Sentences with phrase «global artists together»

Not exact matches

«This year's programme will bring together some of the leading artists, writers, publishers, and tech visionaries to share their experience of storytelling in different mediums on a local and global level», said Thomas Minkus, VP Emerging Media & English Language Markets of Frankfurter Buchmesse and Managing Director of IPR License.

The Global Game Jam brings together game makers, musicians, artists, programmers, beginners, and veterans to make a game... Read More

For the second annual Art in the Auditorium program, Ballroom Marfa continues its collaboration with Whitechapel Gallery in London and other galleries from Oslo, Bergamo, Buenos Aires, Istanbul and Wellington to bring together film and video artists from across a global community.

Ballroom Marfa continues a collaboration with Whitechapel Gallery in London and other international galleries from Oslo, Bergamo, Buenos Aires, Istanbul, and Wellington to bring together film and video artists from a global community.

Rigid, clad in gray with her back to the camera, Sooja situates herself and the viewer against a global metropolis, her silent presence eliciting responses from passersby who together weave a social fabric around the artist's needle - like figure.

Together the works form a global conversation of established and emerging artists from Africa, Afro - Caribbean regions, Europe, India, Latin America, and the United States.

The free event and three - day programme, founded and run by artists, features exhibitions, performances, publications, screenings, workshops and seminars — as well as one - day symposium — responds to the increasingly nomadic nature of artists and artistic practice, questioning «how we live together in a global community».

The fourth edition of 1 - 54 Contemporary African Art Fair in New York will bring together a diverse and global mix of galleries that are dedicated to supporting and promoting African art and artists from across the world.

Given that sabbatical (during which the Hong Kong - born, New York - based artist set up his Badlands Unlimited publishing house), perhaps it's fitting too that the first section of the book brings together a series of texts — «What Art Is and Where It Belongs» and «On Art and the 99 Percent» among them — that, at their heart, consider questions concerning the definition of art and its role in society, with a particular focus on its relation to ideas of home and community, much of it in the context of America's wars in Iraq and Afghanistan, and the subsequent global economic recession.

On Proyectos Monclova's booth, the Mexican collective Tercerunquinto are painting Mexican political campaign murals directly onto the walls and there's more hard - hitting political work in a new series from Santiago Sierra on Milan's Prometeogallery di Ida Pisani, together with a never before seen installation by Manuel Ocampo on Tyler Rollins Fine Art which, in the Filipino artist's inimitable style, draws on religious iconography to reflect on current global events.

The solo exhibition by Polish visual and performance artist Justyna Scheuring, who lives and works in London, brings together sign language interpreters and consecutive translators, in order to compose a performance through a multitude of voices and forms of expression to question issues of identity in a context of personal trauma, global migration and the experience of otherness.

Opening May 6 Vita Vitale: Brings together contemporary artists from Austria, Canada, France, Italy, The Netherlands, Pakistan, Romania, Switzerland, UK, USA, Uzbekistan, and Azerbaijan — a presentation spanning the borders of language, cultural heritage, and geography — to raise awareness about our environment and the global transformation of the planet through human activity.

It has brought together over 400 global minds from pop culture to renowned academia: artists, curators, museum directors, filmmakers, novelists, historians, philosophers, technologists, entrepreneurs, musicians and performers, dialogue with one another across disciplines, reporting from every part of the world, painting a truly 21st century portrait of how the globalized world thinks.

«Creative Time Global Residency: Reports From the Field», New York, NY, December 3, 2013 «Urban Imprint: The Art and Science Shaping Our Cities,» hosted by The University of Chicago, Jazz at Lincoln Center's Frederick P. Rose Hall, New York, NY, November 14, 2013 «Cultural Investment: Creating a Civic Identity Through the Arts,» CityLab: Urban Solutions for Global Challenges, NYU Skirball Center for the Performing Arts, New York, NY, October 7, 2013 «One State Together in the Arts» One State Illinois Conference, Quad Cities, IL, June 24, 2013 «Theaster Gates in Conversation with Romi Crawford,» Black Collectivities, Museum of Contemporary Art, Chicago, Chicago, IL, May 4, 2013 «LINC Legacy and Advancements in the Field,» hosted by the Ford Foundation, May 2013 «Constituency Engagement — Culture - Initiated Redevelopment: Strategies in Innovative Constituent Engagement,» Association of Black Foundation Executives, Palmer House Hilton Hotel, Chicago, IL, April 6, 2013 «Creating Heat - The Artist as Catalyst: Theaster Gates at TEDxUNC,» University of North Carolina at Chapel Hill, Chapel Hill, NC, February 9, 2013 «Building CapaCity Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 26, 2013 «Creative Resilience Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 25, 2013 «Transformative Art: Theaster Gates,» World Economic Forum Annual Meeting, Davos, Switzerland, January 23, 2013

Art Radar has put together five of our best posts that explore performance art in Asia and how Asian contemporary artists have elaborated and expanded on the global discourse of performance art.

Together, these artists and movement represent the astounding burst of artistic genius that emerged in Italy during the post-war era, a microcosm of the wider reach of the global art world.

The first in a planned series of exhibitions across the globe celebrating the success of an art blog that been the catalyst in fostering a genuine movement, this exhibition in San Francisco is curated by Graffuturism founder Poesia; who brings together a global selection of artists that have established the graffiti zeitgeist.

Since coming to Atlanta in 2013, Camblin's leadership at ART PAPERS has built on and activated the city's fundamentally contradictory identity as both a provincial creative community and an increasingly galvanized global city where, as she says, artists «are trying against infrastructural odds, but amid a lot of positive talk of change, to get a community together.»

The symposium brings together artists, lawyers, eyewitnesses, writers and academics to discuss how art may contribute to informing social attitudes on matters of justice in a time of global conflict, when the law has at times been absent.

has built on and activated the city's fundamentally contradictory identity as both a provincial creative community and an increasingly galvanized global city where, as she says, artists «are trying against infrastructural odds, but amid a lot of positive talk of change, to get a community together.»

The exhibition brought together twenty two internationally recognized street artists and investigated street art's growing artistic quality and popular appeal (particularly in the United Kingdom) and its rootedness in the realms of graphic design and global youth culture.

The Watermill Center is a laboratory of inspiration and performance, founded by theater and visual artist Robert Wilson, which provides a unique environment for a global community of emerging and established artists and thinkers to gather and explore new ideas together.

As the art season slows down for the summer months and galleries take a breather from the rush of global art fairs, many gallerists take this time to identify and unify themes that reflect some of the concepts being expressed by contemporary artists, and put together group shows.

Moshiri is a global artist who finds unique ways to tie disparate parts of art history together in compelling, multi-faceted works.

About SP - Arte Created in 2005, SP - Arte — São Paulo International Art Festival — is a global art event that brings together renowned art and design galleries representing more than 2,000 artists in the historical Oscar Niemeyer Bienal Pavilion.

Through Dec. 14, 2014 Wilfredo Lam at McMullen Museum, Boston College Boston «Imagining New Worlds» considers Afro - Cuban artist Wilfred Lam as a global figure whose work straddled several artistic movements and features works on paper and more than 40 paintings — many of his most acclaimed together for the first time.

But, as the world population grows and becomes more connected through the internet, these geographically disparate artists have found it easier to come together, work together, and share global opportunities with each other, rather than being confined to tiny local communities.

In addition to a small handful of superb works by Bearden himself, the show is made up of tributes by a hundred contemporary artists, old and young, who together extend Bearden's cosmopolitan, griot - to - the - global - village spirit into the future.

Rooted in museum founder Duncan Phillips's belief in bringing together «congenial spirits among the artists from different parts of the world and from different periods of time,» Conversations demonstrates his conviction that art is a universal language and advances one of the Phillips's primary institutional goals — to foster a global conversation and enliven exchange among people of all backgrounds through the language of modern and contemporary art.

Rena De Sisto, Global Arts and Culture Executive, Bank of America Merrill Lynch says: «We are delighted to be supporting the National Portrait Gallery in bringing together the works of such a fascinating, provocative and groundbreaking artist.