Sentences with phrase «goes exorcist»

only when people first come to our house, she totally goes exorcist on us.

Not exact matches

A few years ago I went to Tulsa, Oklahoma, to report on a Protestant exorcist who was holding a session in a hotel meeting room.

The film went on to make more than $ 319 million worldwide and still remains the second highest grossing original horror movie of all time, second only to «The Exorcist.»

Paul Schrader has always been an amazingly protean filmmaker — going all the way back to the late»70s, when the fabled screenwriter of «Taxi Driver» first stepped behind the camera, leaping from «Blue Collar» to «American Gigolo,» from «Cat People» to «Mishima: A Life in Four Chapters,» from «Affliction» to «Auto Focus,» from «Dominion: Prequel to the Exorcist» to «The Canyons.»

The bulk of Killer Joe is built like a standard things - go - terribly - awry small - town crime thriller, but because it was written by a young, sensational - minded Tracy Letts (who here adapted his own script) and is directed by The Exorcist's William Friedkin, the NC - 17 rated action reaches the Grand Guignol by the end.

And that's where things began to go wrong with the Exorcist sequels: Where the original succeeded by balancing supernatural shocks with unblinking realism, its sequels tend to swing too far one way or the other.

While it's easy to brush off yet another exorcism flick, this particular one has something very interesting going for it — it's based off the true story that inspired William Friedkin's The Exorcist and it has the talent to back it up.

In tribute to first Rosemary's Baby, then The Exorcist, This Is the End goes above and beyond what Superbad and Pineapple Express laid out as comedy and pushes it beyond the apocalyptic realm it tries to remain in and makes it a legitimate installment to the horror genre.

The Exorcist constantly wears down any sense of hope that both the audience and the characters might have, making you feel as if there's no way that this priest, not particularly strong in his own faith, is going to be able to save the possessed little girl.

Since, of course, The Lords of Salem is essentially a horror movie, it will ultimately go the way of genre and privilege the supernatural over the rational, but before that happens, much like the films that it so lovingly apes — Stanley Kubrick's The Shining, Roman Polanski's Rosemary's Baby and The Tenant, William Friedkin's The Exorcist — it will flex and stretch its ambiguities to uncanny breaking point.

You can even go back to Linda Blair poor Regan in The Exorcist.

Other Stuff We Watched Kung Fu Panda 3 Baskets Sherlock: The Abominable Bride The X-Files Fargo Season 2 Homeland Kid Goes Crazy at Chuck E Cheese The Exorcist The Lady Vanishes Chi - Raq 13 Hours Joy Nowitzki: The Perfect Shot Hoop Dreams Sicario

The last half of the film, particularly when Chevy goes into «Exorcist» mode, is particularly repulsive.

Robert Cumbow goes to bat for Exorcist III as the highlight of the series — and he may be right, just based on that scene (if you've seen the movie, you know which one) alone.

Directors like William Friedkin (THE FRENCH CONNECTION, THE EXORCIST), Francis Ford Coppola (THE GODFATHER, APOCACALYSE NOW), Martin Scorcese (MEAN STREETS, RAGING BULL) and Michael Cimino (THE DEER HUNTER, HEAVEN»S GATE) made perfect examples of features that would go on to become classics of the era.

The result was, of course, «The Exorcist» and it would go on to become a massive hit that spent 57 weeks on the New York Times list of best - sellers, 17 of them at # 1.

However, Blatty was more than just a one - trick pony and while his other projects may not have reached the same commercial peaks as «The Exorcist,» they would go on to form an undeniably interesting body of work that would also include a couple of bona - fide cinematic cult classics.

Fast forward four years in the society, and he tells his father superior he's gonna quit this life because he doesn't believe in it, and in an extorting move of threatening him to pay back his student loans, Mike agrees with his father superior to go to the Vatican and train to become an Exorcist because his psych studies are excellent.

Not content to simply shape our collective cinematic nightmares with The Exorcist, this documentary sees Friedkin shadowing Father Gabriele Amorth, official exorcist of the Diocese of Rome, as he goes about his supernatural business, including a demonic «house callExorcist, this documentary sees Friedkin shadowing Father Gabriele Amorth, official exorcist of the Diocese of Rome, as he goes about his supernatural business, including a demonic «house callexorcist of the Diocese of Rome, as he goes about his supernatural business, including a demonic «house call.»

Hennessey didn't reveal any top speed estimates when the Exorcist was announced, but now we know how fast it'll go.

John Hennessey is going to force out your Demon with his new ZL1 - based Exorcist Camaro, though priests and an audio system that plays «Tubular Bells» are not included.

Top marks and total respect have to go to the Exorcist.

I was curious about Blue Exorcist when Viz first announced it, and first impression reviews are keeping the positive feelings going.

Blue Exorcist manages to turn itself around and get on its storytelling feet in a matter of pages, and it's a change that makes this story go from cancelled in 10 chapters to a long - term success with its own anime.

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Go watch The Exorcist in 480P and stereo and tell me that shit's not scary.

Whenever a camera flash goes off, her head spins around like something out of The Exorcist.