Sentences with phrase «glazed ceramic sculptures»

Actor Christian Slater joined a mob of collectors snapping up glazed ceramic sculptures by William J. O'Brien at Marianne Boesky.

Their close working relationship has stimulated exchanges of materials and process, too: Robins's transition from large - scale paintings and small, painted and glazed ceramic sculptures, and Nozkowski's move from mixed - media sculptures to paintings.

In the Wohl Central Hall, the eye is immediately drawn towards Andrew Lord's glazed ceramic sculptures, In Electric Light, in the Studio (Gauguin)

Appunti recenti (contrappunti)» presenting eleven glazed ceramic sculptures executed between 2002 and 2014.

Placing large glazed ceramic sculptures outdoors is a very brave proposition given the conservation issues and risk of cracking.

Sarah Jaffe Turnbull lives and works on the East End of Long Island and is known for her expressive, intimate glazed ceramic sculptures which have been seen in various venues in the area.

Not exact matches

Pam Lins, she swipes shallow space by the slide drawer (swiping), 2018, sculpture: glazed ceramic; stool: plywood, powder coated steel, Sculpture: 20 x 14 x 15 inches (50.8 x 35.6 x 38.1 cm), Overall: 48 1/4 x 21 1/4 x 21 1/4 inches (122.6 x 54sculpture: glazed ceramic; stool: plywood, powder coated steel, Sculpture: 20 x 14 x 15 inches (50.8 x 35.6 x 38.1 cm), Overall: 48 1/4 x 21 1/4 x 21 1/4 inches (122.6 x 54Sculpture: 20 x 14 x 15 inches (50.8 x 35.6 x 38.1 cm), Overall: 48 1/4 x 21 1/4 x 21 1/4 inches (122.6 x 54 x 54 cm)

Her brightly glazed ceramic objects and body parts stand in the legacy of Claes Oldenburg's papier - mâché food sculptures of the 1960s — stacked cheese burgers, cascading ice cream sundaes.

They are juxtaposed with glazed ceramics, hovering between painting and sculpture.

The latter's 2016 sculpture «Oh My Darling, Clementine,» consisting of two glazed ceramic clementines in a plastic netting bag, was sold for a price between # 1,000 and # 2,000.

«Claire Falkenstein: Matter in Motion» explodes this narrow view with nearly 50 works, introducing a relentless exploration of abstraction in early paintings on canvas and also curved perforated aluminum; sculptures of wood and glazed ceramics; and one fantastic mixed - media relief.

Learn to make ceramic forms that we will glaze and then stack together to create a table - top - size sculpture on a metal armature.

Wedel's oddly endearing ceramic sculptures hybridize the animal, vegetable, and mineral categories, with brightly glazed plant or humanoid forms sprouting from crystalline bases.

Produced by the artist in Faenza alongside ceramic artisans, each sculpture is glazed incorporating motifs, such as the speech bubble.

Ursula Morley Price uses a monochromatic brown matte glaze on her roughly textured ceramic sculptures, enhancing the play of light and shadow on the paper - thin flanges enrobing her vessels.

During the 1950s and 60s, Mason experimented with free - form sculptures and wall reliefs and monolithic, richly glazed forms that had no precedent in contemporary ceramics.

Image: Jeff Koons Michael Jackson and Bubbles, 1988; sculpture; ceramic, glaze, and paint; Collection SFMOMA, Purchased through the Marian and Bernard Messenger Fund and restricted funds; © Jeff Koons

Her exhibition includes jug - like portrait sculptures inspired by the maiolica tradition of colourful glazed ceramics that started in the Italian Renaissance and is still going strong.

Sterling Ruby (born 1972) is an American artist who works in a wide range of aesthetic and material strategies, from sculptures made of saturated, glossy, poured polyurethane, bronze and steel, to drawings, collages, richly glazed ceramics, spray - paint paintings, photography and video, as well as textile works that include quilts, tapestries, garments and soft sculptures.

His varied output includes 18 - foot - tall phallic «stalagmites» dripping with seemingly viscous urethane; rough - hewn ceramics with primordial glazes; paintings done with Robitussin - red nail polish or graffiti - like spray - paint; sculptures of smudged and scratched white minimalist forms; bus - sized cages on wheels; and videos of frustrated male pornstars masturbating to no end.

Alice Mackler is a ceramic artist whose brightly glazed sculptures of female figures, with their exaggerated eyes and breasts, look vaguely «outsider.»

At Berkeley, we were doing ceramic sculpture inspired by Voulkos, sort of abstract expressionist ceramic sculptures on a huge scale, with a tremendous amount of craft involved in making, firing, and glazing them.

Additional fine art highlights include: Ruth Asawa's Untitled, S. 750 (Hanging Open Form with Four Fluted Edges)(c. 1960s) sculpture which realized $ 93,750; Pablo Picasso's glazed ceramic, Face in Profile (1953), reached $ 93,750; a relief by Robert Graham from 1989 fetched $ 68,750; John Baldessari's photographic suite National City Portfolio (1996) brought $ 62,500; and a diptych by Roger Brown, Just Around the Corner (Part I & Part II)(1975), realized $ 56,250.

Pink ceramic tongues hung from glazed clay clipboards and wonky chipboard drawers, while speakers hid inside sculptures, shouting, stuttering and interrupting the space.

Counts further conveys the symbolic depth of objects with her two most figurative sculptures in the exhibition, Moment A, a massive candle dripping with satisfying layers of blue, white, gray, and silver glazes, and Moment B, a colorful vase full of large ceramic roses.

Ceramic sculpture, hand - building, wheel - throwing, and glazing are some of the techniques taught in the Studio School's pottery courses.

June 3 — July 2 Opening Reception: Friday, June 3 from 5 — 7:30 with an Artist Talk at 6:15 Internationally recognized as one of the top ceramic sculptors, Mark Chatterley makes larger - than - life figurative sculptures using his signature crater glaze.

Helen Lundeberg, John Mason — his glazed ceramic piece, Orange Cross, 1963, Allan McCollum, John McCracken — his yellow, oblong sculpture Galaxy also features in the New York sale, are all being shown.

The Los Angeles — based artist Sterling Ruby (born 1972) works prolifically in a wide range of media, from glazed biomorphic ceramics and poured urethane sculptures to large - scale spraypainted canvases, nail polish drawings, collages and videos.

Through the medium of ceramic, described by Kristalova as having once been «seen as a low material, and not serious enough, especially when glazed,» the artist forms micro worlds with her sculptural figures and «relates to a sculpture tradition that has its roots several hundred years in the past.

Sculpture is also defined as process, as objects become the byproducts of lived experience, from Sterling Ruby's roughly formed ceramic basins, heavy with glaze, and Shio Kusaka's delicate stoneware; to Davide Balula's Mimed Sculpture (2016), which describes iconic sculptures without any materials at all.

Cultivating an eclectic formalism across mediums, Ruby creates vivid poured - polyurethane sculptures, drawings, collages, richly glazed ceramics, spray paintings, and videos.

His most recent sculpture often takes as a point of departure household objects that he models in simple materials, including cardboard, then casts in bronze and patinates with surfaces that recall ceramic glazes.

His Bibelots are «ceramic paintings» that straddle the boundary between sculpture and painting and represent a new form of experimentation with glazes that riff on techniques used around the inception of the industrialist / capitalist era.

Each room features a distinct body of work, showcasing the artist's multifarious range — including glazed ceramics; examples from her bronze fountain series; large - scale biomorphic aluminum sculptures; a constellation of recent paper wall works; and the eleven - foot phosphorescent cast polyurethane HILLS AND CLOUDS (2014).

Sodi's rock sculptures are created by extracting dried volcanic magma from the Ceboruco volcano in Mexico; by encasing them in a gold ceramic glaze the artist brings together some of Earth's most recent geological formations with ancient and precious metal.

Over the last few weeks I have encountered a rather odd collection of sculptural things: the postwar ceramic sculpture of Lucio Fontana and Fausto Melotti bursting with dynamically glazed and roughly handled surfaces, currently on view at the Nasher Sculpture Center; The Age of Innocence, a victorian bust in three different materials by the English sculptor Alfred Drury at the Henry Moore Institute; a visit to Henry Moore's house, studios, and now foundation at Perry Green, and most recently what I can only describe as a wonderfully insane lecture by the contemporary sculptor Thomas Houseago, which involved an increasingly drunk, cursing artist saying some surprisingly sincere, profound things about ssculpture of Lucio Fontana and Fausto Melotti bursting with dynamically glazed and roughly handled surfaces, currently on view at the Nasher Sculpture Center; The Age of Innocence, a victorian bust in three different materials by the English sculptor Alfred Drury at the Henry Moore Institute; a visit to Henry Moore's house, studios, and now foundation at Perry Green, and most recently what I can only describe as a wonderfully insane lecture by the contemporary sculptor Thomas Houseago, which involved an increasingly drunk, cursing artist saying some surprisingly sincere, profound things about sSculpture Center; The Age of Innocence, a victorian bust in three different materials by the English sculptor Alfred Drury at the Henry Moore Institute; a visit to Henry Moore's house, studios, and now foundation at Perry Green, and most recently what I can only describe as a wonderfully insane lecture by the contemporary sculptor Thomas Houseago, which involved an increasingly drunk, cursing artist saying some surprisingly sincere, profound things about sculpturesculpture.

Ricky Swallow's trompe l'oeil bronze sculpture suggests a rope trick frozen in time; Arlene Shechet's «Space Place,» which also takes its name from Ra, places a cardiod organic glazed ceramic on a contrastingly smooth concrete pedestal.

is an ebullient if overly familiar survey of sculptures and vessels in glazed ceramics and sometimes glass that has been organized by Michaela de Pury and her husband, Simon de Pury, the former chairman and chief auctioneer of Phillips de Pury & Company.