At the same time, the monuments of their crimes, whether cathedrals or pyramids, are enlisted as elements of a «
global patrimony.
Not exact matches
Documenting these sites now is critical, Fisher said, because «accelerating rates of
global change are threatening our
patrimony in ways we've never seen before.»
Cultural institutions devoted to national
patrimonies are out of step with today's art world, which argues for
global unity (even if that is illusory).
If yes, how can a common
global goal on avoiding climate instability and safeguarding the planet's biological
patrimony realistically be sought given the variety of views and values around the world?