Sentences with phrase «global contemporary art communities»

Can you tell us what you think this back - to - back representation says about the strength of our local academic and institutional activity in the national and global contemporary art communities?

She now has turned her attention to broadening the foundation's base locally — it already has a stellar reputation in the global contemporary art community — by increasing its visibility.

Not exact matches

Addressing this global experience, and through his current ties to the contemporary artists and galleries that comprise the local art community, Gross is able to contextualize the influence Los Angeles has on the larger art world and how the ideas of these local artists are being championed in contribution to a global discourse.

Like Suzanne, Amanda and Glenn Fuhrman recognize the singular power of new and innovative contemporary art to cultivate ideas and deepen our connection with the global community.

Officially launching in 2016, the Biennial will present groundbreaking international contemporary art, in addition to highlighting Hawaii's notable, but under - recognized contributions by its communities and individuals to global arts and culture on the international stage.

Located in the historic Old Market district, Bemis Center serves a critical role in the presentation and understanding of contemporary art, bridging the community of Omaha to a global discourse surrounding cultural production today.

Edge of Arabia, a pioneering travelling exhibition that has shed new light on the largely unknown contemporary art culture of Saudi Arabia, is coming to Dubai this March during the Sharjah Biennial and in partnership with Art Dubai, and under the global tour sponsorship of ALJ Community Initiativart culture of Saudi Arabia, is coming to Dubai this March during the Sharjah Biennial and in partnership with Art Dubai, and under the global tour sponsorship of ALJ Community InitiativArt Dubai, and under the global tour sponsorship of ALJ Community Initiatives.

Predominately presents Northwest & internationally established artists working in a wide variety of contemporary media, bolstering a dynamic dialogue between the local community and the global art world.

In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public aart in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field ofContemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public aArt will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public aart projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field ofcontemporary trends and new ideas in the field of public artart.

Spearheaded by Jonathan LeVine of the Jonathan LeVine Projects, Delusional provides a unique opportunity for artists to be reviewed by high - profile names in the contemporary art market and global art community.

About Artis Artis is an independent nonprofit organization that broadens international awareness and understanding of contemporary art from Israel, and provides important resources, programs and platforms for artists and art professionals to develop lasting partnerships with the global art community.

The Alternative Museum's first exhibition was «10 Japanese Artists» which led the way to the many presentations of contemporary art works and artists from the diverse global community at a time when most contemporary arts institutions were only interested in Eurocentric art.

At the Center, she acts as a conductor of information between the New York and New Orleans communities as well as a catalyst for change in contemporary art through designing innovative models for artistic and cultural exchanges and expansive public programming in the global arts and creative community.

Since its founding, NOON has sought to provide the global art community with a report on the diverse communication and research in contemporary visual culture, with particular emphasis on the relationship between theories and contexts of a wide variety of fields.

2004 — 2005 Hamburg Kennedy Photographs, Scalo Project Space, New York, USA Common Ground: Discovering Community in 150 Years of Art, Selections from the Collection of Julia J. Norrell, Corcoran Gallery of Art — Washington DC, USA — Kurzdavordanach, Photographischen Sammlung / SK Siftung Kultur, Cologne, Germany — Corcoran Gallery of Art, Washington D.C., USA Image and Identity: Portraits, The Sheldon Art Galleries, St Louis, USA Faces in the Crowd: Picturing Modern Life from Manet to Today, Whitechapel, London, UK New Acquisition: Local and Global Contemporary Photography, Bates College Museum of Art, Lewiston, USA Joy of Life: Malick Sidibé and Ojeikere, Two Photographers from Africa, Hara Museum, Tokyo, Japan

Each has drawn global attention and brought important contemporary art to the Santa Fe community and beyond.

Featuring artists from all over the U.S. and the world, Gallery Four aspires to connect artists to Baltimore and Baltimore to the larger world of contemporary art, thereby encouraging a global art community.

The new $ 100,000 gift supports the museum's commitment to exhibit and collect art that represents the diversity of the Miami community and to present contemporary art from Latin American and American Latino artists within the global canon of contemporary art, according to PAMM.

This event is held in conjunction with SCAD AT MIAMI, a celebration of contemporary art, creative education and the global art community.

«a / drift: Scenes from a Penetrable Culture,» curated by Josh Decter, Bard Center for Curatorial Studies, Annandale - on - Hudson, NY, October 26, 1996 — January 5, 1997 «On Paper II,» Schmidt Contemporary Art, St Louis, MO, January 23 — February 20, 1996 «Tangles,» Otis College of Art and Design, Los Angeles, CA, November 2 — December 21, 1996 «Community of Creativity: A Century of MacDowell Colony Artists,» Currier Gallery of Art, Manchester, NH, 1996; traveled to the New York School of Design, New York, NY; Wichita Art Museum, Wichita, KS «The Inner Eye: Art Beyond the Visible,» Manchester City Art Galleries, Manchester, UK, 1996; traveled to the Museum and Art Gallery, Brighton, UK; Glynn Vivan Art Gallery, Swansea, UK; Dulwich Picture Gallery, London, UK; catalogue «Hotter Than July,» Margo Leavin Gallery, Los Angeles, CA, 1996 «a / drift,» Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY, 1996; catalogue «Inclusion / Exclusion: Art in the Age of Post-Colonialism and Global Migration,» Steirischer Herbst 96, Graz, Austria, 1996; catalogue «Art at the End of the 20th Century: Selections from the Whitney Museum of American Art,» National Gallery, Alexandros Soutzos Museum, Athens, Greece, 1996; traveled to Museu d'Art Contemporani, Barcelona, Spain; Kunstmuseum Bonn, Bonn, Germany; catalogue «Burning Issues: Contemporary African - American Art,» Museum of Art, Fort Lauderdale, FL; brochure «Thinking Print: Books to Billboards 1980 - 1995,» Museum of Modern Art, New York, NY, 1996; catalogue «10th Biennale of Sydney: Jurassic Technologies Revenant,» Art Gallery of New South Wales, Sydney, Australia, 1996; catalogue «The Mediated Object: Selections from the Eli Broad Collection,» Fogg Art Museum, Cambridge, MA, 1996; traveled to Forum for Contemporary Art, St Louis, MO «An American Story,» Whitney Museum of American Art, New York, NY, 1996 «Festival Exit,» Maison des Arts de la Culture, Paris - Creteil, France, 1996 «Screen,» Friedrich Petzel Gallery, New York, NY; video catalogue «Prospect «96,» Frankfurt Kunstverein, Frankfurt, Germany, 1996; catalogue

«She has extraordinary breadth of experience and global knowledge of the contemporary art world, which is seamlessly balanced with her attention to local and regional communities and audiences.

Under her leadership since 2000, the Studio Museum has gained increased renown as a global leader in the exhibition of contemporary art, a centre for innovative education, and a cultural anchor in the Harlem community.