Karl Wirsum Gesundheit - Cure for the Common Cold - Strawberry Root Systemsf 1969 acrylic and
glitter on canvas with painted frame 26 1/2 x 21 1/2 x 1 1/2 inches
Not exact matches
No matter what your style, these Kate Spade
canvas flats and slip
ons come in
glitter and plaid to go
with any occasion.
KERRY JAMES MARSHALL, «Souvenir III,» 1998 (acrylic
with glitter on unstretched
canvas banner).
Here,
with titles including «Afronirvana» (2002) and «Triple Beam Dreamer» (2001 - 02), Ofili's multifaceted approach is at its finest, layering acrylic paint,
glitter, resin, foil and leaves
on horizontal and vertical
canvases.
Image: School of Beauty, School of Culture, 2012, Kerry James Marshall, acrylic and
glitter on unstretched
canvas, 108 x 158 in., Birmingham Museum of Art, Museum purchase
with funds provided by Elizabeth (Bibby) Smith, the Collectors Circle for Contemporary Art, Jane Comer, the Sankofa Society, and general acquisition funds, 2012.57, © Kerry James Marshall.
Executed
with layers of paint,
glitter, resin, pointillist dots and collaged images of genitalia cut from porn magazines, an elephant dung breast protrudes from large - scale
canvas which is perched
on two elephant dung balls embellished
with map pins that spell out «virgin» and «mary.»
Acrylic, oil, polyester resin, paper collage,
glitter, map pins and elephant dung
on canvas,
with two elephant dung supports
In the former, Snyder has built up her oil and acrylic
on canvas with paper mache, fabric, pastel, graphite,
glitter, dirt, and straw, resulting in a three - dimensional impastoed surface that begs to be touched, and that features the word «requiem» (twice) in red paint and
glitter; the latter features an all - over composition
with lusciously applied pastel - colored paint in big, sweeping gestures, combined
with repetitive circular and floral forms.
Kerry James Marshall, School of Beauty, School of Culture, 2012, acrylic and
glitter on unstretched
canvas, 107 7/8 x 157 7/8 in., collection of the Birmingham Museum of Art; Museum purchase
with funds provided by Elizabeth (Bibby) Smith, the Collectors Circle for Contemporary Art, Jane Comer, the Sankofa Society, and general acquisition funds, photo by Sean Pathasema
Images: School of Beauty, School of Culture, 2012, Kerry James Marshall, acrylic and
glitter on unstretched
canvas, 108 x 158 in., Birmingham Museum of Art, Museum purchase
with funds provided by Elizabeth (Bibby) Smith, the Collectors Circle for Contemporary Art, Jane Comer, the Sankofa Society, and general acquisition funds, 2012.57, © Kerry James Marshall.
Unafraid to face the present head -
on, Rae distills the essence of our era of mega-cities, phenomenal technological advancement, split - second global communication and mind - blowing virtual reality through the medium of acrylic, oil, and sometimes gouache paints — plus the odd bit of
glitter — employing every imaginable technique,
on canvas with a sure and highly original hand.
acrylic
with glitter on unstretched
canvas banner.
Light
on water, iridescent ribbons of
glitter, a splash: he could deploy all the lessons of abstraction here, among them Helen Frankenthaler's trick of diluting acrylic paint
with detergent, so it would flood the
canvas with reflective pools of colour.