On the other hand, the ICA intends to position itself as a decentralized place for
global art conversations involving local, U.S. and European artists, with a current presentation of video works by U.S. artist Alex Bag and a solo presentation of Berlin - based Renaud Jerez to come in 2016.
Not exact matches
Highlights in the / Dialogues talks, which were presented in partnership with the School of the
Art Institute of Chicago, included «Museum Models: The
Global Impact of Public Collections,» moderated by Jacob Proctor and featuring Thelma Golden, Solveig Øvstebø and Franklin Sirmans on Friday and «Hans Olrich Obrist in
Conversation with the Hairy Who,» with
Art Green, Gladys Nilsson and Karl Wirsum on Saturday.
On Tuesday, July 26, from 6 - 8PM, The FLAG
Art Foundation will host a
conversation with artist Patricia Cronin and curator Maura Reilly focusing on the
global plight of exploited girls and women.
Third Space: Shifting
Conversations About Contemporary
Art explores connections and shared cultural experiences between the American South and the
Global South.
Art exhibition and salon aims to intervene into the
global conversation about the «Black» body, a body that is perpetually in flux via restraint, attack, denial et al..
Art Basel hosts a series of conversations on topics concerning the global contemporary art sce
Art Basel hosts a series of
conversations on topics concerning the
global contemporary
art sce
art scene.
«There is great ambition for new [Chinese] institutions to position themselves in the
global conversation of contemporary
art.»
Art Basel hosts a series of conversations on topics concerning the global contemporary art scene with a range of speakers including artists, gallerists, curators, collectors, and many other cultural playe
Art Basel hosts a series of
conversations on topics concerning the
global contemporary
art scene with a range of speakers including artists, gallerists, curators, collectors, and many other cultural playe
art scene with a range of speakers including artists, gallerists, curators, collectors, and many other cultural players.
Conversation with AI WEIWEI, Moderated by alexandra munroe, samsung SENIOR CURATOR, ASIAN
ART, AND SENIOR ADVISOR,
GLOBAL ARTS AT THE SOLOMON R. GUGGENHEIM MUSEUM AND FOUNDATION Wednesday, July 18 12:30 pm Anderson Ranch, Schermer Meeting Hall
Girls» Club presents Change Agents, an exhibition of works by female artists in South Florida, whose careers and creative projects advance the
global conversation about contemporary
art, demonstrate dynamic ways in which artists can be self - sustaining, while nurturing the career advancement of others.
NCECA encourages participation from conference host city galleries and other exhibiting venues that may not have previously engaged with ceramic
arts; after the conference many participants continue to be involved in the local and
global conversation about and support for a clay - based artistic practice.
In 2018, exhibits at Open Source will encourage
conversation about and engagement with diverse
global perspectives through
art.
At Tate, Paul creates platforms for cultural engagement with contemporary
art by programming talks, symposia, workshops and live
art events including The Status of Difference (ideas / debate series, 2008 - 2010),
Conversation Pieces (ongoing artist talks series),
Global Modernities (Tate Triennial conference, March 2009) and Afrodizzia (Late at Tate, Feb 2010).
Munsell's latest exhibitions include Embodied Absence: Ephemerality and Collectivity in Chilean
Art of the 1970s, Museo de la Solidaridad, Santiago; Marilyn Arsem: 100 Ways to Consider Time, MFA Boston;
Conversation Piece, MFA Boston, in collaboration with Boston Ballet and Cultural Agents Initiative, Harvard University; Permission To Be
Global / Prácticas Globales, CIFO
Art Space, Miami, and MFA Boston; and Cuban Virtualities: New Media
Art from the Island, Tufts University and School of the
Art Institute of Chicago.
This dense, excellent collection of his writings and interviews is divided into four sections: «From China to the International,» «From «Exile» to the
Global,» «
Global Cities and
Art,» and «Interviews, Dialogues,
Conversations.»
On Wednesday, May 10, the National Museum of Women in the
Arts (NMWA) joins thousands of organizations, companies, schools, museums, libraries and homes in a
global conversation about what it will take to achieve a more gender - balanced world in all sectors of society: business, politics, culture, home and more.
The
conversation will include a discussion of the artists» individual practices, ranging from painting to installation and beyond, as well as their work's reflection on memory and time, and the way they navigate the
global art world.
Conversation then turned to the schism between painting, a slow medium engaging one viewer at a time, and newer mediums attuned to the large - scale expectations of
global art fairs.
«Creative Time
Global Residency: Reports From the Field», New York, NY, December 3, 2013 «Urban Imprint: The
Art and Science Shaping Our Cities,» hosted by The University of Chicago, Jazz at Lincoln Center's Frederick P. Rose Hall, New York, NY, November 14, 2013 «Cultural Investment: Creating a Civic Identity Through the
Arts,» CityLab: Urban Solutions for
Global Challenges, NYU Skirball Center for the Performing
Arts, New York, NY, October 7, 2013 «One State Together in the
Arts» One State Illinois Conference, Quad Cities, IL, June 24, 2013 «Theaster Gates in
Conversation with Romi Crawford,» Black Collectivities, Museum of Contemporary
Art, Chicago, Chicago, IL, May 4, 2013 «LINC Legacy and Advancements in the Field,» hosted by the Ford Foundation, May 2013 «Constituency Engagement — Culture - Initiated Redevelopment: Strategies in Innovative Constituent Engagement,» Association of Black Foundation Executives, Palmer House Hilton Hotel, Chicago, IL, April 6, 2013 «Creating Heat - The Artist as Catalyst: Theaster Gates at TEDxUNC,» University of North Carolina at Chapel Hill, Chapel Hill, NC, February 9, 2013 «Building CapaCity Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 26, 2013 «Creative Resilience Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 25, 2013 «Transformative
Art: Theaster Gates,» World Economic Forum Annual Meeting, Davos, Switzerland, January 23, 2013
The California - Pacific Triennial places artists working in California within this broader
global network, one that is particularly relevant to our region, and that will offer visitors their only opportunity to engage in a more cosmopolitan
conversation about contemporary
art.
With extraordinary exhibitions and one of the finest wide - ranging
art collections in the country — Rembrandt to van Gogh, Monet to Matisse, Asian to African — Mia links the past to the present, enables
global conversations, and offers an exceptional setting for inspiration.
She is the Founding Editor of The Chart, an
arts journal that aims to connect Maine artists to national and
global contexts while offering specific regional perspectives to larger
conversations.
Designing Africa investigates the blurred boundaries between the definition of artist and designer in contemporary
art and the ways in which design is articulated through both a regional paradigm and a more inclusive
global conversation.
MFA
Art Practice aims to facilitate a
global conversation about the
arts.
Art Basel hosts a series of conversations on topics concerning the global contemporary art scene with a range of speakers
Art Basel hosts a series of
conversations on topics concerning the
global contemporary
art scene with a range of speakers
art scene with a range of speakers...
What makes the earlier analogy confusing to me now, and possibly obsolete, is the fact that this year, the uncontested highlight of
Art Dubai, which ran through the third week of March, was actually a
conversation about Documenta, which brought Catherine David, Okwui Enwezor, and Adam Szymczyk — artistic directors of Documenta 10 (1997), Documenta 11 (2002), and Documenta 14 (forthcoming in 2017), respectively — to the stage of the
Global Art Forum, the fair's annual talks program.
Previously she was the Hugh Kaul Curator of Modern and Contemporary
Art at the Birmingham Museum of Art in Alabama where she curated Third Space / shifting conversations about contemporary art an exhibition exploring connections between the American South and the Global Sou
Art at the Birmingham Museum of
Art in Alabama where she curated Third Space / shifting conversations about contemporary art an exhibition exploring connections between the American South and the Global Sou
Art in Alabama where she curated Third Space / shifting
conversations about contemporary
art an exhibition exploring connections between the American South and the Global Sou
art an exhibition exploring connections between the American South and the
Global South.
The full program will feature Hans Ulrich Obrist in
conversation with Hairy Who Artists; Diego Perrone, Eugenio Re Rebaudengo, Letizia Ragaglia and Ilaria Bonacossa on contemporary
art in Italy; Matthieu Poirier and Daniel Buren on the intersections of
art and architecture; Dan Cameron, Anthony Elms and Irene Hofmann on the difference between American and European international exhibition models in «Biennale Biennial;» a discussion on contemporary photography with curator and author of Photography is Magic, Charlotte Cotton, in
conversation with various artists through the Aperture Foundation; the impact of contemporary design criticism and its discourse featuring Alice Twemlow among others; and Thelma Golden, Solveig Øvstebø and Franklin Sirmans in
conversation with Jacob Proctor on the
global influence of museum collections and exhibitions.
Leading the evening will be a
conversation discussing the alliance of visual
art and music moderated by Dr. Christa Clarke, Senior Curator of
Arts of
Global Africa at Newark Museum, followed by a viewing of Shonibare's Un Ballo in Maschera, and a culminating live musical performance from Chop and Quench!
7:30 —
Conversation with Dr. Christa Clarke, Senior Curator of
Arts of
Global Africa at Newark Museum, Dr. Rich Blint, Associate Director, Office of Community Outreach and Education at Columbia University School of the
Arts, Oneika Phillips and Greg Gonzalez of Chop and Quench 8:00 — Screening of Un Ballo in Maschera by Yinka Shonibare 8:30 — Live Performance by Chop and Quench
This backdrop set the tone for new discoveries, in - depth
conversations between
global patrons and a wide - spread enthusiasm amongst guest galleries over their involvement in an interconnected
art scene.
In a
conversation with two other artists from Inside Out and
art historian Arden Decker, which was published in the exhibition catalogue, Okón explains, «I have a preoccupation with routines that are connected to my everyday life and in the way these very local issues connect to a
global context.
Rooted in museum founder Duncan Phillips's belief in bringing together «congenial spirits among the artists from different parts of the world and from different periods of time,»
Conversations demonstrates his conviction that
art is a universal language and advances one of the Phillips's primary institutional goals — to foster a
global conversation and enliven exchange among people of all backgrounds through the language of modern and contemporary
art.
The Phillips Collection's Travel Program brings
art enthusiasts and leading
art collectors together, fostering a
global conversation through the language of modern and contemporary
art.
Extending the Guggenheim UBS MAP
Global Art Initiative's focus on expansive intellectual collaboration, the symposium continues the
conversation begun at the inaugural public program held in November 2012 at the Jim Thompson
Art Center, Bangkok, Thailand.
Presented as part of
ART ²: An International Platform on Contemporary Art, this conversation between three distinguished museum directors explores the landscape of new global initiativ
ART ²: An International Platform on Contemporary
Art, this conversation between three distinguished museum directors explores the landscape of new global initiativ
Art, this
conversation between three distinguished museum directors explores the landscape of new
global initiatives.