Sentences with phrase «global art»

Together, the panel will focus on both the relevance and impact of global art fairs upon their artwork.

It's a carefully curated selection, giving a comprehensive picture of today's global art market.

This content goes beyond the German perspective to put the featured work into the context of the current global art world.

It has the facts wrong in today's global economy and global art scene, and it is just as much a lie when it comes to the postwar years.

It also encompasses works pertaining to the steadily increasing global art community.

The Visual Arts bachelor's degree program combines the study of global art history with studio art classes that span Eastern and Western artistic traditions.

Open 365 days a year from anywhere in the world, it's the first global art space with no guards and no admission fee.

At the same time, an increasingly active international network of artists, curators, and dealers contributed to a burgeoning global art world, amplified by the nascent tools of digital information.

This course is a focused graduate seminar on a topic relating to an aspect of global art, of any time period.

Taken as a whole, this ambitious exhibition catalogue encapsulates the energy, heart, and «dissonance of styles» — in the words of Schjeldahl — embodied by this fascinating and fecund moment in global art history.

Global Art Forum in 2015 takes on the theme of technologies, and their impact on the world of art, culture and beyond.

Michael Wilson is editor of the Guggenheim UBS MAP Global Art Initiative at the Solomon R. Guggenheim Museum.

The Goodman Gallery, located in Johannesburg, South Africa, is passionate about making the influence of artists from Africa and the African diaspora on global art culture felt in South Africa and internationally.

Current positions include Chair of Global Art at University of Arts, London and Professor of Media Art at Staatliche Hoscschule fur Gestaltung, Karlsruhe.

How is the role of the museum changing in today's global art capitals?

Selene Wendt is an independent curator and founder of The Global Art Project, based in Oslo, Norway.

The publication charts Hepher's life and work from the 1950s to the present day, tracing a path that begins in an era of the last century that was highly suspicious of figurative painting, through to the recent re-evaluation and rise to prominence of post-war British Art within global art history.

A collateral event of the Venice Biennale, the exhibition includes the 21 artists, from 16 different countries, who were shortlisted in the second edition of the first global art prize for artists up to 35.

It will include presentations by Melissa Chiu, Museum Director and Vice President Global Art Programs at the Asia Society in New York; Camille Morineau, Curator of Contemporary Collections and organizer of the exhibition elles@centrepompidou, Musée national d'art moderne, Centre Pompidou, Paris; and Berlin - based curator Ruth Noack and New York - based artist Emily Roysdon, followed by a moderated discussion.

WELCOME AND INTRODUCTION By Global Art Forum Commissioner Shumon Basar and Co-Directors Noah Raford and Marlies Wirth

Artist list for the Whitney Biennial, 2010 / L'Amérique du Sud dope Miami / Museum attendance rises / Kandinsky Prize / Glenn Ligon / Rothko on stage / Botticelli / The New Italian Renaissance / L'âge d'or espagnol frappe les esprits / Arshile Gorky / James Turrell / Liam Gillic / Cai Guo - Qiang / Weekly global art events agenda / Practical design at the Serpentine / Old Masters Week at Christie's and Sotheby's / Fernando Durán, Subastas Segre y Ansorena, los días 15, 16 17 y 18

The selection of Roman Ondák was based on the recommendation of the Deutsche Bank Global Art Advisory Council, consisting of curators Okwui Enwezor, Hou Hanru, Udo Kittelmann, and Nancy Spector and chaired by Pierre de Weck, member of Deutsche Bank AG's Executive Committee.

From the Venice Biennale, which is more than 100 years old, to very «young» ones in cities such as Brussels and Tehran, a biennial can be massive yet agile, representing as perhaps no museum or gallery show can the most recent advents in global art practice and the key players to watch on the world scene.

Lisa Baum is a Montreal - based freelance writer and Head of Communications for The Global Art League.

Names like Aaron De La Cruz, Augustine Kofie, Basik, Bom.k, Boris Delta Tellegen, Carlos Mare, Chazme, Christopher Derek Bruno, Duncan Jago, EKG, Geso, Gilbert1, Jerry Joker Inscoe, Kan, Kema, Kwest, Matt W.Moore, Moneyless, Morik, Nawer, Nelio, Pener, Poesia, Pro176, Remi Rough, Saber, SatOne, Thomas Canto, Tomek, Vesod, and West One represent an emerging progressive global art form that, without doubt, has become one of the most important movements in the Contemporary Art World today.

Post-War America, with its strive for a new identity as the new global art center and a new set of values, created an auspicious ground for the avant - garde artists such as Jackson Pollock, Mark Rothko, Arshile Gorky, Robert Motherwell, Willem de Kooning, and Barnett Newman and although their works differed aesthetically and technically, art critics like Clement Greenberg classified them all as abstract - expressionists.

The phenomenal buoyancy of this trend, including the National Portrait Gallery, Tate Britain, Tate Modern and the Royal Academy, predicates London's unique position as the leading global art centre, a touristic and cultural nucleus with no immediate reference, for example, to the indigenous local day - to - day art schools and their agendas.

The exhibition is organised by GLOBAL ART AFFAIRS FOUNDATION.

Do you see difference being diminished and flattened in this more global art landscape?

The artist, who was born in Kenya in 1972 and currently lives in New York, was selected on the recommendation of the Deutsche Bank Global Art Advisory Council, comprised of the curators Okwui Enwezor, Hou Hanru, Udo Kittelmann, and Nancy Spector.

On the other hand, the ICA intends to position itself as a decentralized place for global art conversations involving local, U.S. and European artists, with a current presentation of video works by U.S. artist Alex Bag and a solo presentation of Berlin - based Renaud Jerez to come in 2016.

To start its yearly round - up of global art shows, SCOPE returns to New York for the 16th time, after the Miami Beach version closed the exhibition calendar last autumn.

THE MODERN ERA AND THE DEVELOPMENT OF GLOBAL ART CULTURE: 16) THE BEGINNINGS OF MODERN ART (LATE 1800»S C.E. TO EARLY 1900»S C.E.) 17) MODERNISM (EARLY 1900»S C.E. TO 1939 C.E.) 18) LATE MODERNISM AND POP ART (1940»S C.E. TO 1960»S C.E.) 19) POSTMODERNISM, PERFORMANCE AND CONCEPTUAL ART (1960»S C.E. ONWARDS).

The presentation of A Logo for America in Piccadilly Circus is the third large - scale public screening of the work which included a showing in New York's Times Square in 2014 and, at Mexico City's Auditorio Nacional in 2016, as part of the Guggenheim UBS MAP Global Art initiative.

Watson's paintings can be found in several significant collections including in the Toronto collections of TD Bank Financial Group, CIBC, the Ritz - Carlton Hotel and the HBC Global Art Collection in New York.

used for the Biennial speaks to how pervasive the generic view of blackness remains even in the new global art world, such that «Africa» is broadly and shallowly referenced as a historical and cultural framework, and only when compatible with a white - led agenda.

Visitors see the first - floor sculpture studio, renovated in 1963 by the artist; temporary exhibition on the 2nd floor; and on the 3rd floor, the living and dining space featuring over 200 works from Gross's extensive global art collection, including important American paintings by Marsden Hartley, Willem De Kooning, Milton Avery, Jacob Lawrence and many others, installed by the artist and preserved as he had it during his lifetime.

New York dealers have largely departed, leaving mostly second - tier global art cities.