And yes, scumbled and
glazed picture surfaces reveal a more complex painting technique than he used in the 1820s.
Not exact matches
In the new car there's the slightest
glaze of fuzziness that wasn't there before — it could be the four - wheel - steer, could be the redesigned front axle, could be a bit of both — but the wheel doesn't give you quite as high - definition a
picture of the road
surface as it used to.
The dense arrangement of red Benday dots seems to fuse the two
picture planes that Lichtenstein establishes - the image of the man and woman; and the
glazed surface through which we see the image.
You can also work very thinly with transparent
glazes or very thickly with a mountain of paint but the actual
surface quality of the acrylic remains flexible, this means your painting won't crack over time.Thin coats of acrylic paint can be used to give a watercolour look to a
picture.