Sentences with phrase «global art shows»

To start its yearly round - up of global art shows, SCOPE returns to New York for the 16th time, after the Miami Beach version closed the exhibition calendar last autumn.

2010 Art of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA Art of the Eighties, Nymphius Projekte, Berlin Color and Form, Los Angeles County Museum of Art, Los Angeles Once Removed, The Apartment, Athens Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)

Gioni, Massimiliano, «Reentering Art, Reentering Politics,» Flash Art, July - September 2002, p. 106 Kimmelman, Michael, «Global Art Show With an Agenda; The Biggest Documenta Ever,» The New York Times, June 18, p. B1, The Arts «Raymond Pettibon en el MACBA,» Linea One, February 2002, p. 47, ill.

Not exact matches

Most of all, I love seeing our books brought to life in our Oxford and Concord, MA Studios — what we think of as «hubs» in our global community, where we have events like storytelling, arts and crafts activities, African drumming, puppet shows, yoga and even a family café serving healthy and organically produced food... all part of the Barefoot lifestyle and all about connecting families and nurturing creativity, imagination and diversity.

Findings for the three global science academies — Islamic World Academy of Sciences (IAS), the World Academy of Art and Science (WAAS) and The World Academy of Sciences (TWAS)-- show a similar picture: women are «best» represented among academy members in the social sciences and humanities.

In the colour burgundy from head to toe in Ever New — an Australian clothing brand inspired by global trends in art, film, music and theatre as well as haute couture runway shows in Paris, London, Milan and New York.

The first 10 sculptures — including four which were transformed into art installations by well - known Parisian artists — were displayed in the French capital to celebrate the car's global unveiling at the Paris Motor Show.

[Mention] Johnny Jet - Travel Style: Stephen Oddo (Dec 17, 2014)[Feature] In The Capital — 25 White House Holiday Tour Instagrams That'll Put You in the Christmas Spirit (Dec 15, 2014)[Mention] PlanetStyleTravel.com — #StudyAbroadBecause You'll Discover New Loves (Dec 13, 2014)[Mention] KarolinaPatryk.com — Gareth Leonard from Tourist2Townie.com (Dec 10, 2014)[Mention] TheLifeEscape.com — NEWS: White House Summit on Global Engagement (Dec 10, 2014)[Feature] Skift - The White House Looks to Hosteling International and Bloggers to Promote Study Abroad (Dec 9, 2014)[Feature] NIAF (National Italian American Foundation)- Italian - A-Day Campaign (Dec 3, 2014)[Feature] Johnny Jet — Travel Style: Mickela Mallozzi (Nov 19, 2014)[Roundup] LA Times - Attractions For Your Holiday Bucket List (Nov 6, 2014)[Feature] Travel Channel - Travel's Best: Holiday Attractions 2014 (Nov 4, 2014)[Interview] Daily Travel Podcast — 122: Dancing Around The World With Mickela Mallozzi from Bare Feet (Oct 23, 2014)[Feature] Travel Channel — Our Type of Traveler: «Bare Feet» Dancer Mickela Mallozzi (Oct 21, 2014)[Mention] TravelBlogger101.com — Networking Does Not Stop At The Parties; It Continues On the Pre / Post Trips (Oct 15, 2014)[Feature] Voices of the Lumbee - VotL Featured on New York - based Arts Program Bare Feet (Sept 14, 2014)[Sidebar] El Nuevo Dia — Danzas en Bali (Sept 14, 2014)[Feature] TripsFilms.com — Women's Travel Fest Dates Announced (Aug 19, 2014)[Press Release] NYC Media - A New Season of TV Programming Premieres This August on NYC Life (Jul 28, 2014)[Video] Mutual of Omaha — Mickela's Aha Moment (Jul 19, 2014)[Feature] Right Here in Fuquay - Varina - Bare Feet ™ TV Series Visits Lumberton, North Carolina (Jul 15, 2014)[Feature] My Pembroke NC - Powwow will be featured on online episode of Bare Feet (Jul 15, 2014)[Feature] St. Paul's Review - Powwow will be featured on online episode of Bare Feet (Jul 15, 2014)[Feature] Robesonian - Powwow will be featured on online episode of Bare Feet (Jul 15, 2014)[Feature] Fayetteville Observer - Lumbee's Dance of the Spring Moon will be featured on the television show «Bare Feet» (Jul 10, 2014)[Feature] WBTC CBS News 13 - Bare Feet ™ TV series visits Lumberton to feature Lumbee Native American tribe (Jul 9, 2014)[Feature] Repeating Islands - Dance and Music from Curaçao and Aruba on The Bare Feet ™ (NYC Life)(Jul 6, 2014)[Feature] Amigoe Express - Mickela Mallozzi: Curaçao is Unique, Colorful, and Alive [print and online](Jul 4, 2014)[TV] WBKO ABC News — National Campaign Tour #AHA Moment (Jun 30, 2014)[Feature] GoNomad.com — Dance Around the World Barefoot (Jun 24, 2014)[Feature] DuList - «Bare Feet» Novi Serijal Sniman i na Korculi (Jun 20, 2014)[Feature] JustDubrovnik — Korcula in the American Series «Bare Feet» (Jun 20, 2014)[Photo] DubrovnikNet - FOTO: Kako se u Gradu slavila velika pobjeda Hrvatske [# 14](Jun 19, 2014)[Feature] Autographer - The Best Travel Vloggers to Follow on YouTube (Jun 3, 2014)[Feature] Voices of the Lumbee - Travel Barefeet Interviews Alexis Locklear (May 4, 2014)[Feature] DanceStudioLife.com - See the World While Dancing with Trendy New Travel Industry Packages (May 2, 2014)[Feature] The Huffington Post — Dance Your Way Across the World (Apr 24, 2014)[Feature] Amigoe Express - 649.

Early concept art shown, 2016 global release planned.

Chris Stevens, our brother Nintendo, for believing in us Kim Gibson and the Ontario Media Development Corporation Agnes Zak and the Canadian Media Fund Ben, Jesse, Stef, Stef, Steph, and everyone at Gaming Show (In My Parents Garage) Colin, Greg, Nick, and Tim at Kinda Funny Randy Orenstein Toronto Global Game Jam Sarah and Every1 Games Zach Huntley and Unity Japan Nathan Vella Mike Sandercock Mike Doucet Cary Walkin Dan, Dan, Brandon and Paul at Finish Line Games IGDA@GBC Drekken and LANation Level Up Toronto Showcase John - Paul Caldwell and Stage Select Gaming Expo Gamercamp (R.I.P.) The Students of George Brown College Game Development Program Additional Concept art by Chris Stevens

In addition to the 1988 Courbet retrospective, Nochlin organized other seminal shows, like «Women Artists: 1550 to 1950» at the Los Angeles County Museum of Art, which she curated with Ann Sutherland Harris in 1976, and «Global Feminisms: New Directions in Contemporary Art,» which she curated with Reilly for the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art in 2007.

Recent exhibitions include «Construire, Déconstruire, Reconstruire: Le Corps Utopique,» a solo show at the Musée d'Art Moderne de la Ville de Paris, Documenta 13 in Kassel, Germany, «Performing Histories (1)» at MoMA, New York, «10 ans du Projet pour l'Art Contemporain,» Centre Pompidou, Paris, the 4th Moscow Biennial, Moscow, «The Global Contemporary Art World after 1989,» ZKM, Karlsruhe, Germany, and «Contested Terrains,» Tate Modern, London.

INDISPENSABLE BOOKS arrived, among them «Working Conditions: The Writings of Hans Haacke» (M.I.T. Press); «Civic Radar,» by Lynn Hershman Leeson, accompanying her retrospective at ZKM / Center for Art and Media in Karlsruhe, Germany; and «Postwar: Art Between the Pacific and the Atlantic, 1945 - 1965,» the catalog for a world - embracing global show at the Haus der Kunst, Munich.

Recent group shows include Home Land Security, For - Site Foundation, San Francisco, CA; Fireflies in the Night Take Wing, Stavros Niarchos Foundation, Athens, Greece; and Global / Local 1960 - 2015: Six Artists from Iran, Grey Art Gallery, New York University, NY (all 2016); and This Land is Whose Land?

«Uncontained,» Whitney Museum of American Art, New York, NY, February 8 — April 29, 2007 «Hammer Contemporary Collection,» Hammer Museum, Los Angeles, CA, January 16 — April 8, 2007 2006 «The Bong Show or This is Not a Pipe,» curated by Beverly Semmes, Leslie Tonkonow Artworks + Projects, New York, NY, December 9, 2006 — January 20, 2007 «The Unhomely: Phantom Scenes in Global Society,» curated by Okwui Enwezor, Second International Biennial of Contemporary Art, Seville, Spain, October 26, 2006 — January 15, 2007; cat.

This show comes 20 years after pivotal exhibitions such as Memorias Intimas Marcas — initiated by Fernando Alvim, in collaboration with Gavin Younge and Carlos Garaicoa, which looked at the residue of trauma caused by the Angolan Civil War — and the 2nd and last Johannesburg Biennale, curated by Okwui Enwezor, which unusually for the international art world at the time included many artists from the Global South.

If it's done right, these books can be every bit as engrossing as a museum presentation — and these days, in a global art world where none of us can catch every show, they offer an essential guide to cities and institutions abroad.

It features works from all sectors of the different shows, offering vivid and varied perspectives on the global art world as seen through the eyes of Art Basart world as seen through the eyes of Art BasArt Basel.

Focus: African Perspectives will consist of around 15 galleries and several not - for - profits invited by the curators and The Armory Show, presenting a global list of galleries and institutions that embrace and promote art from Africa and the Diaspora.

Twice shortlisted for the Turner prize, he used to dream of a big show at Tate Modern, but insists that the Chinese show means more: «I've always wanted my art to be global rather than local.

Nearby at Pier 90, the 11th edition of the Armory Show's sister fair, Volta NY, offers 85 galleries from 48 cities presenting a global vision of contemporary art.

Now in its 22nd year, The Armory Show remains a highly - anticipated event on the global arts calendar, connecting the world's leading galleries with international collectors, curators and art professionals in the capital of the art world.

Showing works by an increasingly diverse roster of global artists, VMFA's 21st - century gallery reflects the expanded nature of contemporary art.

Showing works by a diverse roster of global artists, VMFA's 21st - century gallery reflects the expanded nature of contemporary art.

Special Exhibitions Fusion: Art of the 21st - Century December 19, 2014 — July 26, 2015 21st - Century Gallery Free Showing works by an increasingly diverse roster of global artists, VMFA's 21st - century gallery reflects the expanded nature of contemporary aArt of the 21st - Century December 19, 2014 — July 26, 2015 21st - Century Gallery Free Showing works by an increasingly diverse roster of global artists, VMFA's 21st - century gallery reflects the expanded nature of contemporary artart.

A Hayward Touring Show with support from the Art Fund, Art from Elsewhere brings together works that depict different realities of profound global change.

Their work has appeared in several group shows, including Integration and Resistance in the Global Age at the Havana Biennale, ABSA L'Atelier in Johannesburg and Power Play at Goodman Gallery Cape, as well as various private and public collections, including the Durban Art Gallery and the South African National Gallery.

A massive structure of wooden poles festooned with colorful ribbons by the British sculptor Phyllida Barlow is the first work one encounters when visiting the 2013 Carnegie International, the quadrennial (or thereabouts) show at Pittsburgh's Carnegie Museum of Art that stands as the oldest global contemporary art exhibition in the United StatArt that stands as the oldest global contemporary art exhibition in the United Statart exhibition in the United States.

Impure, imperfect and incomplete, the version of abstraction that emerges from this global journey — from Hong Kong and Islamic regions to Canada, Australia, Europe and the United States — shows how the formal ingenuity of abstract art has been cross-fertilised, from abstract expressionism onwards, by creative discrepancies that arise when disparate visual languages are brought into dialogue.

His sell out solo shows «Death & Glory», «EyeCons», «aPOPcalypse now», «All your Dreams Belong to Us» along with last years Los Angeles show «Going Nowhere Fast», which included his largest mural to date, and «Burn Brighter» his debut Australian show have firmly founded D * Face's presence within the global contemporary art market whilst retaining his notoriety.

Although conceived independently and presented as separate solo exhibitions, when taken together two shows at Kai Lin Art through January 30 reveal much about the intellectual and emotional trajectory of global civilization — East, West, and points between.

2015 100 + Degrees in the Shade, A Survey of South Florida, Miami, FL Global Positioning Systems: Uses of History, Perez Art Museum Miami, Miami, FL From Within and Without: The History of Haitian Photography, NSU Art Museum, Fort Lauderdale, FL DCG Summer Show, David Castillo Gallery, Miami Beach, FL

At the same time, her work also politically shifts art discourse to show that such topics are not peripheral but central, that they profoundly shape global culture and contemporary art.

2013 The House Party Exhibition of Photography, Space 2531, Los Angeles, CA Pin Up Show, Lucie Foundation, MOPLA, Los Angeles, CA Snap to Grid, LACDA, Los Angeles, CA The Meal 2013: Documenting a Global Snack, Art House Co-Op, Brooklyn Art Library, Brooklyn, NY Favorite Photographs of 2012, Lenscratch.com, Online The Print Exchange 2013, Art House Co-Op, Brooklyn Art Library, Brooklyn, NY Favorite Photographs of 2012 Exhibition Part 2, Lenscratch.com, Online

«ART ASIA has busied itself with establishing a reputation as the unchallenged focal point for contemporary Asian Art collectors in the U.S. Sundaram Tagore Gallery's curated show «SIGNS: Contemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqART ASIA has busied itself with establishing a reputation as the unchallenged focal point for contemporary Asian Art collectors in the U.S. Sundaram Tagore Gallery's curated show «SIGNS: Contemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqART ASIA has busied itself with establishing a reputation as the unchallenged focal point for contemporary Asian Art collectors in the U.S. Sundaram Tagore Gallery's curated show «SIGNS: Contemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqArt collectors in the U.S. Sundaram Tagore Gallery's curated show «SIGNS: Contemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqArt collectors in the U.S. Sundaram Tagore Gallery's curated show «SIGNS: Contemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqArt» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqArt» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqART ASIA's commitment to representing a broad range of Asian art.&raqART ASIA's commitment to representing a broad range of Asian art.&raqart.&raqart.»

One of the early arrivals, back in 2007, was Sundaram Tagore, a gallerist with outposts in New York and Beverly Hills who focuses on the intersection of Western and non-Western art and shows pieces that further a global dialogue.

Of course, none of these shows were meant to be the last word on contemporary painting, but as the most recent word on painting at these rather prominent regional institutions it would behoove them to extend themselves towards contemporary art in a global context, rather than contemporary as defined by major Western cities.

The connection between raw material and its consumption by the immaterial systems of global capitalism is the main theme running through Metal, a group show of five artists at Middlesbrough Institute of Modern Art, which forms part of the AV Festival, a biennial programme of art, film and music in the northeast of England, now in its sixth iteratiArt, which forms part of the AV Festival, a biennial programme of art, film and music in the northeast of England, now in its sixth iteratiart, film and music in the northeast of England, now in its sixth iteration.

They're as comfortable leaving their imprint on the streets as they are making paintings on wood and canvas to be shown in galleries, and cull their imagery as much from outsider art, Brazilian folklore, and global hip - hop culture, as from their own private mythology.

Returning to the United States in 1956, Milder studied at the Art Institute of Chicago and began showing his work with the Momentum Group, which shared his global approach to the iconographical sources of painting.

Artists from the 50s and 60s who moved to the UK from the commonwealth, conceptual artists who considered themselves «stateless» global citizens rather than tied any one place, and groups such as the Black Audio Film Collective, whose work sought to unearth the possibilities of being both «Black» and «British» in the 1980s, will show how British art has, directly or indirectly, come to reflect a much wider international stage over time.

Part of the Guggenheim UBS MAP Global Art Initiative, all the works will enter the museum's permanent collection when the show closes.

The global axiom holds true: If dealers think they can sell a lot of art, they will show up pretty much anywhere, and the booming Asian economy makes the region attractive.

In the past year alone, Akunyili Crosby — whose first name is pronounced «nnn - jee - deh - car» — has participated in several group shows (including the Whitney's current portraiture survey, «Human Interest») and five solo efforts (at L.A.'s Hammer Museum, Mark Bradford's Art + Practice, the Norton Museum of Art, the Whitney's billboard project and London's Victoria Miro Gallery, where she'll make her solo European debut in October), while earning a spot on Foreign Policy's 2015 list of the Leading Global Thinkers.

learn more... June 2017 - First Public Art Project Unveiled Sandra DeLucca Developmental Center - Miami May 25, 2017 - Mermaid Performance Vizcaya Museum and Gardens - Miami April 22 - June 25, 2017 - Group Exhibition Aesthetics & Values - Frost Art Museum - Miami March 9, 2017 - Performance Along the Shadow of the River - Girls Club Collection - Fort Lauderdale Empty Kingdom Interview Drawings at PAMM, part of «Global Positioning Systems» Exhibition My first edition, available thru Girls Club Collection New Video at the Art Center / Miami Beach Group Show - Museum of Contemporary Art - Miami Recent performances at MOCA and Pinecrest Gardens Art Slant Review New Times Review Recent Interview - OPP Website Update - Select videos now available for viewing New York Show - launchf18

Ironically, it was Kynaston McShine who moved to the global and away from the formal in his 1972 show of international conceptualism at the Museum of Modern Art, Information, with work that he presented as rooted in the worldwide political upheaval of the late 60s.

The show investigates the emergence of the area that would become an antidote to Manhattan's commercially - focused Uptown art scene and not only that, but the crucible for a brave new way of thinking about art that helped pave the way for the city's regeneration and its emergence as a global cultural capital.»

In truth, since the Beautiful Inside My Head Forever sale in 2008, Hirst has made several attempts to move on with new art work — there was the ill - fated attempt at painting like Francis Bacon sponsored by Victor Pinchuk and shown at London's Wallace collection — and revive his market with stunts like the global Gagosian show of spot paintings.

Posthumously his works were shown in 1999 in an important exhibition held at the Queens Museum, New York entitled Global Conceptualism: Points of Origin, 1950s — 1980s and in 2009/10 at Centre Pompidou, Paris, in the group show The Promises of the Past: A Discontinuous History of Art in Former Eastern Europe.

Acts, solo show at Kunst Werke Institute for Contemporary Art, 2013, Berlin; Construire, Déconstruire, Reconstruire: Le Corps Utopique, solo show at Musée d'Art Moderne de la Ville de Paris, 2013, Paris; dOCUMENTA (13), 2012, Kassel; Performing Histories (1), Museum of Modern Art, 2012, New York; 10 ans du Projet pour l'Art Contemporain, Centre Pompidou, 2012, Paris; 4th Moscow Biennale, 2011, Moscow; The Global Contemporary.