And, surprisingly enough, many of these artists were connected
to the Abstract Expressionist movement (the most sought - after segment in the
art market) to one extent or another: a Washington D.C. - based artist Sam Gilliam was brought by David Kordansky Gallery to Frieze Art Fair in New York this year, an active member of the famous New York School Edward Dugmore was exhibited at Loretta Howard gallery just recently, and now it is Raymond Spillenger, an Abstract Expressionist who is gaining attention with an upcoming retrospective scheduled for early 2016 at the Black Mountain College near Asheville, N.C. Spillenger, who died in November at the age of 89, abruptly left the art scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family membe
art market)
to one extent or another: a Washington D.C. - based artist Sam Gilliam was brought by David Kordansky Gallery
to Frieze
Art Fair in New York this year, an active member of the famous New York School Edward Dugmore was exhibited at Loretta Howard gallery just recently, and now it is Raymond Spillenger, an Abstract Expressionist who is gaining attention with an upcoming retrospective scheduled for early 2016 at the Black Mountain College near Asheville, N.C. Spillenger, who died in November at the age of 89, abruptly left the art scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family membe
Art Fair in New York this year, an active member of the famous New York
School Edward Dugmore was exhibited at Loretta Howard gallery just recently, and
now it is Raymond Spillenger, an Abstract Expressionist who is gaining attention with an upcoming retrospective scheduled for early 2016 at the Black Mountain College near Asheville, N.C. Spillenger, who died in November at the age of 89, abruptly left the
art scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family membe
art scene in the late 6os, and while his fellow AbEx artists were
going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his
art even to the family membe
art even
to the family members.
2006 The Downtown Show, The New York
Art Scene 1974 - 1984, New York University Grey
Art Gallery, New York, US Onestar Shop by Hans Schabus,
Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'
Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'
Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf
Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is
Now, De Appel, Amsterdam, NL Czesław Miłosz /
To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the
Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound
Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner,
Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring
Art, Lithographs, Publications and Ephemera from The Nova Scotia College of
Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's
Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary
Art Center, Long Island City, New York, US; KW Institute for Contemporary
Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank &
Art School Palestine, Palestine, IL The Materialization of Sensibility:
Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy
Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's
Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary
Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary
Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US
Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK
Art in America: 300 Years of Innovation, curated by Susan Davidson, National
Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary
Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR