Sentences with phrase «go to bookstores into»

Not exact matches

Does anyone else ever go into a bookstore and feel overcome with sadness because there are simply too many good books and so little time to be alive?
A friend of mine went into a local Christian bookstore to find a book that might be helpful for him as a husband.
So, the next day we went to Kiel, checked out the German language cookbooks in the Borders - like bookstore in the mall, and then checked into the Kieler Brauerei (Kiel Brewery), where the beer is served in wooden kegs; that is, if you can drink 10 liters!
«In the state of Arizona, children under the age of 18 are not allowed to go into adult bookstores, so we've created a similar situation on the Internet.
Now, Reading with Rover, Bishop's organization, consists of some seventy - five dog - and - trainer teams that regularly go into libraries, bookstores, and schools in several Seattle - area districts to work with children who struggle with reading.
One benefit of using the Expanded Distribution option at CreateSpace is that the book then goes into Baker & Taylor (a distributor used by many, many bookstores), and from Baker & Taylor to places such as Powell's, Mysterious Galaxy Books, B&N, etc..
Traditional publishing has ever been a lottery chance: throw your talent into the ring and if you hit it juuuusst right, you can go to the bookstore and see your name on the shelf.
The downside is that Amazon owns Createspace and that means getting into bookstores is going to be much more difficult.
I'm not a big B&N fan, but if I want to go into an actual bookstore, that's my only easy option.
Academics are eliminating print reference, magazines have gone digital and bookstores are turning into to books that just happen to have a few books.
This is important to understand because the information that goes into a book proposal is the very same information that literary agents use to sell books to publishers; it's the same information that publishers use to promote books to bookstores, readers, and the media.
You can go into your local bookstores and lobby to make this happen (many sellers, especially independents, like to feature local authors).
People who might not go into a bookstore to procure entertainment are now reading books on their phones, iPads and tablets.
One of the on - going problems with indie publishing is that it's been all but impossible to get print copies of your book into bricks - and - mortar bookstores.
Really good advice in this podcast, especially to do impromptu book signings at airports when traveling (using Twitter to get the word out) and going into non-traditional book stores such as airport bookstores, spas, hotels and other places that sell books and talk to the manager.
I have a friend who is a huge reader who doesn't like to go into bookstores because they overwhelm her — she asks, «where is my iTunes for books?»
Our authors love the quality of our books, because they know that if they walk into a bookstore with a book that was printed through our program that the quality is going to be spot - on, and that bookseller or library or what have you, won't know the difference that it was print on demand.
Reason: that bit about e-book readers going into the Harvard bookstore to buy the paper book resonates.
Should readers of ebooks be charged a fee that would go into a fund to subsidize bookstores that sell print books?
However, if I want to extend my reach into bookstores I'm going to have to change my game plan.
Tara tells the story of a bookstore she went into, to try to market her book, and the bookstore owner hiding in her office, refusing to come out.
Yes, if you really want to make a run at bookstores, go to CreateSpace for only Amazon, then move the same book file to IngramSpark to get into the Ingrams catalogs and such with better discounts.
Good luck with the cleaning cats... Like you, I have a houseful of books, a library I haven't got time to go into, and used bookstores are always a passion.
When we go into town, the only places I want to visit are the libraries, bookstores, and occasionally an art museum.
Women don't like going into bookstores and having to buy those books.
«Paperback scored very well over hardback for bookstore discovery, and I think what's happened here is people were hearing about Gone Girl and going into the bookstore without having to discover it.»
If you go to the local bookstore and open the front cover of a hardback you'll likely go into sticker shock!
If someone were willing to hop into their car to get a book, why did they go to the bookstores?
And the stores are turning into places where Barnes and Noble has to sell a lot of other products like toys and games, cards, not just books... And it's not like if Barnes and Noble goes away, a great independent bookstore is going to rise up in its place.
If some period of time passes and still no traffic goes to your page, Amazon may move it to «Temporarily out of stock»... the online equivalent of walking into your local bookstore and asking them to order a title for you.
And yet somehow, I'm going to wake up tomorrow morning and find that a story I wrote while working as a bookseller — a story that blossomed into a novel one serialized piece at a time — is now being released into bookstores far and wide.
But if I'm a bookstore owner, why am I going to allow you to come into my shop and just put your book on my shelves?
I challenge you to go into a bookstore and find a book which has a less than «glowing» one - liner printed either on its front or back cover.
It's still a good idea to go to publishers / agents as they have more resources and can get you into bookstores more easily, but if you are are not patient enough to wait, or the rejections get to you, or you want to skip publishers altogether, then self - publishing is a great option
My recommendation is to still go with the Nexus 7, because it doesn't lock you into a proprietary bookstore, and you can get all the Google apps.
One major reason authors used to need to go with major publishing houses is that only through them could they get their books into bookstores.
There's something the physical bookstores could do to stop me from constantly defaulting to the Kindle app: Build functionality into their own mobile app that makes me want to go to their brick - and - mortar store.
Buy the download code from the university bookstore, go to the bookstore to pick up the physical copy of the download code, and then log into the publisher's site to enter the download code and download the, I presume, heavily DRMed copy.
Several months pre-pub, I went into a large indie bookstore in the San Fran area and talked to the owner.
A publisher may be able to get your book out into the bookstores, but it's up to you to market your book like crazy to get people to go there and buy it.
So if you go into a bookstore, you flip over a book to see that Joanna Penn read it and said it was good so it must be in the description of the book.
An online bookstore aggregating content from publishers and authors, for example, does not know the production quality that went into each submission, so can only convey to consumers what is present in each publication's metadata.
Next time you go into a bookstore, consider the warehouses one would need to store the manuscripts that never got a chance.
If I'm broke, I just have to discipline myself not to go into bookstores.
They can go for a broader search option, which would be akin to walking into a vast bookstore and heading over to the Science Fiction section, or they can narrow it down, which would be like having a personal shopper handing over only the books that contain all of the search options the reader is interested in.
In the intro, I go into some pertinent publishing news: Kobo has become Tolino's tech partner, which makes it a much bigger player in the growing German ebook market; Amazon is opening a bookstore in New York City; while Barnes & Noble reported a 9 % decline in sales over the holiday period, there's discussion on the impact of the All Romance Ebooks closure, and once again, I talk about the importance of multiple streams of income, as well as multi - currency / multi-country income in order to weather the changes undoubtedly ahead and hedge against potential economic changes.
But it's not the only POD (Print on Demand) solution for indie authors, and it's not going to help you get into indie bookstores, local retailers, and libraries.
The first time I published, I went with Ingram Spark because I heard it would be easier to get into bookstores and libraries.
Yeah, there are competitors, and I don't think Amazon is going to head into «monopoly» territory anytime soon (they are a retailer, not just a bookstore, or Wal - Mart might fit the same bill).
After the dismaying discovery that CreateSpace doesn't distribute everywhere, and that IngramSpark offers a whole ton of things that CreateSpace doesn't (we'll go into this in a different article), I learned that small bookstores and retailers often won't order inventory from CreateSpace and will only order your book if it's on IngramSpark, and oh, by the way — that you can be listed in BOTH places, I realized I needed to have my books on IngramSpark as well as CreateSpace.
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