Sentences with phrase «glossy black surface»

Its rounded edges, curved corners, and glossy black surface give it a sleek and elegant look that is minimalist and eye - catching.

Design Although slimmer and squarer than its antecedents, the Galaxy S II comes on strong with a glossy black surface and large touch screen.

The centre is occupied by a touch screen infotainment system which is surrounded by glossy black surface.

Piano black inserts and glossy black surfaces complement the bright trim and upholstery, plus carbon fiber was added here and there to up the crossover's inherent sportiness.

Not exact matches

Materials • Two tea candles • Matches or a lighter to light the candles — along with adult assistance or supervision for doing so • CD jewel case with one glossy, transparent surface • Dark surface (you can create one by laying a black T - shirt flat on a table) • Identical household items (paper clips, etcetera) in pairs (optional)

This series of vignettes filmed in glossy, nostalgic black and white examines ten different conversations that on the surface have nothing in common... Read More»

Dust just does not show up on this type of surface - unlike the glossy blacks that look perfect in the show room, but somehow never quite look clean in the street.

It's a cabin awash in metal, glossy wood, leather, and shiny black surfaces, similar to the Continental's cockpit.

The surfaces around the HMI control panel have the glossy shimmer of black anodised aluminium.

Inside the MINI John Cooper Works models there is a leather wrapped three - spoke sports steering wheel, the roof lining has an Anthracite finish while the interior surfaces are glossy Piano Black.

The central control and display surfaces are integrated into the «black panel» — a glossy black strip framed by an aluminum surround.

Use of matt black surfaces instead of the glossy wood appliques has altered the cabin's characteristic.

The concept was fitted with a four - cylinder turbocharged engine rated 211 PS (155 kW; 208 hp), front wheel drive system, dual - clutch automatic transmission, diamond - look grille from the 2011 Concept A-Class, Alubeam body colour, headlamps shining red at standby mode, indicators with individual points of light up in succession, 21 - inch wheels with perforated pins on the spokes, frameless side windows, panoramic sunroof, metallic - red colouring taillights, instrument panel upholstered in white nubuck leather, anthracite - coloured Alcantara on the upper section of the instrument panel, suede on the sports steering wheel, chrome trim elements and control panels in black anodised finish, surfaces around the HMI control panel in glossy shimmer of black anodised aluminium, four integral bucket seats with four integrated head restraints from Sport version of the W176 A-Class, and air vents in the instrument panel from the 2011 Concept A-Class.

Glossy black interior surfaces, a padded dashboard, a creative blend of materials, and ergonomically located soft touchpoints create the feeling of being in a far more expensive vehicle.

The surfaces in the recent work from 2013 — 14 reveals more literal variations of black pigment, often utilizing an uncompromising matt underpainting as a support for glossy black on top; or, alternatively, light refracting from severe cuts into a hardened density of pigment, unequaled in works associated with subsequent modes of pastiche used in some overworked paintings associated with painters of The New York School in the turbulent late fifties.

Although the dark surface of Untitled [glossy black painting] has been associated with destruction or burning, the color black did not carry such negative connotations for the artist.

In 2012, SFMOMA conservators Amanda Hunter Johnson and Paula De Cristofaro tested different papers and painting techniques that replicate the surface effects of Robert Rauschenberg's Untitled [glossy black painting](ca. 1951).

During the making of the works the glossy words disappear into the black ground surface until they become saturated to such an extent the words slip from tangibility into abstraction.

Because the textured surface of Untitled [glossy black painting] is so delicate, any attempt to undo the housepainter's accident would have been a challenge.

He shows his range in these later works gleefully inventing and exploiting new spaces in the picture plane: 1951's Every Atom Glows: Electrons in Luminous Vibration is a delicate black - and - white oil painting, while his Alabama II, 1969, is a strong protest work — a rectangular field of red in which a triangular wedge evoking bodies marching or a megaphone's amplified language emerges in glossier red on the painting's surface.

Collage works with names like Red Bone, 2016, and Girl Bye, 2016, were created with glossy appropriated photographs intricately fused together onto stark black surfaces.

More recent paintings (from 2013 - 14) have surfaces that reveal more literal variations of black pigment, often utilizing an uncompromising matt underpainting as a support for glossy black on top.

Matte and glossy blacks appear in wide strokes and in fine, delicate lines across crisp whites, warm yellows, and cool blues, creating a complex web of layers that seem to reach further and further beyond the surface field.

Demos creates optical effects with the greatest economy of means, manipulating rectangular panels with a simple palette of black, white and grey that appear to move into or out of the wall given their matte or glossy surface quality.

Also in the late»50s, Robert Rauschenberg produced a thick, textual canvas of black goop, though the thickness of the paint produced a glossy, reflective surface.

The one knock I have is that the Show's glossy surface kicked back a lot of reflections in brighter settings, and blacks started to wash out at wider angles.

In practice, we're looking at a glossy surface that reminds us of Apple's Jet Black color for the iPhone 7.