Sentences with phrase «glass vitrine»

"Glass vitrine" refers to a display case or cabinet made of glass that is used to showcase or exhibit items. It allows you to see the objects inside while protecting them from damage or being touched. Full definition
Carefully crafted objects line the walls of one room in glass vitrines displayed in a museum like fashion.
The Dawn 2013 Acrylic on canvas, pigment print on anodized aluminum, concrete, and aluminum in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 47 x 20 inches (203.2 x 119.4 x 50.8 cm) ARG # MEJ2013 - 044
Central to the exhibition are 40 unique artists's books, their pages painted with gesso to mimic marble, displayed in an installation of glass vitrines.
Beside and below these tables, the 10 original artifacts are enclosed in semi-opaque tinted glass vitrines installed on the gallery floor.
Shock - frozen at -196 degrees centigrade, the plants are then displayed in sealed glass vitrines and kept refrigerated at -20 degrees centigrade, transforming them from ordinary houseplants into delicate «living fossils.»
The sculptures, all from 2016, are presented in niches and glass vitrines designed in collaboration with the artist.
Away from the Flock employs Hirst's signature structure of a floor - based glass vitrine, in which the animal is centrally suspended.
Outside the gallery a vast glass vitrine contains the sweepings of Nordström's studio floor; rejected watercolour figures and fragments displayed like historical artefacts.
Featured in the NSU Art Museum exhibition will be works such as Kiefer's massive painting, The Fertile Crescent, 2009; his monumental landscape, Winterwald, 2010; imposing glass vitrine tableaux of organic and inorganic material such as Jakob's Traum, 2010; and important early watercolors and artist books.
Be it a broken beer bottle neck; a brick smashed through an empty glass vitrine; a stack of two tires inscribed with the curling lettering of a racist rhyme; a dog tag inscribed with the artist's name, or a perspex box containing a series of identity cards of all South African political parties, Geers's work is deeply invested in examining the codes of and languange of materials and the forms they give rise to.
This sculpture's glass vitrine references store - front displays that are often smashed during periods of civil unrest.
In the CMA's Glass Box Gallery, an architecturally scaled glass vitrine inserted into the museum's original Beaux Arts edifice, Wilson presented a spare installation of merely four works.
Maggots hatch inside a white minimal box, turn into flies, then feed on a bloody, severed cow's head on the floor of a claustrophobic glass vitrine.
Zac Langdon - Pole, King Bird of Paradise (Apoda), 2016, re-prepared taxidermy bird of paradise, glass vitrine case (altered), Installation view, Triennale Kleinplastik, Fellbach, 2016
Tradition 2013 Cast concrete, chrome fixture, shoes, painted wood, acrylic on denim, and pigment print on anodized aluminum in blackened stainless steel and glass vitrine Exterior: 100 x 72 x 48 in (254 x 182.9 x 121.9 cm) ARG # MEJ2013 - 016
The most famous work in the auction was «Out of Sight, Out of Mind,» a 1991 work by Damien Hirst of two cow heads in formaldehyde, each in their own glass vitrine, which sold for $ 552,500, an auction record for the artist.
In examining the objects on display, I was struck by how modern yet alien they appeared perched on their stands and ensconced behind glass vitrines.
The tanks, glass vitrines supported on black steel stands, were made in three sizes, holding one, two or three professional basketballs.
2012 resin, enamel paint, wood and glass vitrine overall installed dimensions: 64 x 20 1/2 x 20 1/2 inches; 162.6 x 52.1 x 52.1 cm
«The Editor» (2015), boxboard, paper, mounted on wooden base (Victorian Ash) under low iron glass, 30 x 30 x 65 cm (including glass vitrine)
New Objectivity 2013 Acrylic on mirrored panel, pigment print on anodized aluminum, bronze, blackened steel, and plastic mannequin foot with hosiery in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 47 x 20 inches (203.2 x 119.4 x 50.8 cm) ARG # MEJ2013 - 026
Two assemblages are encased in glass vitrines and illuminated from the interior, reinforcing Genzken's notion of the public and political relic and paying backhanded homage to traditional modes of viewing and presenting works of art.
Shock - frozen at — 196 ˚ centigrade by being dipped in liquid nitrogen, the plants are displayed in a sealed glass vitrine and kept refrigerated at — 20 ˚C.
Produced using a variety of techniques, including slip - casting and hand - molding, in traditional and non-traditional materials, including glazed ceramic, Sculp - metal, polyurethane, and epoxy, Nagle's works are displayed here in specially made niches and plate - glass vitrines designed in close collaboration with the artist.
The Croatian - born artist re-configures earlier works in a stage - like setting, complete with a microphone that disappears into the wall and floor - based glass vitrines, where the role of the performer is being shifted onto the viewer who crotch must down, crane his neck and sometimes even guess at the contents of rolled - up artworks.
The second exhibition of Hirst's installation «Pharmacy» (1992) altered the original by enclosing the Insect - O - Cutor within a steel and glass vitrine containing rats.
This show provides a rare opportunity to study 15 examples free of glass vitrines and to appreciate the variety of surface, technique and expression that this style afforded individual artists.
To the north, it creates a visual axis between the two glass vitrines installed outside that are visible through the window wall that divides the dual entrances.
Included in the exhibition are Imi Knoebel's sculptural shaped canvasses and Graham Collins's display of a black monochrome inside a glass vitrine as well as works by Daniel Boccato, Sarah Braman, Graham Collins, Peter Demos, Imi Knoebel, Olivier Mosset, Sam Moyer, Steven Parrino, Michael Staniak and Blair Thurman.
This group includes Yamaguchi Katsuhiro's glass vitrines that change color as one moves, his slide show of hands as one of the first sound pieces, and Kitadai Shōzō's debts to Alexander Calder and Constructivism.
In Index (2005 — 06), a site - specific installation in the Sculpture Garden at El Camino College in Torrance, California, multiple vacuum - sealed bags full of sucrose solution float within a glass vitrine, and tubing runs from their openings to perforations in the vitrine's walls and base.
One of the first pieces the viewer encounters is a painting of the sea by Daniel G. Baird, a two - sided picture encased in a glass vitrine.
On the Concept of History 2013 Pigment prints on anodized aluminum, mixed media on canvas, acrylic on wood, bronze, blackened steel, conrete, broach, stainless steel, chrome painted acrylic hand sculpture, and stainless steel scrubber with broaches attached in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 80 x 20 inches (203.2 x 203.2 x 50.8 cm) ARG # MEJ2013 - 025
2013 Pigment prints on anodized aluminum and chrome fixtures in stainless steel and glass vitrine 97 1/2 x 48 x 48 in (247.65 x 121.92 x 121.92 cm) ARG # MEJ2013 - 023
2013 Acrylic on canvas, pigment print on anodized aluminum, concrete, and aluminum in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 47 x 20 inches (203.2 x 119.4 x 50.8 cm) ARG # MEJ2013 - 044
Las Meninas (2Xist) 2013 Pigment prints on anodize aluminum, acrylic on wood, concrete, aluminum, bronze, and stainless steel in stainless steel and glass vitrine 97 1/2 x 72 x 48 in (247.65 x 182.88 x 121.92 cm) ARG # MEJ2013 - 022
2013 Pigment prints on anodized aluminum, mixed media on canvas, acrylic on wood, bronze, blackened steel, conrete, broach, stainless steel, chrome painted acrylic hand sculpture, and stainless steel scrubber with broaches attached in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 80 x 20 inches (203.2 x 203.2 x 50.8 cm) ARG # MEJ2013 - 025
2013 Pigment prints on anodize aluminum, acrylic on wood, concrete, aluminum, bronze, and stainless steel in stainless steel and glass vitrine 97 1/2 x 72 x 48 in (247.65 x 182.88 x 121.92 cm) ARG # MEJ2013 - 022
Theory of Progress 2013 Acrylic on wood, acrylic on plexi, and pigment print on anodized aluminum in stainless steel and glass vitrine 97 1/2 x 48 x 48 in (247.65 x 121.92 x 121.92 cm) ARG # MEJ2013 - 024
The stainless steel and glass vitrines in her current exhibition house arrangements of early 20th century inspired hand made sculpture casts and paintings, taking on a similar function as Mies van der Rohe's well - known designs and glass structures for art collections: art and art history are here on display.
2013 Acrylic on mirrored panel, pigment print on anodized aluminum, bronze, blackened steel, and plastic mannequin foot with hosiery in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 47 x 20 inches (203.2 x 119.4 x 50.8 cm) ARG # MEJ2013 - 026
2013 Acrylic on wood, acrylic on plexi, and pigment print on anodized aluminum in stainless steel and glass vitrine 97 1/2 x 48 x 48 in (247.65 x 121.92 x 121.92 cm) ARG # MEJ2013 - 024
Deutscher Werkbund 2013 Pigment prints on anodized aluminum and chrome fixtures in stainless steel and glass vitrine 97 1/2 x 48 x 48 in (247.65 x 121.92 x 121.92 cm) ARG # MEJ2013 - 023
This first look centers on two glass vitrines that relate to the museum's architecture and geometry.
Dawn (To Enter Butterfly Boulevard), 2008, Mercedes steering wheel, butterfly chrysalis, glass vitrine, steering wheel: 14 in (W), vitrine: 23 x 19 x 14 in
Meanwhile the gallery's glass vitrines are filled with books.
Single - channel video, hanging mirror, electronics, display glass vitrine, repurposed antique ceramics.
Four wood and glass vitrines, two casting molds, two aluminum casts, and two aluminum objects, dimensions variable.
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