Sentences with phrase «glazed ceramics at»

Then shop for modern home wares at Blackbird of Calistoga or grapevine ash - glazed ceramics at Calistoga Pottery.

Not exact matches

And while at times he may have gone too far, such as inscribing his commentary directly into the glaze of already ancient ceramics, the exhibit reveals a legacy unrivaled by any Western king.

This came to light in «All at Once,» the artist's first survey exhibition, a spacious and informative presentation of more than 150 objects, dating from 1993 to the present, in cast paper and plaster, blown glass, and glazed ceramic.

Contemporary art is comprised of a variety of materials, we know that, but in three or four days at the fairs — more than, say, in a month in Chelsea — you see it all: string, twine, thread, clay, silicone, wax, rubber, wood scraps, wood shims, metal, resins, glass, wire, pins, needles, buttons, stuffing, mattresses, carpet, glazed ceramic, fabric, plywood, rolled paper, glue tiles, boxes, chains, lace — shall I go on?

Exhibition highlights include: a rare 1943 Jared French egg tempera on board of four ghostly figures entwined; a newly discovered Henry Koerner masterpiece, The Arcades (1950), depicting the bizarre on display at Coney Island's boardwalk; a haunting 1950 black ink drawing of two children by Charles White; and Robert Arneson's Black and White Mask (1983), an unforgiving self - portrait in glazed ceramic.

ALSO WORTH SEEING: «3 Sculptors» at Rachel Uffner Gallery, with offbeat animal figures by Sally Saul, wooden structures by Sara Murphy, and fervently finger - gouged glazed ceramics by Brie Ruais.

At the booth of the 303 Gallery, a solo exhibition of new and older works by Mary Heilmann includes paintings, glazed ceramics and an arrangement of furniture.

At the other end of the scale, just eighteen by thirteen inches, Celmins has painted a close - up of a glazed ceramic plate, depicting it as an allover pattern of white cracks on greenish - gray field.

At Berkeley, we were doing ceramic sculpture inspired by Voulkos, sort of abstract expressionist ceramic sculptures on a huge scale, with a tremendous amount of craft involved in making, firing, and glazing them.

Still primarily working in ceramics at this point, Price started to experiment in his painting style, moving away from glazes towards applying paint directly to the dried piece.

For her 2017 exhibition at Lehmann Maupin New York, titled, Fire (America), Fernández presented a 16 - foot glazed ceramic panel depicting a nocturnal image of fire, a series of burned, laser - cut landscapes on paper, and a site - specific installation that resembled a horizon line composed of charred lump charcoal applied directly to the gallery walls.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

June 3 — July 2 Opening Reception: Friday, June 3 from 5 — 7:30 with an Artist Talk at 6:15 Internationally recognized as one of the top ceramic sculptors, Mark Chatterley makes larger - than - life figurative sculptures using his signature crater glaze.

Helen Frankenthaler American, 1928 - 2011 Untitled (Abstract Composition: Blue, Red and Yellow), 1973 Signed Frankenthaler (ll) Glazed ceramic tile 13 1/2 x 17 1/2 x 3/4 inches (34.29 x 44.45 x 1.9 cm) C Property from the Thomas M. Messer Collection Two very 1/16 inch chips at upper edge, one aproximately 3 inches from lower right and one 4 inches from lower left.

That's especially true at an exhibition opening where the gallery floor is not only littered with Piguet's lego trees, a mug, a red and white - dotted ceramic mushroom and a glazed and raw clay candle holder, but is also crowded with human bodies.

Sculpture is also defined as process, as objects become the byproducts of lived experience, from Sterling Ruby's roughly formed ceramic basins, heavy with glaze, and Shio Kusaka's delicate stoneware; to Davide Balula's Mimed Sculpture (2016), which describes iconic sculptures without any materials at all.

Just like Gerhard Richter's Candle, you can feel the heat emanating from the 16 - foot glazed ceramic wall at Lehmann Maupin's downtown outpost.

The Dead and the Dying (2010) features 36 glazed ceramic figures arranged in various positions that hint at illness and demise.

Installation view, top to bottom: Micius Stephane, At Home, c. 1960s, oil on board, Rodman Collection; Nyugen E. Smith, Bottle Crate with Teacups, 2014, found wood and glazed ceramics; Nyugen E. Smith, Socks and Shoes, 2012, mixed media and shoes

Using charred wood, ash, molten glass, found objects, and black - glazed ceramics, Ruhwald meticulously composes an immersive, richly sensorial experience that is at once dramatic, nostalgic, and uncanny.

Over the last few weeks I have encountered a rather odd collection of sculptural things: the postwar ceramic sculpture of Lucio Fontana and Fausto Melotti bursting with dynamically glazed and roughly handled surfaces, currently on view at the Nasher Sculpture Center; The Age of Innocence, a victorian bust in three different materials by the English sculptor Alfred Drury at the Henry Moore Institute; a visit to Henry Moore's house, studios, and now foundation at Perry Green, and most recently what I can only describe as a wonderfully insane lecture by the contemporary sculptor Thomas Houseago, which involved an increasingly drunk, cursing artist saying some surprisingly sincere, profound things about sculpture.

Brian Rochefort Through 12/22 at Van Doren Waxter Rochefort pours layer upon layer of neon glaze onto his ceramics, turning misshapen cups into psychedelic, dripping volcanoes.

Best known for her immersive installations and public projects that explore the various historical and psychological implications of the genre of landscape, Teresita Fernández's most recent exhibition at Lehmann Maupin, Fire (America), debuts a 16 - foot glazed ceramic wall panel depicting a nocturnal landscape engulfed in flames, as well as a new series of abstract landscapes made from burned paper.

Actor Christian Slater joined a mob of collectors snapping up glazed ceramic sculptures by William J. O'Brien at Marianne Boesky.

From intricate latticework screens to elephantine columns and finely glazed ceramics, groups of architects, students and researchers at Grymsdyke Farm have been investigating the realm where earthy local materials and high - tech computer - controlled manufacturing collide — and the results of their latest architectural experiments will be on show at this intriguing exhibition in Bristol.

London Design Festival 2015: Japanese ceramics designer Reiko Kaneko will show the results of three years of experimentation with porcelain glazing at this year's London Design Festival.

a ceramic rooster, painted with Caromal Colours Textured Basecoat Parchment and Caromal's Perfect Plaster — both brushed / stippled on at the same time, light sand when dry, and glazed with Caromal's Coffee Glaze