Sentences with phrase «global contemporary art projects»

In addition to its support of Art Basel, UBS has a long and substantial record of engagement in contemporary art: as a holder of one of the world's most distinguished corporate art collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art».

Not exact matches

Chang Tsong - Zung (Johnson Chang) is a gallerist, independent curator and co-founder of «Asia Art Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projecArt Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projecart practices through innovative curatorial projects.

«Uncontained,» Whitney Museum of American Art, New York, NY, February 8 — April 29, 2007 «Hammer Contemporary Collection,» Hammer Museum, Los Angeles, CA, January 16 — April 8, 2007 2006 «The Bong Show or This is Not a Pipe,» curated by Beverly Semmes, Leslie Tonkonow Artworks + Projects, New York, NY, December 9, 2006 — January 20, 2007 «The Unhomely: Phantom Scenes in Global Society,» curated by Okwui Enwezor, Second International Biennial of Contemporary Art, Seville, Spain, October 26, 2006 — January 15, 2007; cat.

Presented by Mehta Bell Projects and the Global Eye Programme, START Projects will hone in on contemporary art practices in Vietnam and Korea through its Global Eye Program established by Parallel Contecontemporary art practices in Vietnam and Korea through its Global Eye Program established by Parallel Contemporary Aart practices in Vietnam and Korea through its Global Eye Program established by Parallel ContemporaryContemporary ArtArt.

2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA

Alicia David Contemporary Art represents our artists on a global scale, exhibiting work at art fairs in the UK and the US and curating solo and group exhibitions, projects and collaborations across EuroArt represents our artists on a global scale, exhibiting work at art fairs in the UK and the US and curating solo and group exhibitions, projects and collaborations across Euroart fairs in the UK and the US and curating solo and group exhibitions, projects and collaborations across Europe.

2010 Hide / Seek: Difference and Desire in American Portraiture, Smithsonian National Portrait Gallery, Washington, DC Off the Wall, Whitney Museum, New York, NY The Global Africa Project, Museum of Arts and Design, New York, NY Traveling 2010 — 2013 to Reginald Lewis Museum, Baltimore, ME; High Museum, Atlanta, GA; Seattle Art Museum, Seattle, WA; Tacoma Art Museum, Tacoma, WA; Bellevue Art Museum, Bellevue, WA Ghana: Who Knows Tomorrow, Dei Centre for the Study of Contemporary African Art, Accra, Ghana

Contemporary gallery Gazelli Art House supports a wide range of international artists, presenting a broad and dynamic programme to a diverse audience through global public projects and exhibition spaces in London and Baku.

Group exhibitions include Prospect.4, the US Biennial in New Orleans (2017 - 2018); In Context: Africans in America, at the Goodman Gallery and the Johannesburg Art Gallery, Johannesburg, South Africa (2016); Represent: 200 Years of African American Art, at The Philadelphia Museum of Art (2015); The Geometric Unconscious: A Century of Abstraction, at the Sheldon Museum of Art, University of Nebraska (2012); ARS 11, Kiasma Museum of Contemporary Art, Helsinki (2011); The Global Africa Project, Museum of Arts and Design, New York (2010); and Wallworks, Yerba Buena Center for the Arts, San Francisco (2009).

The exhibition reveals how contemporary art is contributing to the global project of rethinking our relationship to other living things.

Mahlangu is the most renowned artist of South Africa's Ndebele people, and she has developed the art of mural painting from a tradition of designs painted on the exterior of rural homes to projects created in a global, contemporary art context.

Girls» Club presents Change Agents, an exhibition of works by female artists in South Florida, whose careers and creative projects advance the global conversation about contemporary art, demonstrate dynamic ways in which artists can be self - sustaining, while nurturing the career advancement of others.

The first of a three - part series devoted to cross-cultural identity, «Global Vision: New Art from the 90's» inaugurated Athens's new Centre for Contemporary Art, the pet project of Greek Cypriot collector Dakis Joannou, whose Deste Foundation was behind a number of high - profile exhibitions in the late»80s and early»90s.

In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public aart in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field ofContemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public aArt will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public aart projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field ofcontemporary trends and new ideas in the field of public artart.

learn more... June 2017 - First Public Art Project Unveiled Sandra DeLucca Developmental Center - Miami May 25, 2017 - Mermaid Performance Vizcaya Museum and Gardens - Miami April 22 - June 25, 2017 - Group Exhibition Aesthetics & Values - Frost Art Museum - Miami March 9, 2017 - Performance Along the Shadow of the River - Girls Club Collection - Fort Lauderdale Empty Kingdom Interview Drawings at PAMM, part of «Global Positioning Systems» Exhibition My first edition, available thru Girls Club Collection New Video at the Art Center / Miami Beach Group Show - Museum of Contemporary Art - Miami Recent performances at MOCA and Pinecrest Gardens Art Slant Review New Times Review Recent Interview - OPP Website Update - Select videos now available for viewing New York Show - launchf18

«Project 35» showcases a new exhibition concept for ICI, with an eclectic compilation of works that reveal the global reach that video have achieved as a contemporary art medium.

Specializing in: • Developing exhibitions internationally, securing loans from institutions and private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and conservation

Spearheaded by Jonathan LeVine of the Jonathan LeVine Projects, Delusional provides a unique opportunity for artists to be reviewed by high - profile names in the contemporary art market and global art community.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

Exhibitions include: Practices Remain, Regina Rex, NY, Odalis Valdivieso's Recent Works, Le Cloître et L'église des Billettes, Paris, SET, Bridge Red Studios — Project Space, North Miami, Noise Field, Dorsch Gallery, Miami, New Work Miami 2010, Miami Art Museum, Miami, After Process, Miami Beach Regional Library, Ocupa, Far Side Gallery, Miami, Urban Interventions, Contemporary Art Museum, Rosario, Talking Heads, Girls Club, Fort Lauderlade, and Fragile Global Performance Chain Journey, Florence, to name a few.

slavick has explored feminism, body politics, the personal as political, familial relations, memory, alternative histories, memorials, the global economy, contemporary workers, travel / tourist photography, how the media (mis) represents the world, the U.S. military and exported violence, Hiroshima and our post-nuclear world and how art can transform society through her art projects, teaching and activism.

Contemporary gallery Gazelli Art House supports a wide range of international artists, presenting a critically acclaimed programme of exhibitions through global public projects and exhibition spaces in London and Baku.

Most recently appointed Executive Director at Artpace, Basha is known for «conceiving and producing innovative curatorial projects that focus on the creation and circulation of contemporary art in both the local and global arena.»

An unprecedented exhibition exploring the broad spectrum of contemporary African art, design, and craft worldwide, The Global Africa Project premiered at the Museum of Arts and Design (MAD) in New York City this November.

He was recently the co-curator of Uneven Geographies: Art and Globalisation at Nottingham Contemporary in May - June 2010, and was director of the research - exhibition project Zones of Conflict: Rethinking Contemporary Art during Global Crisis in 2008 - 09.

2004 — 2005 Hamburg Kennedy Photographs, Scalo Project Space, New York, USA Common Ground: Discovering Community in 150 Years of Art, Selections from the Collection of Julia J. Norrell, Corcoran Gallery of Art — Washington DC, USA — Kurzdavordanach, Photographischen Sammlung / SK Siftung Kultur, Cologne, Germany — Corcoran Gallery of Art, Washington D.C., USA Image and Identity: Portraits, The Sheldon Art Galleries, St Louis, USA Faces in the Crowd: Picturing Modern Life from Manet to Today, Whitechapel, London, UK New Acquisition: Local and Global Contemporary Photography, Bates College Museum of Art, Lewiston, USA Joy of Life: Malick Sidibé and Ojeikere, Two Photographers from Africa, Hara Museum, Tokyo, Japan

Francis Outred, Christie's Head of Post-War & Contemporary Art, Europe: «This project has been a celebration of global sculpture in the 21st century and the work has been sold to foundations and private collections across the world.

To date, the DESTE Foundation has collaborated with a number of internationally acclaimed curators and leading artists to showcase current important artistic innovations and to organize curatorial projects and special events that reflect the global trends in contemporary art.

In his various international projects, exhibitions, writings, and lectures, Vasif Kortun has employed an experimental approach and openness to new ideas to challenge the contemporary art world and push its parameters beyond national or international, local or global developments.

2002 CAB Gallery Retrospective 1999 - 2001, Essor Gallery Project Space, London, UK Between Language and Form, Yale University Art Gallery, New Haven, Connecticut, US Amsterdam Revisited: Adam & Eve On Sex, Tolerance and other Dependencies, De Appel, Amsterdam, NL Reaction - A Global Response to 9/11, Exit Art, New York, US Art Aficionado Auction of Cigar Box Art, Birmingham Museum of Art, Birmingham, Alabama, US Just Remember: It's Vienna, Galerie Hubert Winter, Vienna, AT Welfare State International, London, UK Light & Shadows..., Galerie Anselm Dreher, Berlin, DE From the Observatory, Paula Cooper Gallery, New York, US Galerie Pietro Spartà, Chagny, FR Coolecção Onnasch: Aspectos da Arte Contemporânea, Museu Serralves / Museu Arte Contemporânea, Porto, PT Conceptual Art 1965 - 1975 from Dutch and Belgian Collections, Stedelijk Museum Amsterdam, NE DIN Art 4 - 560 Künstler und 1 Formular, Museum für Kommunikation, Hamburg, DE 2002 Benefit Silent Auction and Gala, White Columns, New York, US Parole, Parole, Parole, Galleria Civica di Arte Contemporanea, Trento, IT Water - Sand — Space, The International Art Exhibition: Sharjah Art Museum, UAE; Städtischen Galerie Wolfsburg, DE Private Views, London Print Studio Gallery, London, UK Collections, Stedelijk Museum, Amsterdam, NL Startkapital, K21 Kunstsmamlung Nordhein - Westfalen, DE 20 Years in Danish Art, Stalke Galleri & Galleri Kirke Sonnerup, DK The Artists» Memory, Stadtische Museen Jena, Kabinett im Stadtmuseen, DE Ideal Avalanche, The Pond, Chicago, Illinois, UK Pièes de Collection / Oeuvres Contemporaines, Une Proposition de Françoise et Jean - Philippe Billarant, Ecole Supérieure des Beaux - Arts de Nîmes, ESBAN @ Hôtel Rivet, FR Hors d'Oeuvre, Artist's Pages, Le Journal de l'art Contemporain en Bourgogne, No. 10, FR Frenetic Interferences a presentation of MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies, Installations PASSAGES, Centre d'Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE Art Unlimited, Basel Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)-RRB-?

2014 The Global Africa Project — Political Patterns, Seoul Museum of Art, Seoul, South Korea 2014 Post Pop: East Meets West at Saatchi Gallery, London, England 2014 Temporary Contemporary, Bass Museum of Art, Miami, Florida, USA 2014 It's All a Masquerade!

Other notable exhibitions of Wilson's work include Cotton: Global Threads at the Whitworth Art Gallery in Manchester UK in 2012, Hand + Made: The Performative Impulse in Art and Craft at the Contemporary Arts Museum Houston in 2010, Shift: Field of Fluctuation at the 21st Century Museum of Contemporary Art in Kanazawa Japan in 2009, Out of the Ordinary at the Victoria & Albert Museum in London and Radical Lace and Subversive Knitting at the Museum of Arts and Design in 2007, as well as recent solo shows at Rhona Hoffman Gallery in Chicago, Paul Kotula Projects in Detroit, and the Museum of Contemporary Art Chicago.

Participants include Leeza Ahmady, independent curator and Director of Asian Contemporary Art Week; Thomas Berghuis, The Robert H. N. Ho Family Foundation Curator of Chinese Art, Guggenheim Museum; Melissa Chiu, Director, Asia Society Museum and Vice President, Global Arts Programming, Asia Society; Pablo León de la Barra, Guggenheim UBS MAP Curator, Latin America; and Reem Fadda, Associate Curator, Middle Eastern Art, Abu Dhabi Project, Guggenheim Museum.

To date, the DESTE Foundation collaborates with a number of internationally acclaimed curators and leading artists to showcase the most important artistic innovations and to organize curatorial projects and special events that reflect the global trends in contemporary art.

Since its inception, DESTE — the Greek word for «look» — has been an international organizer of contemporary art exhibitions and a global supporter of arts - based projects and publications.

Her research and curatorial projects are determined by the specific socio - political conditions: OtherIS (2011 - ongoing) is a curatorial platform of video art relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networart relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networart in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networArt in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networArt in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networks.

Group exhibitions include The Geometric Unconscious: A Century of Abstraction at the Sheldon Museum of Art, University of Nebraska (2012); Magical Visions: 10 Contemporary African American Artists at the Mechanical Hall Gallery, University of Delaware (2012); ARS 11, Kiasma Museum of Contemporary Art, Helsinki (2011); The Global Africa Project, Museum of Arts and Design, New York (2010); and Wallworks, Yerba Buena Center for the Arts, San Francisco (2009).

So maintains Selene Wendt, Independent Curator and Founder of the Global Art Project, a professional platform for the communication, development and presentation of international contemporary art across geographical borders, based in NorwArt Project, a professional platform for the communication, development and presentation of international contemporary art across geographical borders, based in Norwart across geographical borders, based in Norway.

Kasmalieva and Djumaliev's solo and group exhibitions include Something about Contemporary Nomadism, Aspan Gallery, Almaty, Kazakhstan (2017); A Global Table, Frans Hals Museum, Haarlem, Netherlands (2017); 3rd Aichi Triennale, Japan (2016); 8th Asia Pacific Triennial of Contemporary Art, Brisbane (2015); Brooklyn Bridge, The Cube Project Space, Taipei (2013); One Sixth of the Earth.

Joining the organization after recently moving to Philadelphia, Thomas currently designs and teaches a Global Contemporary Art curriculum at the Tyler School of Art at Temple University, while furthering an already distinguished career of independent and internationally recognized curatorial and publication projects.

«One World Exposition», a project curated by Videotage, aims to «re-engage contemporary Chinese art from regional, national and global perspectives.»