Not exact matches
And the earliest work in the exhibition, Vija Celmins's 1964
painting Heater, sets the
glowing red center
of an electric space heater amid a
field of deep grays — reminding us
of the constant, ever - shifting dialogue between hot and cool, color and shadow.
The green
field in Baseball is manicured down to abstraction, the crowd a sea
of tiny dots, as though
painted by an extremely diligent child; the
glowing depiction
of sports is arresting — even off - putting — in a New York gallery.
Mark Rothko (1903 - 1970) was an American Abstract Expressionist painter known primarily for his
paintings of glowing pulsating
fields of unbroken color.
He shows his range in these later works gleefully inventing and exploiting new spaces in the picture plane: 1951's Every Atom
Glows: Electrons in Luminous Vibration is a delicate black - and - white oil
painting, while his Alabama II, 1969, is a strong protest work — a rectangular
field of red in which a triangular wedge evoking bodies marching or a megaphone's amplified language emerges in glossier red on the
painting's surface.
There's a
glow as if the
painting is imbued with some energy
field, something primordial that is responsive to my obsession — the obsession
of the Hungry Ghost.»
The works create luminous visual
fields that are difficult to take in all at once and that seem to shimmer, blink, and
glow in an indeterminate space between the viewer and the actual surface
of the
painting.
The light shining in from being near the river
glows into the space activating the color
fields vibrating in the
paintings, DoN thought about how this is the way a true artist lives, in a bright airy studio right in the hub
of the lively contemporary arts scene in Old City with the energy and time to think big.
Frankenthaler explored a variety
of linear components in her oil
paintings of the 1950s, but in the 1960s she shifted her focus, embracing acrylic
paints to explore open, flat
fields of color, evident in the large and
glowing 1973
painting «Nature Abhors a Vacuum.»
She was just twenty - three when she poured puddles
of paint, in palely
glowing colors, onto a cotton canvas to produce «Mountains and Sea» (1952), which is the Rosetta stone
of color -
field (it's in the National Gallery
of Art, in Washington), despite the fact that it bears drawn lines and a redolence
of landscape.