There are places where you can see a subtler, angrier picture trying to kick its way out of the one you're watching, starting with the movie's opening: We watch as a white woman in a loose coat and floppy trousers makes her way, in a shuffling, zombielike gait that's nonetheless unnervingly purposeful, down a series of
glimmering night streets.
Keltie Ferris's paintings are inspired by subjects that range from the broken up pixelation of digital images, rubbed out graffiti on New York
streets to the
glimmering city lights that are visible from her Brooklyn studio at
night.