Sentences with phrase «glo paint»

Halley began to use colors and materials with specific connotations, such as fluorescent Day - Glo paint, mimcking the eerie glow artificial lighting and reflective clothing and signs, as well as Roll - a-Tex, a texture additive used as surfacing in suburban buildings.

The American street artist Keith Haring is famous for his instantly recognizable style of urban graffiti art - executed in marker ink, acrylic and Day - Glo paint - with its thick black lines and distinctive cartoon - like figures and forms.

Began with chalks before gravitating to acrylics, marker ink and Day - Glo paint.

For this work, Benglis smeared Day - Glo paint across the gallery floor invoking «the depravity of the «fallen» woman» or, from a feminist perspective, a «prone victim of phallic male desire».

Their self - reflexive but coded titles refer to materials used and basic production details: «S. P.» in S. P. / R # 113 (all works 2013) is shorthand for «suspended»; «R» stands for red, the color of the acrylic, enamel, or Day - Glo paint applied to each plate; «# 1,» the chronological order in which the work of the series was made in a year; and «13,» the year in which the work was completed.

Onto these structures Day - Glo paint and industrial enamels are applied as «material on material,» defining areas or zones on the raw plywood surfaces generating layers of information.

It explores the role of vernacular forms in some 40 works by more than two dozen contemporary artists, which run the aesthetic gamut: the hand - crafted work of Aaron Spangler juxtaposes with Lari Pittman's carnivalesque day - glo paintings; Marc Swanson's glittering trophy heads with Rachel Harrison's urban relics.

Thus, alongside the visibly handcrafted works of Matthew Day Jackson and Dario Robleto we find the dense and day - glo paintings of Lari Pittman, the glittering trophy heads of Marc Swanson and the urban relics of Rachel Harrison.

Having emerged in New York's East Village Art scene in the early 1980s, Peter Halley is best known for his brightly colored, geometric paintings made of Roll - a-Tex, a textured paint used for decoration, as well as florescent Day - Glo paints.

Best of all is a room full of Abstract Expressionist - style paintings made with Day - Glo paints by Jacqueline Humphries displayed under ultra violet light.

So the show begins in 1967 — an explosive moment of optimism and excitement — with huge illusionistic, brightly colored, even day - glo paintings, and from there follows the different directions that experimental abstraction painting took in expanding the definition of painting in the post-Greenbergian era.

Furnishings and accessories: Ridgely Studio Works: spiral nest pendants, stools and red bowls • Caesarstone: «vanilla noir» counters • Saltillo: backsplash and tile on pizza oven • Richelieu at Lowe's: hardware • Pro Glo Paints: colour on paint cabinets colour matched to tile • Forbo Marmoleum: flooring • The Door Store: vintage enamel bowls, jugs, and accessories • Casa Cubista: ceramics available at Saudade • Vintage Fine Objects: artwork

Not exact matches

Instead, the Vantage AMR offers a number of bespoke paint schemes with contrasting body stripes and, in the case of this Stirling Green car, day - glo brake callipers.

American artist Mary Heilmann's (b. 1940) career spans five decades, from her early geometric paintings made in the 1970s to her recent shaped canvases in day - glo colours.

She turns up the retinal volume again and again in the grounds of her paintings — vast seas of cerulean blue edged by crisp white lines, or enveloping acts of domestic violence; equally riveting cadmium reds, oranges, and crimsons saturating the picture plane beneath angry gorillas, dancing Chubby Checkers, and kissing lovers; Day - Glo yellows that push up against sharp blacks as «bad guys» in black suits point guns and walk up and down staircases — and employs unusual compositional strategies to draw our attention to these expanses of high - key color.

His earlier works, produced in the 1980's, were signature Day - Glo, hard - edged paintings that acted as metaphors for the way in which social spaces have become delineated within the proliferating abstract nature of the technological world we now live in - as prisons or cells.

This selection of paintings from the 1970s shows a range of Minimalist - inspired experimentations with abstraction: hazy, striped plexiglas paintings by Thomas Chimes (1921 - 2009), a Day - Glo round - edged canvas by Ralph Humphrey (1932 - 1990), atmospheric grid - based oil paintings by Warren Rohrer (1927 - 1995), subtly - lined acrylic monochromes by Sean Scully (b. 1945), and a pencil drawing by Sol LeWitt (1928 - 2007), are seen in relation to more recent paintings by Lee Ufan (b. 1936) and Pat Steir (b. 1940), who continue to explore the legacies of line and gesture in abstract painting today.

I've been a fan of Keltie Ferris's hot Day - Glo spray - painted, structured, multi-matrixed large paintings since she emerged fresh out of Yale's MFA program in the mid-aughts.

A protagonist of the dynamic New York art scene of the 1980s, and founder of the seminal Index magazine, he gained recognition as one of the main champions of the neo-geo movement with his geometric paintings rendered in intense fluorescent Day - Glo acrylic paint and Roll - a-Tex texture additive.

About eight years ago Keltie Ferris burst onto the New York painting scene like a bat out of hell, that is, if you define hell as the Yale M.F.A. painting program; back then, her large Day - Glo - colored canvases were perfect crosses between hazy 1970s Color Field painting, pixilated digital space breaking up and reforming in odd - shaped plates, and painterly abstraction at the same time totally avoiding any derivative overlap with artists like Kelly Walker or Gerhard Richter.

Vertical sculptures examining how people instil sensual and spiritual meaning in quotidian objects occupy the central position of the gallery; Ugo Rondinone's orange yellow green blue pink red mountain (2015) work, for example, features mountain stones painted with day - glo colours recalling ritualistic totems.

The exhibition features one of Scharf's immersive installations, filled to the brim with day - glo toys and trinkets, along with paintings and videos the artist made during that time period.

Afterwards, these materials (which have been altered with Day - Glo orange or yellow paint) are returned to their source, often used in local retail and home construction.

At times the optical effect created by the Day - Glo's luminosity is so jarring that the paintings almost hurt the eye.

Hung facing the elevators, large - scale paintings by David Salle and Barbara Kruger are set against a backdrop of He Kills Me (1987), an AIDS protest mural by Donald Moffett, showing repeated lithographic images of Ronald Reagan in acerbic, Day - Glo colors.

By interposing treated scaffolds, masonite, tiles, day - glo spray paint with collages, painting and high - end object production, he alludes to bare and fundamental aspects of artistic production.

By interposing treated scaffolds, masonite, tiles, day - glo spray paint with collages, painting and high - end object -LSB-...]

It ranges from a pair of pastel purple sculptural mannequin legs to black and white photos and day glo geometric paintings.

Halley achieved notable fame in the 1980s with his Day - Glo geometric paintings that challenged previous assumptions about abstract art through his insistence that geometry is always tied to social realities.

It's a full body outline of «him» in canvas, hanging flat — perhaps, creepily, like a flayed skin — with a painted mask for a face, shells for ears, beads for eyes, braided animal - fur hair teasing out his «Indianness,» and a Day - Glo yellow - and - red cast of a penis jutting out, with comic exoticism.

Step inside and the floor is spray - painted in a vivid Day - Glo pink with a black sinuous pattern running throughout -LSB-...]

Bold brushstrokes, lively cartoonish squiggles and bright colors marked Jonathan Lasker's paintings while the use of industrial materials as Day - Glo and Roll - a-Tex with recurrent patterns of circuits and cells formed Peter Halley's signature style.

An artist using Day - Glo color today is also using Warhol; every brushstroke references a hundred other artists; painting on fabric might be Polke, Kippenberger, Salle, Oehlen.

Mr. Maltz, on the other hand, creates casual groupings of pieces of plywood that are painted in Day - Glo colors, to construct geometric sculptures.

A pair of 1976 circular ceramics by Doyle Lane bring a hand - crafted approach to formal arrangements of color and shape while a younger artist, Holly Tempo, uses metallic silver and day - glo orange spray paint on her 2012 Heat Wave: This is for Real.

The artist's raucous compositions read more like butt - dialed emojigrams... Bernhardt's lexicon indulges a pronounced nostalgia for the Day - Glo disposables of the late 1980s and early 90s — curly - corded telephones, Sharpies, Rubiks Cubes, ChapStick tubes, Pac - Man, Papa Smurf... This rollicking volume supplements more than one hundred pattern paintings.

At first glance, Emil Michael Klein's series seemed of a piece: a kind of allover (anti--RRB- painting featuring decorous lattices of biomorphic shapes in a retro palette of Day - Glo orange, yellow, and red; color fields connected by an artery - like network of pale lineation.

In several of the paintings, the shapes seem to be evocative of reptilian, avian and primitive forms, while the palette is a little less acrid and Day Glo.

Peter Halley, Six Prisons, 2009 Acrylic, Day - Glo acrylic and Roll - a-Tex on canvas 66.5 x 84 inches June 3 - 27, 2009 Waddington Galleries presents an exhibition of seven new paintings by Peter Halley.

With their stark, rectilinear compositions and their palette of unmodulated blacks and retina - searing fluorescents, the nine large paintings in «Peter Halley: Early Work, 1982 to 1987» still pack a visual wallop, their Day - Glo acrylics as deathless as Clorox bottles.

It had a Day - Glo disco room with glitter balls, glitter paintings, and a DJ playing protest music; a faux Louis XIV garden room; and a «democratic» VIP lounge lined with gold and silver fabric.

They are hand - formed clay, cast in aluminium and painted in shocking day - glo colors; their placement on plinths clearly marking them as artworks more at home on the gallery stage rather than on a pine - cushioned forest floor.

With contemporary abstraction ranging from the sneering insincerity of Damien Hirst's spin paintings and the earnest circuitry of Peter Halley's Day - Glo cybernetics to David Reed's virtuosic lyricisms, it was initially hard to know how to read the hushed, serene work in Laura Sue Phillips» first one - person show in New York.

In the 1960s Rosenquist transformed the visual language of commercial painting onto his canvases, filling his large - scale pictures with fragmented advertising imagery in bright Day - Glo colors.

Peter Halley: MARY BOONE GALLERY Artforum International; December 1, 2009; Schambelan, Elizabeth; 700 + words With their stark, rectilinear compositions and their palette of unmodulated blacks and retina - searing fluorescents, the nine large paintings in «Peter Halley: Early Work, 1982 to 1987» still pack a visual wallop, their Day - Glo acrylics as deathless as Clorox bottles.

Peter Halley born New York, NY 1953 Colortron Acrylic, Day - Glo fluorescent pigment, metallic acrylic, and Roll - a-Tex paint additive on canvas, 1999 78 × 83 1/2 inches University of Nebraska — Lincoln, Robert E. Schweser and Fern Beardsley Schweser Acquisition Fund, through the University of Nebraska Foundation, U - 5357.2003

Door Paint Color: The trim and door is Benjamin Moore Navajo white 50 % of formula Moore Glo (Benjamin Moore exterior paint).