Sentences with phrase «go see this film at»

I highly recommend everyone take Ron Howard's sage advice to go see this film at the cinema.

Not exact matches

Your company, Malpaso is based there, but they turned down I think at first the next film which we're going to see which I just think is an extraordinary film.

But of course, at the end, that film could go on and make money for the next 20 years [through streaming] and we'll never see a statement.

And so as you can see, which I have reason to fear you will not see in the film, the message of Coriolanus tends to be conservative: republican politics is beset from the get - go by tragic flaws, and the only programmatic political lessons one might take (which includes the lesson that conditions will seldom let you succeed at applying them) are aristocratic - republican ones.

In any store in North America, Europe or Asia right now, you will see bricks that look the same, with at the most maybe laminated films on them, and we are going to change that.

So when people saw me, I'm sure they would look at the old 16 mm film and think «Hey, he's a pretty good player,» and then they saw me and went, «Ehhhhh.»

I have a feeling that the clip of them together is at the end of the film so we may need to wait for a couple more years to see what ends up happening as far as their relationship goes.

Using film to facilitate therapy sessions can help families see things from a different perspective, providing a new way to discuss what's going on, says Turns, a doctoral student in the Marriage and Family Therapy program at Texas Tech University.

Moyer: Yes excuse me, the excess mass gets converted into energy and quite a bit of energy, as anyone who's ever seen one of those film reels of hydrogen bombs going [off can][at] test; that is just a little bit of hydrogen converted into helium, and wow!

I can't remember the last time I went to see a movie at a theater so don't get too excited about who's up for the best actor and what film's up for the best movie award.

What I do know is that I had scheduled my flights to Madrid this weekend around going to Somerset House, and whilst Would - have - been 14 refused to sell me the Somerset House tickets, there were still some available for the film, so on a whim I bought two and decided to ask around to see if any of my friends could find in a «stand - in» at short notice.

easy going guy caring my frends say im good fun to out with like music films etc like to have fun easy to chat to a bit of a joker at times can be very loving when with the right guy but lets guys so it a bla bla bla from me so if you like what you see then mes me i do nt bite ok lol

It's safe to say that no one who's going to see Rampage is expecting a smart night at the multiplex, but it's also safe to say that the film's target audience is expecting briskly paced carnage — at least of the same sort that director Brad Peyton previously splattered about in the junky earthquake epic San Andreas.

The film doesn't take a clear stance in regards of the actual utility of an institution like this, we see how the patients there mock around and make fun of the fact that they are being institutionalized there, and at the same time they hate the way that their parents brought them there, as well as the harsh instructions that they must go through every morning and every day.

It's an interesting and unusual choice (which I didn't know about going in - in fact I actually thought this was going to be a conventional, full - life biopic as I hadn't read much on the film beforehand), and at times I had the sense I was seeing a sequel to a movie I'd missed.

How did this film manage to go from one of the few must - see releases of the holiday season to the single film I most expected yet least wanted to be recognized at award ceremonies?

If you've paid attention to the film's marketing, or even glanced at the poster featured in this article, you can see that there is much more going on throughout «Disobedience» than what initially meets the eye.

Although I would have hesitated to go to this film had I known it was about the IRA (again), I don't regret seeing it at all.

I wouldn't go so far as to say it's a good film overall, but given its relatively low aims, and for its subgenre, it is an entertaining one, though some might be disturbed at a few of the grislier narrative turns, especially at seeing a loving family torn apart, quite literally.

For this follow - up, recorded at the 2012 Toronto Film Festival where I saw the film for a second time (reviewed here), I decided to go all out and talk in - depth about the movie, with spoilers and everything.

2016's surprise sort - of - sequel 10 Cloverfield Lane provided our first look at the anthology - like nature of this loose franchise umbrella, and while we wait to see a trailer for God Particle (now possibly titled Cloverfield Station) and learn when and how we're actually going to see that movie, we have confirmation that Cloverfield 4 not only exists, but that it's already completed filming.

In case you haven't been paying attention to what's been going on over at Relativity Media, I'll give you the short version — they're scrambling to release their slate of films while in the midst of bankruptcy, now replacing Mike Flanagan's Before I Wake with the D.J. Caruso - directed The Disappointments Room, which was originally going to see a release -LSB-...]

We don't see the film's last seconds until it loops back to the end, but, be forewarned at the onset: This party will go out of bounds.

I'll admit that going into Gridiron Gang, I was very skeptical that it would have anything to offer that I haven't seen before, but it surprised me, not because it did have anything unique, but that, for a formula film, it is competent, efficient, and until the final game, shows excellent restraint at not trying to overplay anything beyond what is necessary to move the plot along.

Not long afterward we see Blanc arrive at the Cannes film festival, demanding a suite at the Hotel Carlton (he finally gets moved into the suite of Gerard Depardieu, who's off wine tasting in Bulgaria) and making a crude pass at Charlotte Gainsbourg in her room, then stealing money from her purse while she goes to fetch him some Valium.

In case you haven't been paying attention to what's been going on over at Relativity Media, I'll give you the short version — they're scrambling to release their slate of films while in the midst of bankruptcy, now replacing Mike Flanagan's Before I Wake with the D.J. Caruso - directed The Disappointments Room, which was originally going to see a release in November.

Without seeing a frame of film, you know Ben is going to be a likeable loser, unlucky in love, embarrassing himself to win a lady over, and subjected to the grossest mishaps at every step.

These sorts of films will always have a place, but it's unfortunate that most of the intended adult audience won't go see it at the cinema.

Audiences who go to see The American expecting a conventional Hollywood spy thriller will no doubt be disappointed to find out they've stumbled into an art - house film — and an unrelentingly grim one at that — but those seeking relief from the inanity and bombast of the summer movie season will be pleasantly surprised.

When 3D is needed for CGI to feel complete, a film is in serious trouble, because let's face it: most people are going to see it at home without the benefit of a 3D TV.

Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...

As for «Happy - Go - Lucky,» I think it may creep into Best Actress and screenplay (I've seen it and think it's a fine film), but I kept the list at U.S. releases thus far.

Odds are, if you are going to see Walter Mitty at the cinema, it will either be the last film of 2013 you will see, or the first film of 2014.

It wouldn't be at the top of my list of films to go and see at the moment, but it's certainly an easy, enjoyable film to watch.

The film starts off with some awkward, painfully lame flashback scenes of Kyle's childhood and transitions into an opening act that is loaded with full - on patriotism that sees him go to war to get back at the people who brought suffering to our doorstep in the events of 9/11 (he was already enlisted, but if we believe the film that decision was also motivated by seeing news footage of American lives being taken), but one of the most interesting surprises is how balanced it eventually becomes and how we see the way that Kyle's actions negatively impact others and how even he begins to question his commitment to the cause, despite the fact that he would never vocalize it.

Though not without its necessarily dark moments — all the Larrain films I've seen take place during the Pinochet era in Chile — it was an exuberant, moving, and technically amazing film which I was happy to champion; it went on to be nominated for Best Foreign Film at the Oscars.

It's actually astonishing that we not only have great actors nailing tricky scenes, and really some stunning, winding camerawork to go with it, but such things as the weaving in of special effects and the utter lack of capturing any of the off - screen crew members who surely must have been around helping with the shoot (that we never see anything we shouldn't in any of the many on - screen mirrors is quite astonishing) only makes this one of the more brilliant efforts at shooting a seamless film since the first in Alfred Hitchcock's Rope.

One night I went to see a movie at the Egyptian Theater on Hollywood Blvd.. When the lights went down, the man next to me — a stranger — groped me during the film.

All three of these people go through changes, however, and above all, it's wonderful to see a film filled with wonderfully over-the-top characters, instead of having at least one person play it straight.

A scene where Clary goes «Macgyver» on a demon in her house and shields herself from an explosion in a fridge is terrible but hilarious, and a moment where she has to dress like a prostitute to go and see warlock who wears no pants is worth a giggle at the film's expense.

I sat with some good friends at my showing awaiting the two and a half hour film and only did I realize the young lads sitting behind us were commenting on the parts that weren't «plausible» to the real world... because that's why you went to see a movie about a guy that throws his shield at a flying metal man.

Even if you don't particularly see people from your own family in them, you can certainly relate to some of what they're going through and with this type of potentially manipulative and unconvincing film that's certainly nothing to be sniffed at.

If you're creating a project that's going to be seen on television, at this point I wouldn't understand an advantage of trying to shoot film.

• James Cameron on «At the Mountains of Madness,» his upcoming collaboration with Guillermo Del Toro: «It's going to be an epically scaled horror film and we haven't seen anything like that in a really long time — I guess since Aliens.»

I saw this movie at a screening with my family, because the film was being advertised as a fun movie to go to.

From his attention - grabbing debut with «Reservoir Dogs» (1992), a deviously clever heist film where the heist is never seen and the drama is all in the conversation and the ingenious structure, to his acclaimed «Inglourious Basterds» (2009), his thrilling rewrite of World War II history as a magnificent movie fantasy, Tarantino has gone his own way, snatching up ideas strewn through decades of film history and hundreds of genre movies like a magpie, rethinking them completely, and weaving them into entirely new stories that unfold at a leisurely pace so he can enjoy every word and gesture along the journey.

It can be a joke, but it plays into what I was saying before: these filmmakers go to festivals, and those are the types of films that are bought and that you see at the major festivals.

«I know just by the conversation that has gone on at Sundance that it's clearly a movie that filmgoers should go and see,» Cheryl Boone Isaacs says of the Nate Parker's film.

If you're going to see this film with high expectations that it's going to offer something fresh then you will leave with the feeling that you've purchased a knocked down sandwich from the supermarket at the end of the day, looks ok but not so tasty when you come to eat it.

GC: It started when the editors of Film Comment asked me to go see the first festival of post-revolutionary Iranian films at the Lincoln Center in the fall of 1992.