Sentences with phrase «glazed ceramic on»

Ricky Swallow's trompe l'oeil bronze sculpture suggests a rope trick frozen in time; Arlene Shechet's «Space Place,» which also takes its name from Ra, places a cardiod organic glazed ceramic on a contrastingly smooth concrete pedestal.

Robert Arneson Memorial Slab # 1: Springs on a Summer Night, 1988 Glazed ceramic on granite base 16 x 23 x 6 inches RAs 217

Lee Maida Lonely Days, 2016 Pigment stick, watercolor, charcoal, and glazed ceramic on inkjet print 43.75 x 31 x 1 inches

Not exact matches

They're glazed on the front and raw ceramic on the back and are installed individually using grout and spacers.

Since then, I've received a few emails asking for more information to support the safety of the glaze used on ceramic cookware.

Xtrema products feature a revolutionary ceramic non-scratch ceramic glaze on the inside and outside of every vessel.

The car also had many unique body features such as rhombus - pattern cover on the air inlets and outlets, continuous aluminum lip spoiler, glass roof with two large transparent sections, glazed engine compartment behind the seats, NACA duct in the middle of the roof for cooling of the bigger V12 engine, optional carbon fibre lining of the engine compartment, LED headlights with color temperature of 6,000 kelvin, 365 mm (14.37 in) three - spoke flat bottom diecast magnesium core sport steering wheel upholstered in Valcona leather, aluminum application on the center console, 24 - piston (total) brake calipers (red six - piston monobloc aluminum front calipers, fixed rear calipers) and ventilated carbon fibre reinforced silicon carbide ceramic brake discs.

Contemporary art is comprised of a variety of materials, we know that, but in three or four days at the fairs — more than, say, in a month in Chelsea — you see it all: string, twine, thread, clay, silicone, wax, rubber, wood scraps, wood shims, metal, resins, glass, wire, pins, needles, buttons, stuffing, mattresses, carpet, glazed ceramic, fabric, plywood, rolled paper, glue tiles, boxes, chains, lace — shall I go on?

Marcel Wanders» total environment will include several bodies of work: large abstract figural mirrors, such as Dysmorphophobia 1, 2 and 3, with carved details and cutouts, create an illusion of a character or ghostly figure; Self 2 is a steel cabinet and kinetic piece, balancing a sculptural ovoid form that abstracts a human head and physically rocks on the top surface; Tempter, an over-sized adult rocking unicorn is cast in bronze with metal chain stirrups; Shiqule Nuhai, two ceramic vases, monumental in height, reference Marcel Wanders» Delft Blue collection with a darker sensibility, using black glaze.

A former graphic designer, his recent artistic practice has been focused on reinterpreting and playing with the language of traditional tile design, and that of the Portuguese tin - glazed ceramic azulejo in particular.

Deformed, as if cringing in protest against being discarded, and rendered in glazed ceramic, the objects form a lyrical visual commentary on the rapid obsolescence of household items that are often invested with meaningful memories.

Sarah Jaffe Turnbull lives and works on the East End of Long Island and is known for her expressive, intimate glazed ceramic sculptures which have been seen in various venues in the area.

Exhibition highlights include: a rare 1943 Jared French egg tempera on board of four ghostly figures entwined; a newly discovered Henry Koerner masterpiece, The Arcades (1950), depicting the bizarre on display at Coney Island's boardwalk; a haunting 1950 black ink drawing of two children by Charles White; and Robert Arneson's Black and White Mask (1983), an unforgiving self - portrait in glazed ceramic.

A new focus on ceramics is lifting them from the craft world to art (Patrick Jackson's thickly glazed mugs, Norbert Prangenberg's biomorphic shafts, Bettina Samson's scientific explorations of natural phenomena).

«Claire Falkenstein: Matter in Motion» explodes this narrow view with nearly 50 works, introducing a relentless exploration of abstraction in early paintings on canvas and also curved perforated aluminum; sculptures of wood and glazed ceramics; and one fantastic mixed - media relief.

Also on view: «monumental heads made of majolica - glazed stoneware; vitrified glazed ceramics resting on books and raw cedar pedestals; photographs of defaced Greek and Roman heads, printed on silk, cut, sewn together, and stretched to a uniform height.»

Entitled the «Yama Series,» these works were inspired by Japanese Momoyama period (17th century) ceramics, while incorporating lush glazes based on contemporary American phenomena: custom car colors, stucco walls, speckled linoleum.

Learn to make ceramic forms that we will glaze and then stack together to create a table - top - size sculpture on a metal armature.

«I start by layering thin oil washes of intense color on wooden panels to create a liquid smooth ground, not unlike ceramic glaze.

Helen Marten, Under blossom: B. uses frenzy, 2014; Screen - printed suede, leather, waxed cotton, pressed Formica, ash, cherry, walnut, welded galvanized steel, glazed ceramic, strings, cast bronze and aluminum, and colored pencil on paper under resin; Rubell Family Collection, Miami

Ursula Morley Price uses a monochromatic brown matte glaze on her roughly textured ceramic sculptures, enhancing the play of light and shadow on the paper - thin flanges enrobing her vessels.

Visually held together by ephemeral gold leaf, this impressive construction is balanced on a carved hoof and a glazed ceramic block.

The artist's mixing of dyed clay, based on the Japanese method of Neriage, ensures that unlike traditional ceramics that are tinted and glazed only on their surface, these pieces are instead wholly infused with vibrant color.

(Left to right): Carl Walters, Whale, 1927, glazed ceramic, private collection, courtesy of Conner - Rosenkranz, NY (photo Mark Ostrander); Sara Greenberger Rafferty, Jokes on You (detail), 2016, acrylic polymer and inkjet prints on acetate on plexiglas, and hardware; courtesy of the artist and Rachel Uffner Gallery (photo by JSP Photography).

Sketched in intense blue pigment on white glazed ceramic tiles, the artwork captures architectural fragments of the historical facade of Princes House.

At the other end of the scale, just eighteen by thirteen inches, Celmins has painted a close - up of a glazed ceramic plate, depicting it as an allover pattern of white cracks on greenish - gray field.

His varied output includes 18 - foot - tall phallic «stalagmites» dripping with seemingly viscous urethane; rough - hewn ceramics with primordial glazes; paintings done with Robitussin - red nail polish or graffiti - like spray - paint; sculptures of smudged and scratched white minimalist forms; bus - sized cages on wheels; and videos of frustrated male pornstars masturbating to no end.

Background: Swoon, 2006; Glazed ceramic and hydrocal plaster on concrete and steel base; 61 1/2 x 18 x 18 inches Installation view: New Work, Elizabeth Harris Gallery, New York

At Berkeley, we were doing ceramic sculpture inspired by Voulkos, sort of abstract expressionist ceramic sculptures on a huge scale, with a tremendous amount of craft involved in making, firing, and glazing them.

The glazed ceramic was based on a 2015 performance commissioned by the Whitechapel Gallery, in which Arancio hosted a group hypnotherapy session re-enacted from a YouTube video.

What this new group has achieved for me is a transfer not so much of form but of an attitude to colour and surface that comes from the use of glaze on earlier ceramic pieces.

A Question of Sight, 2014 (exhibition view) LED lamp on timer, glass prism, metallic spray paint, glazed ceramic, gold chain, plaster, acrylic, glitter, gold sign paint on lightbulb, hook, wood, digital chromogenic print size variable Commissioned by Manresa Gallery

For her 2017 exhibition at Lehmann Maupin New York, titled, Fire (America), Fernández presented a 16 - foot glazed ceramic panel depicting a nocturnal image of fire, a series of burned, laser - cut landscapes on paper, and a site - specific installation that resembled a horizon line composed of charred lump charcoal applied directly to the gallery walls.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

«Teresita Fernández: Fire (America)» presents new works by the artist, including a 16 - foot glazed ceramic wall panel depicting a landscape on fire set in the dark of night.

Similarly, Jewel & Peg Leg are an Item features a colorful, wooden piece in the shape of a diamond or a gem, topped with a blue, glazed ceramic design while right beside it is another painted wooden piece balancing on a pink pad of clay on one side and a peg leg on the other with a dark pink triangular flap rising to the surface.

Collage 2 - Up, 2016 acrylic on ceramic, paper, spray paint, leather, unglazed and glazed ceramic, pigment print, mirrored and fluorescent plexiglas, paper, wood size variable

Steel, Aluminium; hand thrown glazed ceramic; Terracotta; Model board; Ash; Cherry; Valchro - mat; Sepili; chipboard; carboard; sprayed MDF; fur; silk; sequins; cast Resin; cast Jesmonite; oil paint on paper; airbrushed steel; stitched and embroidered fabric; lace; stones; mother of pearl; rope; tin foil; brass bells; cast rubber; sand; bucket; micro beads; Formica; engraved Brass; Copper; matchbooks; beads; cotton string

Jessica Jackson Hutchins 杰西卡 • 杰克逊 • 哈钦斯 Dinner Theater 晚宴剧场, 2012 Collage on canvas, glazed ceramic, chair 布面拼贴 、 上釉陶瓷 、 椅子 85 1/2 x 72 1/2 x 21 inches; 217.2 x 184.2 x 53.3 cm

Instead of displaying them on the gallery walls, Crowner has arranged the works around a raised stage of glazed, ceramic tile.

His Bibelots are «ceramic paintings» that straddle the boundary between sculpture and painting and represent a new form of experimentation with glazes that riff on techniques used around the inception of the industrialist / capitalist era.

Installation view, top to bottom: Micius Stephane, At Home, c. 1960s, oil on board, Rodman Collection; Nyugen E. Smith, Bottle Crate with Teacups, 2014, found wood and glazed ceramics; Nyugen E. Smith, Socks and Shoes, 2012, mixed media and shoes

Over the last few weeks I have encountered a rather odd collection of sculptural things: the postwar ceramic sculpture of Lucio Fontana and Fausto Melotti bursting with dynamically glazed and roughly handled surfaces, currently on view at the Nasher Sculpture Center; The Age of Innocence, a victorian bust in three different materials by the English sculptor Alfred Drury at the Henry Moore Institute; a visit to Henry Moore's house, studios, and now foundation at Perry Green, and most recently what I can only describe as a wonderfully insane lecture by the contemporary sculptor Thomas Houseago, which involved an increasingly drunk, cursing artist saying some surprisingly sincere, profound things about sculpture.

This volume showcases historical pen and ink sketches by John Tottenham, hummingbird portraits by Brian Calvin, glazed ceramic constructions by Liz Larner, and deadpan street shots by Trevor Hernandez (better known as Gangculture on Instagram), together with contributions by Cali Dewitt, Paul Mpagi Sepuya, Lily Stockman, Richard Tinkler, and Evan Whale.

From intricate latticework screens to elephantine columns and finely glazed ceramics, groups of architects, students and researchers at Grymsdyke Farm have been investigating the realm where earthy local materials and high - tech computer - controlled manufacturing collide — and the results of their latest architectural experiments will be on show at this intriguing exhibition in Bristol.

These sculptural ceramic white glazed lamps with elongated wooden necks made of walnut are mounted on turned w...

Metallic Vinyl Upholstered Tufted Headboard — Metallic Bronze Details on Light Fixtures Gold Fabric Drapery with Polished Chrome Hardware — Gold Accessories Metallic Gold Framed Art Prints — Gold Placemats Metallic Designer Fabric Pillows — Metallic Glazed Ceramic Backsplash TileRose Gold Kitchen Utensils — Copper Accessories Silver Bowl AccessoriesMetallic Lighting & Pillow Fabric — Polished Chrome Nailheads

This sculptural elongated white crackle glazed ceramic lamp is mounted on a walnut base a...

Large hand - sculpted ceramic lamp base, stoneware glazed in shiny black, decorated with a biomorphic visage sculpted and incised, and green stripes on sides.

The glaze and finish on a modern ceramic tile do not crack, is very resistant to knocks, but above all is the range of colours and subtle variations.