Sentences with phrase «glass surface into»

It can turn ANY glass surface into a reflective, mirror - like finish.

The cutting - edge project brought the 4,500 - square - foot glass surface into the energy - efficient 21st century while preserving its historic Beaux - Arts appearance.

Not exact matches

The stereo surface, the glass and the water itself all become part of this conductor, so certain signals interpreted by the arrangement of stereo, glass and water are translated into specific responses.

1) Sift self - raising flour into a large mixing bowl 2) Cut the butter into small cubes and mix it with the flour, using two knives to mix the butter and flour together 3) Once the dough achieves a sand - like mixture, use your hand to compact the dough and knead very gently 4) Sprinkle a cool, flat surface with flour, and flatten the dough with a rolling pin until it reaches a 1 cm thickness 5) Pre-heat oven to 190 — 200 deg cel 6) Use a round cookie cutter (or a champagne glass) to cut out small circles of dough 7) Place dough circles on a greased and floured baking tray 8) Bake scones for 15 to 20 minutes or until they have turned golden brown on top 9) Once scones have cooled, cut them sideways into half 10) Mix chopped fresh chives and cream cheese together until they have integrated homogeneously 11) On each scone half, spread some cream cheese and chive mixture, then place a couple of slices of ham and cheese on top, then top with more cream cheese mixture and finally sprinkle with fresh chives

Pour the filling into a medium glass bowl and cover with plastic wrap directly touching the surface of the pastry cream.

Firmly press the apricot mixture into the baking pan, using the flat surface of a measuring cup or drinking glass to create a flat even layer.

Roll dough on lightly floured surface into 13 - inch circle and transfer to 9 - inch pie pan, preferably glass.

Dust a flat surface with flour, roll pie crust out to 1/8 inch thick, and cut into 4 - inch circles (or larger, if you prefer) with a pastry cutter or edge of a glass.

Double strain into a coupe glass, sprinkle the top evenly with sugar and torch the surface until the sugar has caramelized (turned golden brown).

Press crumbs into the base of the tin, using a drinking glass to compact the crumbs and make a flat surface.

And because the map is engraved into the surface of the glass, the result is a work of art that has a truly unique look and feel, and is designed to last a lifetime.

THE WRITING IS ON THE WATER In this video, sped up 10 times, researchers remove permanent ink from a glass surface by slowly dipping it into water.

Building such systems represents a daunting task, as all established camera technologies rely on bulk glass lenses and detectors constructed on the planar surfaces of silicon wafers which can not be bent or flexed, much less formed into a hemispherical shape.

Put a drop of superfluid on most surfaces, and it spreads out into a thin layer, rather than beading like water on glass.

As a result, the center remains in tension, and the outer surfaces go into compression, which gives tempered glass its strength.

When you pour some soda into a glass, some gas escapes and forms foam, but most stays trapped by the surface tension of the water.

Above 650 degrees, the silver dissolves into the molten glass frit and interacts at the silicon surface.

In the presence of oxygen, silver dissolved readily into the glass when temperatures are higher than 650 degrees Celsius, causing more silver to eventually end up at the silicon surface and in turn forming a better contact.

Dilute it with water, transfer into a spray bottle and use for cleaning kitchen surfaces, bathroom or even glass!

To serve, use a large spoon to scrape across frozen surface and pile into salt - rimmed glasses.

As brown liquor glides into a tumbler and cocaine sprinkles onto a glass surface, the scene could be any (cliché) pre-party for an artist waiting to take the stage.

School grounds should be inspected for potential hazards such as: • Verandah poles outside doorways, in thoroughfares or in situations where students are unlikely to see them, especially while running; • Steps and changes in level which are poorly proportioned, difficult to see or lack handrails; • Fencing, gates and railings which students climb and which have structural problems, sharp protrusions, splinters or other hazards; • Trip hazards at ground level — protruding drainage pit covers, irregular paving, cracks or tree roots in thoroughfares, broken off post or other remnants of old structures; • Loose gravely surfaces on slopes and where students run; • Slippery patches which may stay damp in winter; • Rocks which students can fall onto or throw around; • Embankments which students can slip down or which have protruding sharp objects; • Blind corners in busy areas; taps and hoses which are positioned where students play or walk; window glass at low levels through which students could fall; • Holes, cracks or exposed irrigation fixtures in ovals; • Trees or shrubs with poisonous parts, sharp spikes or thorns or branches at eye level; • Splinters and deteriorating timbers in seats, retaining edges and other wooden constructions; • sSeds or other areas with hazardous chemicals or machinery to which students have access; rubbish skips which students can climb into or around, or which place students at risk when trucks enter the school; • Areas within the site used for car parking when students are present; and, • Sporting equipment such as goal posts or basketball rings which have structural or other design or maintenance problems.

The extended roof of the concept sketch bears the iconic Zagato double - bubble surfacing complete with glass inlays to let light flood into the cockpit.

With the new Porsche Communication Management system (PCM) including navigation module which, with its rimless glass surface, fits perfectly into the center console.

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It projects all important information in brilliant resolution directly into the field of vision of the driver via a retracting glass surface.

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This system features a 7 - inch multi-touch monitor with high - quality glass surface, which is perfectly integrated into the center console and offers numerous new and extended connectivity functions thanks to the standard Connect Plus module.

The touch controller IC regulates the light emitters and they send out short pulses of light just above the touch surface (or into a glass or fluid).

ISORG develops a disruptive technology transforming plastic and glass into smart surfaces able to see.

Thr Brooklyn - based artist, 29, who joined Lehmann Maupin last May, fashions the surfaces of his large expressionistic pictures and assemblages from «oil skins,» created by pouring oil paint into glass, allowing it to dry, then peeling away the resulting sheets of color.

Five paintings structured after works by Kandinsky and Malevich — McElheny's Crystalline Prism Painting I, II, III, IV, and VI — feature press - molded and polished glass prisms inset into a field of black, matte oil paint brushstrokes, visible behind or through a surface made of a sheet of «museum glass».

The swirling, bleeding colours of the Flow paintings conjure the chaos of light when you close your eyes while staring into the sun, and yet the glass surface causes the entire abstraction to recede into an otherworldly dimension of order that stands simultaneously removed from and just within the grasp coherence.

Water Table I and Water Table II, unique pieces designed by Rauschenberg in 1971, are also minimal in design, free of extraneous details that might detract from the materials employed and essential function.The box - like tables are made of wood and white formica and have a sheet of glass set into their top surfaces making visible a light source within the interior, a space which is also meant to contain water.

Strauss - Kahn takes the perp walk in Angel Vergara's Belgian pavilion, in which TV news flashes across seven screens while a gentle paintbrush dabs away at the luminous glass surfaces, as if trying to make sense of the onslaught of appalling images of lust, violence, greed — the seven deadly sins in grim total — turning television into both the base and the source for a new kind of helplessly beautiful abstract expressionism.

For the exhibition at Goodman Gallery, Lou explores the surface normally accepted as the ground for art — the canvas — making it into the subject of the work, but instead of cloth, the «canvas» here is woven out of unified, off - white glass beads.

It reminds me of the upcoming James Bond film logo where Bond shoots a hole in a glass surface in the middle of the letter C of SPECTRE; the cracks subtly morph into legs of a spider.

Using glass stringers in the flame we will work with modular design principles to create geometric, floral, and animal forms on beads, We will delve into a variety of special materials and techniques that change the glass surface lending an interesting depth to the surface of the work.This will be a playful, fun session building on the methods we developed using stringer and design.

She draws inspiration from a variety of cultural and historical traditions and incorporates them into her glass beads using unique surface treatments to create depth and visual interest.

While the flat glass surface at first appears as calm water, it turns into a hole each time someone, somewhere, somehow attempts suicide.

«Kusama directly and deliberately plays with the surface of the Glass House,» the curator Irene Shum explains, adding that the work «draws the visitor out into the landscape with layer reflections of polka dots.»

With the help of 3D glasses provided by the gallery, one can also see the surface magically piercing into the print creating an illusionistic view of a crater.

In converting 2D imagery into physical objects, she creates trompe - l'oeil sculptures, fluid in shape that lure the viewer into expecting malleable forms, when they are in fact comprised of resistant, hard - surface materials, such as blown glass.

The works are fashioned from the same small handful of materials and shapes: tubes of stainless steel; circular and rectangular sheets of transparent and reflective glass; thin lines cutting out, carved into, or painted on to hard surfaces.

Wilson has cut into the black glass, leaving vacant shapes in the otherwise unmarred surface, which correspond with the faces of the Venetians in Longhi's paintings.

Fontana will be represented by a focused survey of his nearly five - decade career, spanning his earliest Spatial Concepts, in which small canvases evoke immense galaxies through swirling fields of paint subtly embedded with small stones and broken glass, to his famous Attessi, or cuts, in which the artist has used a sharp knife to literally slice through the canvas surface into another space.

Using stencils, he would then sandblast designs into the glass, etching the surface and grinding away the upper layers to reveal an underlying color.

This 29 - year - old artist, however, sets out to break his mirrors, starting with a reflective glass pane and pouring hot resin on top until the heat and weight of the goo cracks the surface into jagged lines.

Two colorful blown glass sculptures (which bear an immediate resemblance to Klein Bottles, a surface that deconstructs into two Moebius strips) occupy the center of the Orchard Street space, alongside two drawings on paper that show similarly tortuous figures.

Watch artist Josiah McElheny and assistant Martha Friedman transform clear hand - blown glass objects into mirrored surfaces in his Brooklyn, NY studio.