2 x 50.8 cm) ARG # MEJ2013 - 025

Artworks include: cups, plates, planters, pots, bowls, boxes, tapestries / stitchery, hanging work, glass, watercolor & collage on paper, found objects, sculpture, wood, and much more.

For families with children, Through the Looking Glass of Louise Bourgeois will focus on the medium of sculpture as an inimitable imaginative force that Bourgeois used to great effect.

We'll explore sculptures and mosaics made from reused glass followed by a hands - on workshop making art with supplies from our reusable glass section.

Biggers» use of light, reflection and shadow inspired this improvised sculpture which uses household glass items currently available on the warehouse floor.

Stella has an essential place in the Glass House's collection overall, with additional works currently stored, but not currently on view, in the Painting Gallery and several pieces on display in the adjacent Sculpture Gallery, all of which range from the 1960s to the 1990s.

That terrain lies equidistantly between painting and sculpture, trading in frames and thresholds, extending out in to space with media as various as paint on canvas, on metal, copper wire, mirror and glass.

In these works, blue gazing balls, hand blown from glass, have been placed on white plaster sculptures depicting signature examples of antique statues from the Greco - Roman era, including the Farnese Hercules and the Esquiline Venus, along with everyday utilitarian objects encountered in today's suburban landscape, such as rustic mailboxes, a birdbath and an inflatable snowman typically seen outside during Christmas.

The ghostly standing presences evoke the sensuality of nude sculpture, and the echo of medical imagery makes her glass a window on mortality.

In the first room of Marian Goodman's new gallery, adjacent pairs of vast grey painted - glass panels are retwinned on opposite walls, so that the space contracts a little around a huge central sculpture, 7 Panes of Glass (House of Cards)(2013), that drolly invokes both Richard Serra's cliffs of leaning steel and Caspar David Friedrich's The Sea of Ice (1glass panels are retwinned on opposite walls, so that the space contracts a little around a huge central sculpture, 7 Panes of Glass (House of Cards)(2013), that drolly invokes both Richard Serra's cliffs of leaning steel and Caspar David Friedrich's The Sea of Ice (1Glass (House of Cards)(2013), that drolly invokes both Richard Serra's cliffs of leaning steel and Caspar David Friedrich's The Sea of Ice (1824).

The gallery walls are occupied by the artist's words, found in the wall - sized, poured - glass text sculptures, and in the machine - embroidered writing on top of the artist's paintings.

Fiore continues her practice of using fireworks as her sole medium to create works on paper and, most recently in addition, glass sculptures by uniquely utilizing fireworks and smoke bombs for her work and compositions.

Take the glass elevators to the balcony on the second floor for a panoramic view of the entire group of sculptures.