The Multi-Coloured Deluxe Spin Bass Guitars are an edition of 50 and come in a specially designed, hand spun case, including a «exquisite corpse» drawing by Hirst and Flea; a 6 x 6» framed monochrome butterfly
gloss on canvas; a unique photograph of Hirst and Flea holding the guitar and 20 specially designed plectrums.
Damien Hirst (b. 1965) Beautiful mis - shapen purity clashing excitedly outwards painting signed «D.Hirst» household
gloss on canvas and electric motor diameter: 144in.
A playful paradox is presented by the artist in this work from the sub-series Deuterated Compounds, a composition formed of household
gloss on canvas shares its name with a toxic paint - stripping substance.
Household
gloss on canvas.
Household
gloss on canvas, 99 x 147 inches.
Sarah Morris Apple [Rio] 2012 Household
gloss on canvas 84 1/4 x 84 1/4 in.
Featured images: Image © Urs Fischer; Jenny Saville — To be titled, 2018 (detail) © Jenny Saville; Damien Hirst — Manganese, 2016, household
gloss on canvas, 59 × 59 inches (149.9 × 149.9 cm) © Damien Hirst and Science Ltd..
Butterflies and household
gloss on canvas, 96 x 82.3 in (243.8 x 209 cm).
Made with household
gloss on canvas, they are typically shown on an outside wall and they stop you in your tracks.
Executed on a monumental scale this butterflies and household
gloss on canvas work measures 268 cm in diameter (including the frame).
Damien Hirst (b. 1965) Beautiful Spread Your Wings, Open Your Mind Painting Household
gloss on canvas 121.9 x 121.9 cm Executed in 2007 Estimate: # 120,000 — # 180,000 © Damien Hirst and Science Ltd..
Armory: Sarah Morris, Rings, 2007, household
gloss on canvas; Gabriel Orozco sculpture, plaster and acrylic, at White Cube, London
Not exact matches
Linking up with
On the Daily Express, More Pieces of Me, Fizz and Frosting, Lip
Gloss and Crayons, The Fashion
Canvas, Walking in Memphis in High Heels, Bless Her Heart Y ’ all
Linking up with Fizz and Frosting, DC In Style, Pink Sole, The Style Record, Lip
gloss and Crayons,
On the Daily Express, More Pieces of Me Linking up with Walking in Memphis in High Heels, The Fashion
Canvas, Style Elixir, Life's a Party Dress Like It, Glossy Blonde, Why I Do deClarie Have a great day!
Linking up with Pink Sole, More Pieces of Me,
On the Daily Express, Fizz and Frosting, Lip
Gloss and Crayons, Join the Gossip, Walking in Memphis in High Heels, The Fashion
Canvas, Lush to Blush, Why I do deClaire
Linking up with Pink Sole, Fizz and Frosting,
On the Daily Express, More Pieces of Me, Join the Gossip, Lip
Gloss and Crayons, Walking in Memphis in High Heels, The Fashion
Canvas, Style Elixir, Bless Her Heart Y ’ all
These are among the most matte surfaces to be experienced in
canvases emanating from the Abstract Expressionist circle in which the artist moved: there is no
gloss, there is no reflection
on the surface.
Áine McBride Untitled (low unit) Plywood,
canvas, timber, household
gloss paint, A5 images printed
on vinyl 2017
(
on the stretcher)
gloss household paint
on canvas 83 7/8 x 92 1/8 in.
Sarah Morris, Small Flat Jumbo [Clips], 2010 Household
gloss paint
on canvas, 152.5 x 152.5 cm March 24 — April 30, 2010 Gallery Meyer Kainer announces «It's All True» an exhibition of new works by Sarah Morris, labeled after an unfinished documentary film by Orson Welles.
It is a
gloss household paint
on canvas by Damien Hirst, 9 inches square with a red dot, a yellow dot, half a green dot, half a black dot, half an orange dot, a quarter of another red dot, half a beige dot, about 95 percent of a blue dot and about 95 percent of a blue - green dot.
It is a diptypch of
gloss household paint and butterflies
on canvas, one part painting with pink background and the other with a blue background, which illustrates the catalogue's cover.
Among the works that did well were Lot 16, a charming small sculpture, one of three examples down in 1945 - 6, by David Smith, shown above, that sold for $ 220,000 (not including the buyer's premium) and had had a high estimate of $ 150,000; Lot 5, «Atantolone,» a
gloss household paint
on canvas of colored dots
on a white field that sold for $ 170,000 (not including the buyer's premium), well over its high estimate of $ 120,000; Lot 14, a large 1943 painted wood and wire sculpture, «Constellation,» by Alexander Calder (1898 - 1976) that sold for $ 1,982,500 (including the buyer's premium), more than double its high estimate, and Lot 24, a larger Calder sculpture, «Trepied,» that sold near its low estimate for $ 1,542,500 (including the buyer's premium); Lot 20, a large and very interesting and abstract but not very colorful 1953 Francis Bacon (1909 - 1992), «Two Figures at a Window,» that sold above its $ 1.2 million high estimate for $ 1,542,500 (including the buyer's premium); Lot 27, «Tour III» by Brice Marden (b. 1938) that sold within its estimates for $ 1,487,500 (including the buyer's premium), tying the artist's record; Lot 41, «Grillo,» by Jean - Michel Basquiat (1960 - 1988) that sold for $ 1,102,500 (including the buyer's premium), also within its pre-sale estimates; and Lot 31, «Vierwaldstätte See,» a large black and white 1969 landscape by Gerhard Richter (b. 1932) that sold for $ 1,047,500 near its low estimate of $ 1 million.
damien hirst — rio (detail), 2014 scalpel blades, skin graft blades, zips, stitching needles, aluminium filings, pins, stainless steel studs, fish hooks, steel wire cutting spool and
gloss paint
on canvas — 78 1/16 x 113 3/8 in.
Aurothioglucose (lot 7, Evening Sale) household
gloss and enamel paint
on canvas 172.7 by 274.3 cm.
The three monochromatic paintings in this exhibition mark the newest works
on canvas by the artist, each using
gloss line
on a matte background.
Household
gloss paint
on canvas, 60» x 60».
Crossings features three
gloss black «Level Crossing» signs
on a matt black triangular
canvas, as much recalling the «Give Way» sign as it does also the shaped
canvases of late Modernist abstract paintings by artists such as Kenneth Noland or Frank Stella.
The current dynamic results in the much - begrudged and detrimental truth that the art world at large shrugs its shoulders at Santa Fe, victim of the perception of Santa Fe as an art destination only for tchotchkes and couch - matching
canvases, a perception that
glosses over the vibrant and thoughtful art
on the ground.
It also acquired three acrylic -
on -
canvas paintings from the»60s by Lawrence Weiner — No Title, Title Unknown and Yellow Wheel with Orange Border — plus three other»60s - era conceptual installations — A Wall Pitted by a Single Air Rifle Shot;
Gloss White Lacquer, Sprayed for 2 Minutes at 40 lb Pressure Directly upon the Floor and A 36 x 36 Removal to the Lathing or Support of Plaster or Wallboard from a Wall.