Sentences with phrase «glass workshop at»

In 1962, in partnership with Dominic Labino, Littleton opened a famous glass workshop at the Toledo Museum of Art in 1962.

He headed the glass workshop at the Bauhaus until 1933, when it closed under Nazi pressure.

Each year the Fellowship provides $ 5,000 (AUD) and a residency (4 to 8 weeks) within the glass workshop at ANU to an artist working with glass.

Not exact matches

His production of The Glass Menagerie at the American Repertory Theater in Cambridge, Massachusetts and Broadway has been nominated for seven Tony Awards, including Best Director and Once (New York Theater Workshop, Broadway and the West End) won John a Tony, a Drama Desk Award, an Outer Critics Circle Award and an Obie Award.

The hot glass design performance program was inspired by glass design workshops presented by the Corning Museum at Domaine de Boisbuchet, a design retreat center and cooperative effort of the Vitra Design Museum and the Centre Georges Pompidou, C.I.R.E.C.A. in the Charente region of Southwest France.

Lipofsky has been an instructor for seminars and workshops at art and craft schools, including the Pilchuck Glass School in Stanwood, Washington; Columbus College of Art and Design in Columbus, Ohio, Southwest Craft Center in San Antonio, Texas; Haystack Mountain School of Crafts in Deer Isle, Maine; Bezalel Academy of Arts and Design in Jerusalem, Israel; San Francisco Art Institute, San Francisco, California and the Art Department of the University of Wisconsin, Madison.

He currently studies the art of stained glass at the workshop of the world - renowned master glassmaker, JM Bonet, and has participated in the restoration, conservation and construction of the stained glass windows of the Sagrada Familia cathedral.

2012 Artist Talk, In the Balance, LACMA Muse Program, Hollywood, 2009 Guest Lecturer, Machine in the Garden, Hollywood, CA Guest lecturer, Professional Practices, Metropolitan State University, St. Paul, MN Visiting Artist and Lecturer, Minneapolis College of Art and Design, Minneapolis, MN 2008 Dinner and Conversation with the Artist (7 participating artists) Republic Restaurant, Hollywood, CA Artist Talk, the Lucent Dossier Project, Glass Garage Gallery, Hollywood, CA 2007 Guest Lecturer, Glass Garage Gallery, Hollywood, CA 2006 Guest Lecturer, Woman Painters of Washington Association, Ellensburg, WA 2005 Guest Lecturer / Critic Trialogue, the Minneapolis Institute of Arts, MN Guest Lecturer / Workshop on Mental Imaging, Bloomington Art Center, MN Guest Lecturer, University of Minnesota, Larson Gallery, St. Paul, MN Guest Lecturer / Workshop on Mental Imaging, Rochester Arts Center, Rochester, MN 2004 Visiting Artist and Lecturer, St. Cloud State University, St. Cloud, MN Guest Lecturer, Central Illinois State College, East Peoria, IL Guest Lecturer, Prairie Arts Center, Princeton, IL Guest Lecturer, Augsburg College, Minneapolis, MN Juror, Annual Student Exhibition, Augsburg College, Minneapolis, MN 2003 Visiting Artist, North Dakota University, Fargo, ND Guest Lecturer, Plains Art Museum, Fargo, ND Guest Artist, Rolling Plains Exhibition at Lester Prairie, MN 2002 Visiting Artist and Lecturer, Another Twist, Winona State University, MN 2001 Guest Lecturer, Twist of Minnesota, Weisman Art Museum, Minneapolis, MN 1998 Visiting Artist, Metropolitan State University, Minneapolis, MN 1998 Guest Lecturer, «Layers of Myth and Metaphor», U. of M., Minneapolis, MN 1997 Guest Lecturer, Community College at Sioux Falls, Sioux Falls, SD 1997 Guest Lecturer, U. of M., Minneapolis, MN

It was also at the Bauhaus that she met and fell in love with Josef, a student in the glass workshop who was 11 years her senior.

Filmed at the Michael Davis Stained Glass workshop in Long Island City, New York, objects from this session were later given a mirrored surface as part of the artist's Total Reflective Abstraction series of works that took as their point of departure a conversation between Buckminster Fuller and Isamu Noguchi.

Changing Colors: a workshop on toning black and white photographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Portland, OR

The workshop has expanded to curate international glass exhibits with participating artists at the NY Museum of Arts and Design and currently at the Boca Raton Museum.

The conference included the following highlights: an opening keynote address by Fairfax Dorn and a closing keynote address by Alice Aycock, 13 panel discussions held at the Renaissance New Orleans Arts Hotel, Contemporary Arts Center New Orleans, Ogden Museum of Southern Art, and Xavier Univeristy, an opening reception at the Ogden Museum of Southern Art, mentor sessions, ARTSlams, a Glass Casting Workshop at Tulane University, a digital workshop at Xavier University, and numerous optional tours and actWorkshop at Tulane University, a digital workshop at Xavier University, and numerous optional tours and actworkshop at Xavier University, and numerous optional tours and activities.

She has won multiple awards for her work including most recently the SIP Fellowship at the Robert Blackburn Printmaking Workshop, Puffin Foundation Grant, and Merit Scholarship at Urban Glass.

The DIA's collection includes iconic works by Dominick Labino and Harvey Littleton, who founded the studio - glass movement in 1962 with workshops at the Toledo Museum of Art.