Sentences with phrase «glass workshops of»

This Buddhist altar - set was created in the court glass workshops of the Qianlong emperor, third ruler of the last of the Chinese imperial dynasties, the Qing (1644 â $ «1912).

Not exact matches

Available in various designs like a seahorse, red fish, mermaid, dolphin and turtle, this glassware is handmade in a third - generation workshop in Verona, Italy where ordinary glass is transformed into stunning works of art.

Our goal is to connect youth with the medium of glass through workshops that enrich their spacial understanding, artistic development and confidence.

His production of The Glass Menagerie at the American Repertory Theater in Cambridge, Massachusetts and Broadway has been nominated for seven Tony Awards, including Best Director and Once (New York Theater Workshop, Broadway and the West End) won John a Tony, a Drama Desk Award, an Outer Critics Circle Award and an Obie Award.

Coffee Table Books: The Year of Cozy A Wilder Life The Flower Workshop Tom Ford Vogue Living: Houses, Gardens, People Paris Versus New York Matte Leather Bound Vogue Covers Kate Spade — All in Good Taste Alice's Adventure in Wonderland and Through the Looking Glass (cloth flamingo cover)

Jackson Hole Writers Conference's intimate size means writers meet each other and the faculty, share ideas along with a glass of beer or wine, and make new contacts in a workshop.

The upshot: you can take the Z into the sawdust - covered workshop and reasonably expect you won't come away with a film of powdered wood under your display glass or camera lens.

Businesses can order a big batch of these products and we can personalise them with their logo or name etched in the glass, all done in our glass workshop directly on Gili Trawangan.

He has been awarded fellowships and residencies from the Wheaton Arts and Cultural Center of New Jersey, Pioneer Works Center for Art and Innovation in Brooklyn, NY, Ramdom Association's «DEFAULT «15» workshop in Gagliano Del Capo, Italy, Urban Glass's Studio Residency program in Brooklyn, NY, and Residency Unlimited in Brooklyn, NY.

The studio in Seattle, Washington, which Chihuly founded and directs, is an extraordinary workshop, employing many of the greatest glass artists to realize his unique vision.

Archival materials are spread through two geographically separated spaces, the A + D Gallery and the Glass Curtain Gallery, and the program also includes workshops and student exhibitions as part of a yearlong fellowship from the Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media.

The hot glass design performance program was inspired by glass design workshops presented by the Corning Museum at Domaine de Boisbuchet, a design retreat center and cooperative effort of the Vitra Design Museum and the Centre Georges Pompidou, C.I.R.E.C.A. in the Charente region of Southwest France.

This workshop will focus on glass fusing, which is the heat bonding of separate pieces of glass in a kiln.

Blesofsky has participated in numerous residencies, such as Urban Glass, the Lower East Side Printshop, Museum of Arts and Design, CUE Art Foundation, Smack Mellon, Dieu Donné, the Lower Manhattan Cultural Council's Workspace, the California Legion of Honor in San Francisco and KKV Print Shop in Malmö, Sweden, a partnership with the Women's Studio Workshop.

Among the recent exhibitions Gant has curated or co-curated are Wondrous Worlds: Art & Islam Through Time & Place (The Newark Museum, 2016); A Lifelong Adventure: Brandywine Workshop Prints from the Green - Christian Collection (University of Texas, John Warfield Center for African & African Diaspora Studies, 2013); De-Luxe, and New Works: April Woods (The Contemporary Austin, 2012); and There is No Looking Glass Here: Wide Sargasso Sea Re-Imagined (Deutsche Bank America, New York, 2010).

Such was the case of artist Anni Albers, who was barred from the architecture and glass workshops and was advised to defer to weaving.

This workshop will draw heavily from technical study, and its role as a gateway to open interpretations of glass practice.

Lipofsky has been an instructor for seminars and workshops at art and craft schools, including the Pilchuck Glass School in Stanwood, Washington; Columbus College of Art and Design in Columbus, Ohio, Southwest Craft Center in San Antonio, Texas; Haystack Mountain School of Crafts in Deer Isle, Maine; Bezalel Academy of Arts and Design in Jerusalem, Israel; San Francisco Art Institute, San Francisco, California and the Art Department of the University of Wisconsin, Madison.

The school offers intensive studio - based workshops in a variety of media, including clay, glass, metals, paper, blacksmithing, weaving, woodworking, and more.

He currently studies the art of stained glass at the workshop of the world - renowned master glassmaker, JM Bonet, and has participated in the restoration, conservation and construction of the stained glass windows of the Sagrada Familia cathedral.

2012 Artist Talk, In the Balance, LACMA Muse Program, Hollywood, 2009 Guest Lecturer, Machine in the Garden, Hollywood, CA Guest lecturer, Professional Practices, Metropolitan State University, St. Paul, MN Visiting Artist and Lecturer, Minneapolis College of Art and Design, Minneapolis, MN 2008 Dinner and Conversation with the Artist (7 participating artists) Republic Restaurant, Hollywood, CA Artist Talk, the Lucent Dossier Project, Glass Garage Gallery, Hollywood, CA 2007 Guest Lecturer, Glass Garage Gallery, Hollywood, CA 2006 Guest Lecturer, Woman Painters of Washington Association, Ellensburg, WA 2005 Guest Lecturer / Critic Trialogue, the Minneapolis Institute of Arts, MN Guest Lecturer / Workshop on Mental Imaging, Bloomington Art Center, MN Guest Lecturer, University of Minnesota, Larson Gallery, St. Paul, MN Guest Lecturer / Workshop on Mental Imaging, Rochester Arts Center, Rochester, MN 2004 Visiting Artist and Lecturer, St. Cloud State University, St. Cloud, MN Guest Lecturer, Central Illinois State College, East Peoria, IL Guest Lecturer, Prairie Arts Center, Princeton, IL Guest Lecturer, Augsburg College, Minneapolis, MN Juror, Annual Student Exhibition, Augsburg College, Minneapolis, MN 2003 Visiting Artist, North Dakota University, Fargo, ND Guest Lecturer, Plains Art Museum, Fargo, ND Guest Artist, Rolling Plains Exhibition at Lester Prairie, MN 2002 Visiting Artist and Lecturer, Another Twist, Winona State University, MN 2001 Guest Lecturer, Twist of Minnesota, Weisman Art Museum, Minneapolis, MN 1998 Visiting Artist, Metropolitan State University, Minneapolis, MN 1998 Guest Lecturer, «Layers of Myth and Metaphor», U. of M., Minneapolis, MN 1997 Guest Lecturer, Community College at Sioux Falls, Sioux Falls, SD 1997 Guest Lecturer, U. of M., Minneapolis, MN

Filmed at the Michael Davis Stained Glass workshop in Long Island City, New York, objects from this session were later given a mirrored surface as part of the artist's Total Reflective Abstraction series of works that took as their point of departure a conversation between Buckminster Fuller and Isamu Noguchi.

The Gathering of the Guilds: July 10 - 12, 11 a.m. - 3 p.m., The Houston Center for Contemporary Craft, 4848 Main St. Will include demonstrations, information and workshops on wood, glass, clay, metal, fiber or mixed media.

Traveled to: deCordova Museum and Sculpture Park, Lincoln, Massachusetts, February 13 — April 6; Archer M. Huntington Art Gallery, University of Texas, Austin, July 31 — September 21; May and Leigh Block Gallery, Northwestern University, Evanston, Illinois, October 23 — December 14; Williams College Museum of Art, Williamstown, Massachusetts, January 15 — March 8; Akron Art Museum, Ohio, April 9 — May 31; Madison Art Center, July 26 — September 20, 1987 (Catalogue) Self — Portrait: The Photographers» Persona, 1840 — 1985, The Museum of Modern Art, New York, November 7 — January 7, 1986 Workshop Experiments: Clay, Paper, Fabric, Glass, Brattleboro Museum and Art Center, Vermont, October 18 — December 8, 1985 (Catalogue) American Realism: The Precise Image, Isetan Museum of Art, Tokyo, July 25 — August 19, 1985.

Changing Colors: a workshop on toning black and white photographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Portland, OR

The workshop has expanded to curate international glass exhibits with participating artists at the NY Museum of Arts and Design and currently at the Boca Raton Museum.

The conference included the following highlights: an opening keynote address by Fairfax Dorn and a closing keynote address by Alice Aycock, 13 panel discussions held at the Renaissance New Orleans Arts Hotel, Contemporary Arts Center New Orleans, Ogden Museum of Southern Art, and Xavier Univeristy, an opening reception at the Ogden Museum of Southern Art, mentor sessions, ARTSlams, a Glass Casting Workshop at Tulane University, a digital workshop at Xavier University, and numerous optional tours and actWorkshop at Tulane University, a digital workshop at Xavier University, and numerous optional tours and actworkshop at Xavier University, and numerous optional tours and activities.

In 1962, in partnership with Dominic Labino, Littleton opened a famous glass workshop at the Toledo Museum of Art in 1962.

The DIA's collection includes iconic works by Dominick Labino and Harvey Littleton, who founded the studio - glass movement in 1962 with workshops at the Toledo Museum of Art.

Participants will learn the basics of the 19th century Wet Plate Collodion Process in the two - day workshop, and will create «direct positive» 4» x 5» tintypes, and cyanotypes from glass plates.

Join artist and MAD Open Studios alumni Yuka Otani for an afternoon workshop exploring the creative possibilities of sugar glass through the lens of...

out (2017) in the Pavilion of Traditions, composed of a series of sculptures and glass lamps made in workshops in Murano, and

But they led to his appointment as an apprentice head of the glass workshop and to commissions for stained glass in architectural settings.

There are a number of Glass - focused workshops on the I / O schedule, but short of an announcement about Glass» consumer release (and this would be a longshot), don't expect any bombshells.

* Experience in Oracle Database: SQL / PL, Administration Workshop I. * Knowledge of Glass Fish and Tomcat web servers.

Soaring ceilings and walls of glass create a light, bright space perfect for enjoying the sweeping mountain views.Privately gated 2.85 acres offers elements of outdoor living with a horse arena, pool / spa, RV parking, and usable land for workshop / barn.

A pair of blown glass lamps by Anthony Stern [below, Stripey lead - crystal table lamp, # 850] that I bought directly from his Battersea workshop.

Expect to see lots of factory - style lighting and workshop lamps in burnished metals and raw materials such as concrete, wire and recycled glass.