Here is Tate director Nicholas Serota talking about collaborating with Google to produce the first
global art collection.
Visitors see the first - floor sculpture studio, renovated in 1963 by the artist; temporary exhibition on the 2nd floor; and on the 3rd floor, the living and dining space featuring over 200 works from Gross's extensive
global art collection, including important American paintings by Marsden Hartley, Willem De Kooning, Milton Avery, Jacob Lawrence and many others, installed by the artist and preserved as he had it during his lifetime.
Not exact matches
Use the rich
collection of the British Museum to explore key themes about Arab people and culture: achievement,
art, conflict, diversity, gender and
global interaction.
Highlights in the / Dialogues talks, which were presented in partnership with the School of the
Art Institute of Chicago, included «Museum Models: The
Global Impact of Public
Collections,» moderated by Jacob Proctor and featuring Thelma Golden, Solveig Øvstebø and Franklin Sirmans on Friday and «Hans Olrich Obrist in Conversation with the Hairy Who,» with
Art Green, Gladys Nilsson and Karl Wirsum on Saturday.
Drawing on the Met's
collection of European sculpture and modern and contemporary
art with a selection of important works from national and international museums and private
collections, the exhibition will examine sculpture from 14th century Europe to the
global present.
This spring, the Frances Young Tang Teaching Museum and
Art Gallery at Skidmore College will present If I Had Possession Over Judgement Day: Collections of Claude Simard, an exhibition that explores the collective, resonant, and enduring global web of art through the inquisitive eye of a visionary and fervent collector, artist, and galleri
Art Gallery at Skidmore College will present If I Had Possession Over Judgement Day:
Collections of Claude Simard, an exhibition that explores the collective, resonant, and enduring
global web of
art through the inquisitive eye of a visionary and fervent collector, artist, and galleri
art through the inquisitive eye of a visionary and fervent collector, artist, and gallerist.
Although she purchased new works by many artists represented in her first
collection, Cafritz began to focus less on
global art stars and sought more works by critically recognized mid-career and up - and - coming artists, local D.C. artists, as well as the Duke Ellington artists she had always collected.
Their work has appeared in several group shows, including Integration and Resistance in the
Global Age at the Havana Biennale, ABSA L'Atelier in Johannesburg and Power Play at Goodman Gallery Cape, as well as various private and public
collections, including the Durban
Art Gallery and the South African National Gallery.
«Isolde brings with her a deep knowledge of the
art world, a
global awareness, and strong scholarship that will be invaluable as we continue to grow our
collection and expand our focus to include a broad range of artists and types of programming,» said Ian Berry, Dayton Director of the Tang Museum.
Marlborough - Godard Gallery, Toronto James Goodman Gallery, New York Private
collection, Toronto Pace Gallery, New York
Global Fine
Arts, Ltd., New York Private
collection, Italy C&M
Arts, New York Acquired from the above by the present owner
Together with curators, librarians, and archivists, she works on broadening the scope of museum's
collections, exhibitions and education programs beyond the western canon as a part of MoMA's research initiative C - MAP (Contemporary and Modern
Art Perspectives in a
Global Age).
What started out as a search for extra storage, for collectors Howard Rachofsky and the late Vernon Faulconer's growing
art collections, turned into The Warehouse opening in 2012 — an educational exhibition space in Dallas focused on rethinking the
global art community.
The
collection supports the museum's programmatic objective of being a centre of discourse for Canadian perspectives on
global art movements.
It would be called the
Global Contemporary
Collection & Museum and have a
collection of about 400 works of
art.
ABOUT SEATTLE
ART MUSEUM As the leading visual art institution in the Pacific Northwest, SAM draws on its global collections, powerful exhibitions, and dynamic programs to provide unique educational resources benefiting the Seattle region, the Pacific Northwest, and beyo
ART MUSEUM As the leading visual
art institution in the Pacific Northwest, SAM draws on its global collections, powerful exhibitions, and dynamic programs to provide unique educational resources benefiting the Seattle region, the Pacific Northwest, and beyo
art institution in the Pacific Northwest, SAM draws on its
global collections, powerful exhibitions, and dynamic programs to provide unique educational resources benefiting the Seattle region, the Pacific Northwest, and beyond.
The topicality of the
global migrant crisis was evident elsewhere in the activities at this year's Frieze London: a series of Frieze Talks invited speakers and the public to discuss the meaning of» Borderlands», while the
Collections Fund at Frieze, supported by the Contemporary
Art Society, enabled the UK's Middlesborough Institute of Modern
Art to make acquisitions at the fair of works specifically addressing themes of migration and displacement by John Akomfrah and Kader Attia.
I'm pleased that this major exhibition in the USA will be considering the pivotal contribution of British artists to Pop: Pallant House Gallery has a significant
collection of British Pop
Art and we will be lending Richard Hamilton's iconic Hers is a Lush Situation (1957) to the exhibition, which will also consider the
global emergence of Pop from the 1950s to the 1970s (including Nouveau réalisme in France, Neo-Concretism in Brazil and Neo-Dada in Germany).
Part of the Guggenheim UBS MAP
Global Art Initiative, all the works will enter the museum's permanent
collection when the show closes.
Charley has been fortunate to receive support from
Arts Nova Scotia and has artwork in the
collection of the
Global Affairs Canada, Nova Scotia
Art Bank and private
collections.
In truth, since the Beautiful Inside My Head Forever sale in 2008, Hirst has made several attempts to move on with new
art work — there was the ill - fated attempt at painting like Francis Bacon sponsored by Victor Pinchuk and shown at London's Wallace
collection — and revive his market with stunts like the
global Gagosian show of spot paintings.
Smith is firmly entrenched in Texas
Art History — she was recently included in the following publications:
Global Corporate
Collections (2015), Texas Abstract (2014), The State of the
Art: Contemporary Artists in Texas (2012), and Texas Artists Today (2010).
Kadist's
collections include works that reflect the
global scope of contemporary
art, and its programs develop an active exchange between Kadist's local contexts (Paris, San Francisco) and artists, curators, academics, and
art publishers worldwide.
What does it mean for a national museum of modern
art to embrace the «
global» and «cultural diversity» when their
collections are rooted in Eurocentric
art historical narratives?
This dense, excellent
collection of his writings and interviews is divided into four sections: «From China to the International,» «From «Exile» to the
Global,» «
Global Cities and
Art,» and «Interviews, Dialogues, Conversations.»
Specializing in: • Developing exhibitions internationally, securing loans from institutions and private
collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private
collections of contemporary and modern
art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and
global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and conservation
Guided by its mission, the Orange County Museum of
Art's collection strives to link the historical and the contemporary; bridge local and global art and culture; and enlighten, inspire, and engage visito
Art's
collection strives to link the historical and the contemporary; bridge local and
global art and culture; and enlighten, inspire, and engage visito
art and culture; and enlighten, inspire, and engage visitors.
At a moment of much debate about the status of
global contemporary
art, this exhibition examines how artworks drawn from the contemporary
collection of Patricia Phelps de Cisneros navigate this complex issue by embracing appropriative strategies for making
art.
Philadelphia Museum of
Art, Philadelphia, USA Hannah Arendt Denkraum, International art exhibition in former Jewish girls» school, August Strasse, Berlin, Germany Transformation from our collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisa
Art, Philadelphia, USA Hannah Arendt Denkraum, International
art exhibition in former Jewish girls» school, August Strasse, Berlin, Germany Transformation from our collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisa
art exhibition in former Jewish girls» school, August Strasse, Berlin, Germany Transformation from our
collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary
Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisa
Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary
Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisa
Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and
Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary
Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'
art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisa
art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary
Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisa
Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne
Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary
Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisa
Art from the
Collection, MoMA, New York, USA Short Cuts, Bass Museum of
Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisa
Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience:
Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisa
Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary
Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik
Arts Festival, Living
Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisa
Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisaje.
Post Creative Time, Julian enrolled in the Master's
Art Business Program at Sotheby's Institute of Art where he continued his studies in curatorial practice with Contemporary Art Program Director Kathy Battista alongside courses in art law with former NY Bar Association Chair Judith Prowda, and collection management with the present Global Head of the UBS Art Collection, Mary Roze
Art Business Program at Sotheby's Institute of
Art where he continued his studies in curatorial practice with Contemporary Art Program Director Kathy Battista alongside courses in art law with former NY Bar Association Chair Judith Prowda, and collection management with the present Global Head of the UBS Art Collection, Mary Roze
Art where he continued his studies in curatorial practice with Contemporary
Art Program Director Kathy Battista alongside courses in art law with former NY Bar Association Chair Judith Prowda, and collection management with the present Global Head of the UBS Art Collection, Mary Roze
Art Program Director Kathy Battista alongside courses in
art law with former NY Bar Association Chair Judith Prowda, and collection management with the present Global Head of the UBS Art Collection, Mary Roze
art law with former NY Bar Association Chair Judith Prowda, and
collection management with the present
Global Head of the UBS
Art Collection, Mary Roze
Art Collection, Mary Rozell.
As in past years, Artexpo, a juried
collection of
global galleries,
art publishers, and established artists, will colocate with [SOLO], a juried exhibition of innovative, independent artists from around the world.
The news comes just a day after LACMA announced that collectors Gérard and Dora Cognié will give the museum its largest gift of contemporary Chinese and
global ink - related
art in the museum's history, burnishing its position as a
global player with a large
collection Asian
art.
Having made
art throughout early adulthood, Lang established a fashion label under his own name in 1978, presented his first
collection at the Centre Pompidou in 1986, and achieved
global recognition in the field over the following two decades.
In addition to its support of
Art Basel, UBS has a long and substantial record of engagement in contemporary art: as a holder of one of the world's most distinguished corporate art collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&raqu
Art Basel, UBS has a long and substantial record of engagement in contemporary
art: as a holder of one of the world's most distinguished corporate art collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&raqu
art: as a holder of one of the world's most distinguished corporate
art collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&raqu
art collections, as an active partner in
global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&r
global contemporary
art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&raqu
art projects such as the Guggenheim UBS MAP
Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&r
Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&raqu
Art Initiative, and as a source of information and insights through the UBS
Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&raqu
Art Competence Center, UBS
Arts Forum and its new contemporary
art news - focused app, «Planet Art&raqu
art news - focused app, «Planet
Art&raqu
Art».
Kadist's
collections and productions reflect the
global scope of contemporary
art, and its programs develop collaborations between Kadist's local contexts (Paris, San Francisco) and artists, curators and
art institutions worldwide.
The Nude Man in
Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of
Art, Katonah, NY 30 Americans, Milwaukee
Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni
Collections, The Blanton Museum of
Art, Austin, TX 2012 Looped, Utah Museum of Contemporary
Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management
Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American
Art, Memphis Brooks Museum of
Art, Memphis, TN 30 Americans, Chrysler Museum of
Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group
Art Exhibition, Watts Towers
Arts Center and Charles Mingus Youth
Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary
Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private
Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of
Art at Duke University, Durham, NC Human Nature: Contemporary
Art from the Collection, Broad Contemporary
Art Museum (BCAM) at Los Angeles County Museum of
Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in
Art, Ringling Museum of
Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of
Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG
Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The
Global Africa Project Exhibition, Museum of
Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University
Art Gallery, Sonoma, CA Patter ID, Akron
Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine
Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk
Art to Facebook, Plains
Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity:
Art and the Contemporary African American Experience, Kentucky Museum of
Art and Craft, Louisville, KY The Gleaners: Contemporary
Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American
Art, Cleveland
Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American
Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer
Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary
Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary
Art, Cleveland, Cleveland, OH Down, Museum of Contemporary
Art, Detroit, Detroit, MI
Casterline Goodman Gallery's strong presence in the
global art community enables the gallery to place artworks in established private, corporate and institutional
collections.
His work can be found in numerous public and private
collections in Canada and abroad, including the Regional Municipality of Ottawa - Carleton (Ottawa); Woodland Cultural Centre (Brantford); Royal Ontario Museum (Toronto); Ottawa
Art Gallery (Ottawa); The Canada Council
Art Bank, (Ottawa); Nordamerika Native Museum (Zurich, Switzerland); City of Ottawa (Ottawa); Indigenous Affairs and Northern Development Canada (Gatineau); National Gallery of Canada (Ottawa);
Global Affairs Canada (Ottawa).
In addition to a wide array of special exhibitions, visitors have the opportunity to experience the museum's
global collection of
art that spans more than 5,000 years.
Panel 1: «Museums and
Collections» Kari Cwynar, Banff Center: «The Museum as a Contact Zone: New Ways of Seeing
Art at the
Art Gallery of Ontario» (watch video); Alice Heeren, School of the
Art Institute of Chicago: «The Inhotim Institute: Articulating Local and
Global in Display Strategies in Brazil» (watch video); Saisha Grayson, CUNY Graduate Center: «What Makes a Museum Contemporary?
She was trained by Takashi Murakami, helping to manage his corporate
art collection and reporting back on the
global art market.
With extraordinary exhibitions and one of the finest wide - ranging
art collections in the country — Rembrandt to van Gogh, Monet to Matisse, Asian to African — Mia links the past to the present, enables
global conversations, and offers an exceptional setting for inspiration.
He directs Collecting Architecture Territories, a multi-year research program that analyses
global art institutions that have emerged from private
collections.
In addition to setting
global records while scooping up high - profile Asian and Western pieces, they're pursuing memberships in powerful
art organizations, sponsoring new platforms for exchange, setting up foundations, and building new museums to house their
collections.
This monumental painting by one of the most highly regarded artists working today allows the Blanton to begin the process of creating a truly
global collection of contemporary
art.
The Museum maintains a unique
collection of fine
art, Judaica, antiquities, folk
art, and broadcast media that reflect the
global Jewish experience over more than 4,000 years.
Francis Outred, Christie's Head of Post-War & Contemporary
Art, Europe: «This project has been a celebration of
global sculpture in the 21st century and the work has been sold to foundations and private
collections across the world.
In short, exhibition
Art from Elsewhere is an international exhibition showing how public
collections reflect
global change.
2002 CAB Gallery Retrospective 1999 - 2001, Essor Gallery Project Space, London, UK Between Language and Form, Yale University
Art Gallery, New Haven, Connecticut, US Amsterdam Revisited: Adam & Eve On Sex, Tolerance and other Dependencies, De Appel, Amsterdam, NL Reaction - A
Global Response to 9/11, Exit
Art, New York, US
Art Aficionado Auction of Cigar Box
Art, Birmingham Museum of
Art, Birmingham, Alabama, US Just Remember: It's Vienna, Galerie Hubert Winter, Vienna, AT Welfare State International, London, UK Light & Shadows..., Galerie Anselm Dreher, Berlin, DE From the Observatory, Paula Cooper Gallery, New York, US Galerie Pietro Spartà, Chagny, FR Coolecção Onnasch: Aspectos da Arte Contemporânea, Museu Serralves / Museu Arte Contemporânea, Porto, PT Conceptual
Art 1965 - 1975 from Dutch and Belgian
Collections, Stedelijk Museum Amsterdam, NE DIN
Art 4 - 560 Künstler und 1 Formular, Museum für Kommunikation, Hamburg, DE 2002 Benefit Silent Auction and Gala, White Columns, New York, US Parole, Parole, Parole, Galleria Civica di Arte Contemporanea, Trento, IT Water - Sand — Space, The International
Art Exhibition: Sharjah
Art Museum, UAE; Städtischen Galerie Wolfsburg, DE Private Views, London Print Studio Gallery, London, UK
Collections, Stedelijk Museum, Amsterdam, NL Startkapital, K21 Kunstsmamlung Nordhein - Westfalen, DE 20 Years in Danish
Art, Stalke Galleri & Galleri Kirke Sonnerup, DK The Artists» Memory, Stadtische Museen Jena, Kabinett im Stadtmuseen, DE Ideal Avalanche, The Pond, Chicago, Illinois, UK Pièes de Collection / Oeuvres Contemporaines, Une Proposition de Françoise et Jean - Philippe Billarant, Ecole Supérieure des Beaux -
Arts de Nîmes, ESBAN @ Hôtel Rivet, FR Hors d'Oeuvre, Artist's Pages, Le Journal de l'
art Contemporain en Bourgogne, No. 10, FR Frenetic Interferences a presentation of MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary
Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies, Installations PASSAGES, Centre d'
Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE
Art Unlimited, Basel
Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de
Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)-RRB-?
But the UBS
Art Collection, which contains an artwork for every two employees in the firm's global workforce of around 60,000 people, is recognised as one of the most impressive corporate art collections of them a
Art Collection, which contains an artwork for every two employees in the firm's
global workforce of around 60,000 people, is recognised as one of the most impressive corporate
art collections of them a
art collections of them all.
Global keeper of Andy Warhol's legacy, «The Warhol» presents an extensive
collection of Warhol's pop
art ranging from his famous prints of Campbell's Soup Cans to a vast archival
collection of pieces from the artist's childhood.