Sentences with phrase «glass wall installations»

Cindy Brandt has now completed five fused glass wall installations for the World Bank Headquarters in Washington, DC.

Not exact matches

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SureFlap is easy to install indoors, windows or walls; glass mounting and wall installation kits are available.

The Batik is nestled in Kuching city centre, in the epicentre of its commercial, tourist and entertainment districts.It offers 15 spacious rooms designed with guests comfort and convenience in mind.Room offerings include silk duvets, LCD TV with satellite channels, iPod docking station and speaker, complimentary specialty tea and coffee and free wifi.The property has adopted batik as its design style and representations of the batik pattern may be seen in various elements within the hotel, including its flooring, lighting, feature walls, glass installations and front facade.Within the hotel premises, The Batik houses Tarot Salmon serving Japanese cuisine, Boutique Bar at the reception area, an outdoor covered jacuzzi and a roof terrace.

Ross's recent collaborations include a multimedia installation with Pan Gongkai, president of the Central Academy of Fine Arts in Beijing, and a 3.5 ton, 28 ′ x 28 ′ stained glass wall with architects Mack Scogin and Merrill Elam for the U.S. Federal Courthouse in Austin, Texas.

For Pace, Wilson will reconfigure Afro Kismet which includes two chandeliers, two monumental Iznik tile walls, four black glass drip works, and a globe sculpture, as well as installations and vitrine pieces that gather cowrie shells, engravings, photographs, a Yoruba mask, and furniture, among other objects that the artist discovered in his frequent trips to Istanbul throughout 2016 and 2017.

Fontana's best - known works are the aforementioned slash paintings, but beginning in the late»40s he made what artists 50 years later called installation art, using neon lights, colored glass, metal sheets, and painted walls.

A central figure in the California Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptures, wall pieces, and installations since the late 1960s.

For the 2003 Venice Biennale, Wilson created a mixed - media installation of many parts — focusing on Africans in Venice and issues and representations of blacks and whites — which included a suite of black glass sculptures; a black - and - white tiled room, with wall graffiti culled from texts of African - American slave narratives; and a video installation of «Othello,» screened backwards.

An installation view of «The Wandering Lake» shows, on the table and back wall, glass urinary - device sculptures from 2017, and on the side walls, the three - channel video «Configurations» (2016).

These works include her richly layered wax paintings and poured latex and polyurethane foam sculptures of the late 1960s and early»70s; innovative videos, installations, and «knots» from the 1970s; metalized, pleated wall pieces of the 1980s and»90s; and pieces in a variety of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case of the monumental The Graces (2003 — 05).

The artist designed the installation to capture reflections on the famous glass wall of the modernist building.

The additional works on view at RISD range from grids of Polaroid photographs from the Secrets series (1974 — 75), a large fan - shaped wall piece from the Peacock series (1979), and a group of large paper Vessel Lamps (2009), as well as pieces rendered in clay and glass and the five - piece Phantom installation.

For Kusama's site - specific installation «Dots Obsession — Alive, Seeking for Eternal Hope,» the artist's team will return to the Glass House to apply hundreds of double - sided vinyl Pepsi red dots to the inside of its walls.

Among the works on display are Innoportune: Stage one (2004, installation consisting of nine cars and sequenced multichannel light tubes), Reflection — A Gift from Iwaki (2004, excavated wooden boat and porcelain), and Head On (wolves jumping head on against a glass wall, first realized for Cai Guo - Qiang's solo exhibition at the Deutsche Guggenheim in Berlin).

Each work is an independent spatial installation filled with carefully arranged objects which, in interaction with cell walls of glass, wire mesh or old doors, create psychologically tense and sensual scenarios.

New work by the Danish - Icelandic sculptor and installation artist Olafur Eliasson gleamed brilliantly at Tanya Bonakdar, including Polychromatic Attention 2015, a series of large glass globes shown in a circle on the wall that collectively presented the colours of the light spectrum but appeared clear when seen from the side.

I have been exploring these issues in several series simultaneously: small drawings on mylar; wall pieces with wax and handmade paper and thread on glass sheets; sheer handmade paper pieces embedded with threads and tissue; and installations which use these elements in an accumulated form.

The long glass wall that separates the Lobby Gallery from the New Museum Lobby is a central feature of the installation.

Wilson's «Sala Longhi» installation, which he premiered at the 2011 Venice Biennale, takes up the second gallery, with a white glass chandelier emerging from a wall - mounted picture frame surrounded by smaller frames filled with black glass out of which face - shaped circles have been cut.

Visible through a broad wall of glass at the building's entrance, the installation is one of the central components of New - York Historical's new Robert H. and Clarice Smith New York Gallery of American History.

Ross Bleckner's «Galaxy Painting,» a scattering of stars against a deep blue background, and Fernández's «Burnout,» a wall installation made of glass cubes that suggests a sun, take a cosmic view, while Willie Cole's «Dance Trance I» is firmly grounded.

An installation without any walls, only glass.»

Installation: cast acrylic, hand - blown glass, cnc - milled topographical wall and ceiling attachment, full - spectrum lighting, and tropical planting.

«Stranded Asset: Filler», 2017 cast fuel ash, metal hardware, Murano glass, electrical hardware, fluorescent bulbs, aluminium studs, synthetic FDG gypsum sheetrock, spackle, PVC compliance sign object: 77 x 126 x 28 cm, wall: 260 x 240 x 9 cm installation dimensions variable

«Stranded Asset: Filler», 2017 cast fuel ash, metal hardware, Murano glass, electrical hardware, fluorescent bulbs, aluminium studs, synthetic FDG gypsum sheetrock, spackle, PVC compliance sign object: 77 x 126 x 28 cm, wall: 260 x 240 x 9 cm installation dimensions variable detail

Some of his best - known works include a series of installations that destabilize the solidity of gallery walls, such that they appear to be dripping, folding, oozing, or absorbing furniture; also figuring among his oeuvre are pixelated clouds based on photographs and rendered with hand - colored spheres, and sculptures made from granulated materials like crushed glass.

They complement and contrast her earlier works — wall mirrors constructed of glass shards, wood, and reclaimed frames which insist on personal negotiations with reflection and desire, and immersive installations that reference architecture and cinema.

The Crystal Land is divided into three sections: a series of wall reliefs (Crystal Landscape Paintings) inspired by the artist Robert Smithson; a film, including a «glass cinema» and movie posters (The Light Club of Vizcaya: A Women's Picture) inspired by the writer Paul Scheerbart; and a large - sacle installation (Island Universe) inspired by the physicist Andrei Linde.

Christopher Jeffries executes his unique designs that embody the beauty of hand blown glass art in his wall installations.

And all the critical rants to the contrary, this Biennial is not without its ephemeral gestures to private emotions, including Kiki Smith's shower of glass tear drops strewn before two transparent feet and lovingly titled Mother (1992 - 3); Jack Pierson's Diamond Life (1990), a sensitive hommage, with desk cigarette butts and Joni Mitchell albums, to the slower moments of an emotional life in the 70s; Lari Pittman's intricately patterned paintings; Lorna Simpson's wonderful wall of trumpet mouthpieces that form part of her installation Hypothetical?

In this newly created installation, Cetera draws inspiration from the consumer language of the storefront window, employing its specific layers of flattened perspective produced by glass - walled architecture, and tight proximity of space that is both public and private.

In The Colonies (2016), his first solo exhibition at MoMA, Beloufa presents an immersive installation of kinetic sculptures and video projection; CCTV cameras with Raspberry Pi mounts (small inexpensive CPUs) and speakers; walls made from foam and resin; plastic bags with crushed beer and soda cans; seating areas made from steel, pleather, and wood; and two videos — centered around his 2011 video People's Passion, lifestyle, beautiful wine, gigantic glass towers, all surrounded by water.

Credits: If Slaughterhouses Had Glass Walls, 2002/2010 video Installation installation View Photo by Thomas Mueller Courtesy of the artist and Gavin Brown'Installation installation View Photo by Thomas Mueller Courtesy of the artist and Gavin Brown'installation View Photo by Thomas Mueller Courtesy of the artist and Gavin Brown's enterprise

The exhibition features new works created specifically for the Wellin, including a site - specific, 70 - foot wall painting installation; a 4 x 10 foot, glass and metal mobile; and a series of large - scale paintings and drawings.

She has produced a major new installation, utilising large sheets of glass to make «tapestries» that form horizontal surfaces throughout the space, and a large wall mural of magazine images and toothpaste.

Here, the immersive installation, titled Casa de Cambio (2016), sees walls festooned with paintings of fruit and exotic travel posters, a glass column filled with hand - made jewelry, and wall - mounted monitors streaming commissioned videos by Latin American artists.

More recently, she has been making wall hangings, experimenting with Murano glass, and working on an outdoor installation that pays tribute to Harriet Tubman.

Several works stand out: photographer Deana Lawson and painter Henry Taylor point to deep - seated racial tensions, Jordan Wolfson's virtual reality video underlines the numbing effect of real and virtual violence, Raul de Nieves bejewelled faux stained glass wall finds beauty in the esoteric and spiritual and Samara Golden's disorienting multi-storey installation illustrates the unnerving effect of insipid architecture and urban sprawl.

Reactivation of the Installation from Documenta IX, 1992 Variable dimensions sheets of glass, ventilator, chicken legs, cloth, duvet, pillows, Venetian blinds, carved wood, feathers, rope, test tubes with pigment and tobacco, wall - drawing with pigment Collection of the artist photo: Christine Clinckx, M HKA

Ross» recent collaborations include a multimedia installation with Pan Gongkai, president of the Central Academy of Fine Arts in Beijing, and a 3.5 ton, 28 ′ × 28 ′ stained glass wall with architects Mack Scogin and Merrill Elam for the U.S. Federal Courthouse in Austin, Texas.

SPENCER FINCH Painting Air 2012 Glass, hardware, wall painting Dimensions variable Installation at the Rhode Island School of Design Museum of Art, Providence, RI Based on Claude Monet's pond at Giverny.

It is custom framed with glass in a classic modern red metal Nielsen frame, with an attached hanging wire on the reverse back side for easy wall installation.

His work is represented in international public and private collections worldwide, including the Corning Museum of Glass, Corning, NY, where his 1,000 - square - foot installation The Glass Wall (1998) is on view.

Hackensack Dreaming is a site specific, room - sized, glass, rubber, metal, and handmade paper installation, with passages to walk through, and floor and wall coverings encrusted with thought provoking delights.

Installation shot of Barry Ledoux's 1982 Fugge, Fugge, Anima Mea, a wall mounted sculpture of lead, copper, glass beads, wax, and pigment.

W7T (65») wallpaper «on - glass» for wall mount only $ 13499 includes Atmos sound bar, Signature delivery and installation.

Included in the renovations was the replacement of the façade with glass curtain - wall recladding and the installation of new electrical and mechanical systems, as well as new elevators.

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My contractor outsourced it to the glass company (the glass and the installation), but I think that was the budget allotment we gave to the glass wall.