Sentences with phrase «gold leaf paper»

The table sculpture is by Calder.A Curtis Jere 1970's wall sculpture dresses the gold leaf paper in the entry.A Terence Koh wall neon sculpture enliven the hallway.
Zarina Pillar, 2014 BFK light paper printed with black ink and collaged with 22 - karat gold leaf paper mounted on Somerset white paper Unique Sheet size: 25 1/2 x 19 1/2 inches (65.8 x 49.5 cm)
Delicate gold leaf paper looks elegant when applied to plain ornaments painted in a solid color of your choice.

Not exact matches

Kao says anyone can replicate the process for around $ 175 — $ 150 to buy a craft electronic cutter from Amazon and another $ 10 each for the gold leaf and the temporary tattoo paper.
Where does that leave the notion that there would be things like countries and the «value» of gold or even worse; printed pieces of paper and the «right» to inherit all?
To begin my Fall update I made a paper leaf garland and wreath out of metallic antique gold, gold leaf, copper, bronze and ruby.
, I used Martha Stewart's paper leaf napkin rings template and hand - cut 250 napkin rings from metallic chocolate brown, copper and gold papers (from Paper Zone, back in the day, and I bet I still have sopaper leaf napkin rings template and hand - cut 250 napkin rings from metallic chocolate brown, copper and gold papers (from Paper Zone, back in the day, and I bet I still have soPaper Zone, back in the day, and I bet I still have some!).
For the leaf name cards I used Gold Leaf metallic paper from paper-papers.com.
Now before you get started, it is critical to get used to the gold leaf pen and practice on a scrap piece of paper if this is your first time using one.
Triangle for R.J.M., 2009 Feathers, acrylic, gold, silver, and bronze leaf, ribbon, gouache, string, gel medium and watercolor on paper, 66 3/8 x 45 1/8 x 1/2 inches
Gold leaf on paper.
Malcolm Morley The Viking, 2011 oil on linen mounted on wood panel with oil and gold leaf on paper, sheet metal, wood, copper wire, string, brushes and plastic attachments 44 x 48 x 12 3/4 inches (111,8 x 122 x 32,4 cm) 49 1/2 x 53 1/2 inches (125,7 x 136 cm) frame SW 11197 Private Collection
Traditional techniques, such as paper marbling and gold leaf, are often employed.
24c gold leaf and gouache on watercolour paper letters are approx 35 x 72 mm on 128 x 178 mm watercolour paper, within a double mount of same outer s unframed
Matthew Barney KHU: Djed, 2011 Brush and ink, gold leaf, iron, and lapis lazuli on black paper in polyethylene frame 12 3/4 x 10 3/4 x 1 1/4 inches (32.4 x 27.3 x 3.2 cm) Private collection Copyright Matthew Barney Courtesy Gladstone Gallery, New York and Brussels
Zhang Xiaoxia Composition, 1989 acrylic and gold leaf on paper mounted on two stretched panels of burlap 59 x 102 1/2 inches
Provenance, the Invisible Hand, 2009 gouache, hand painting, gold leaf, and silkscreened pigment on paper 60 x 81 1/2 inches (167.7 x 207 cm) Photo: Matt Flynn, courtesy: Cooper Hewitt Museum
Damaged Emergency Blanket (for A.W.), installation view, The Nothing That Is: A Drawing Show in Five Parts, Contemporary Art Museum - Raleigh, Raleigh, NC, 2015, 50 x 50 inches, gold and silver leaf on distressed paper
Rosemary Lyons & her beautiful gold leafed assemblage / paintings, Toto Takamori's tiny wet on wet oil paintings, Darryl Moody's photos of urban walls, Jeffrey Greenberg's photos of abstracted images of bits of reality, Sarah Riley's homage to Camille Claudel, Rodin's protégée and Meredeth Turshen's lush abstract paintings on paper - just half of our outstanding Affiliate program.
ARQUETOPIA, Publa, interior view EXAMPLES OF TECHNIQUES WE OFFER (BUT NOT LIMITED TO THESE) Drawing • Painting • Natural pigments (cochineal, indigo, and other pigments) • Paper • Printmaking • Graphic design • Textiles • Mexican textiles (weaving, embroidery, back - strap weaving) • Sculpture • Ceramics • Mexican ceramics (Talavera, loza vidriada) • Gold leafing and antique art techniques • Wood carving • Performance • Ephemeral (including food and other perishable materials) • Photography: digital photography and alternative photographic processes • Digital media • Design and illustration RESIDENCY PROGRAMS WE OFFER (CLICK EACH FOR INFORMATION) 1.
Thornton Dial layers black paper onto canvas, while Stacy Lynn Waddell burns gold leaf onto canvas, as The Secret Life of Plants.
Materials used include crude oil, cup oil, gold leaf, Mylar tape, wrinkle finish paint, India ink, steel, paper, plastic, gessoed linen, watercolor paper, Titanium acrylic, papyrus, ragboard and more.
Izio, 1984 collage of various printed and cut papers, watercolor, ink and gold leaf on paper 7 1/4» x 8 5/8», signed and dated
Piano keys, African sculpture, model boat, paper, acrylic, glitter, gold leaf.
The resulting images, printed and embellished with paper, wood, glass, and gold leaf, showcase the artist's ability to transform rarely seen artifacts and seldom explored spaces into works of contemporary art.
Elena del Rivero, 2009, Somosi Series - Flying Letter # 1, ink, feather, needle, thread, gold leaf, gouache on abaca paper, 10.5 x 8.25 inches
Shahzia Sikander Night Flight, 2015/2016 gouache, ink, and gold leaf on paper paper: 94 1/2 x 60 1/4 inches (240 x 153 cm) framed: 103 9/16 x 64 1/2 x 2 1/8 inches (263 x 163.8 x 5.4 cm) ShS - WP.12
Elena del Rivero, 2009, Somosi Series - Flying Letter # 3, detail, ink, oil, gold leaf, feathers on abaca paper, 32 x 25 inches
In some cases the surface has been gilded with gold leaf, in others the translucency of the abaca paper is visible through the marks and stitches that barely hold the works together.
Wangechi Mutu, The Evolution of Mud Mama from Beginning to Start, 2008; Watercolor, gold leaf, and collage on paper; Rubell Family Collection, Miami
ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper; number 16 from an edition of 20 unique variations).
Wangechi Mutu The Evolution of Mud Mama from Beginning to Start, 2008 Six collages, watercolor, gold leaf and collage on paper 19 1/2 x 75 in.
His work, Unfolded Gold (Metallah), depicts geometric creases akin to an unfolded sheet of paper solidified with a gold leaf finish, highlighting a fleeting sense of form within a rigid, immutable preseGold (Metallah), depicts geometric creases akin to an unfolded sheet of paper solidified with a gold leaf finish, highlighting a fleeting sense of form within a rigid, immutable presegold leaf finish, highlighting a fleeting sense of form within a rigid, immutable presence.
Image: Dorothea Rockburne (American, born Canada, 1932) Geometry of Stardust: 2.5 Ratio / Jupiter and Saturn, 2009 — 2010 Aquacryl, Perlacryl, Titanium acrylic, and gold leaf on watercolor paper 14 1/2 x 11 inches Collection of the artist © 2011 Dorothea Rockburne / Artists Rights Society (ARS), New York Photo: Schecter Lee
Most recently, Benglis has experimented with plastics, cast glass, paper, and gold leaf.
Yinka Shonibare MBE, Alien Flag Drawings, 2011, Paper, pen, batik, found paper and 22 carat gold leaf, 54 x 74 cm (21 1/4 x 29 1/8 in), Framed: 76 x 95 cm (29 7/8 x 37 3/Paper, pen, batik, found paper and 22 carat gold leaf, 54 x 74 cm (21 1/4 x 29 1/8 in), Framed: 76 x 95 cm (29 7/8 x 37 3/paper and 22 carat gold leaf, 54 x 74 cm (21 1/4 x 29 1/8 in), Framed: 76 x 95 cm (29 7/8 x 37 3/8 in)
Inspired by these stories, the artist created large - scale collages comprised of photographs of artifacts in the collections and hidden corners on the Museum's campus, combined with paper, wood, glass, and gold leaf.
From the delicate nature of early wall sculptures — including Diary of Flowers (1994), composed with hundreds of doodled paper napkins, and Changing Things (1997), made from disassembled silk flowers — to the large cut - paper photographs of flowering trees, gold - leafed newspaper pages, and light - filled mirror mosaics of the past decade, Hodges» art typically begins as humble, even overlooked materials that are transformed through his touch.
From the delicate nature of early wall sculptures - including Diary of Flowers (1994), composed with hundreds of doodled paper napkins, and Changing Things (1997), made from disassembled silk flowers pinned to the wall - to the large cut - paper photographs of flowering trees, gold - leafed newspaper pages, and light - filled mirror mosaics of the past decade, Hodges» art typically begins as humble, even overlooked materials that are transformed through his touch.
Jim Hodges, Here It Comes, 2009, Charcoal, pastel, saliva and 24K gold leaf on paper, 7 parts, Each 76 x 56 cm; Framed: 86 x 66.7 x 4.8 cm, (33 7/8 x 26 1/4 x 1 7/8 in)
Shahzia Sikander Night Flight, 2015 - 16 gouache, ink, and gold leaf on paper paper: 94 1/2 x 60 1/4 inches (240 x 153 cm) framed: 103 9/16 x 64 1/2 x 2 1/8 inches (263 x 163.8 x 5.4 cm) © Shahzia Sikander Courtesy: Sean Kelly, New York
New Zealand - based artist creates her appealing and dreamlike portraits working with paper, pen, watercolor, gouache, acrylic, and occasionally gold leaf.
Collector favorite, Berlin - based Jorinde Voigt (who releases a book this week and who also has work in Johann König's booth) takes over one corner of the booth with her lyrical gold - leaf - and - pastel - on - paper works.
These beautiful, often decorative sculptures are made of handmade paper over chicken wire, some colored with a variety of materials including ground coal, watercolor, gold leaf and glitter.
Attributed to Afzal «Ali Khan Aurangabad, India, c. 1690 Opaque watercolour and gold on paper Folio: 33 x 23 cm; Painting: 24 x 15 cm, in an album leaf with pink surround splashed with gold
Her materials include wax, oil, pigments from Morocco and India, volcanic ash from Ecuador, rice paper, silver / gold / copper leaf, beads and electronic components from circuit boards; all combine to represent the layering of cultures, identities, histories and places, both formally and metaphorically.
Shahzia Sikander The Six Singing Spheres # 1, 2016 ink and gold leaf on paper paper: 94 x 60 3/8 inches (238.8 x 153.4 cm) framed: 90 1/4 x 64 1/2 x 2 1/4 inches (229.2 x 163.8 x 5.7 cm) ShS - WP.1
Louviere + Vanessa «D #,» from the series Resonantia, 2015 16» x 16» Printed on kozo paper mounted over gold leafed dibond on handmade stretchers, sealed in matte resin and hand applied gloss resin
Rebecca Horn Ravens Golden Sea, 2011 acrylic and gold leaf on paper paper: 15 3/4 x 11 7/8 inches (40 x 30 cm) framed: 23 x 19 x 1 1/4 inches (58.4 x 48.3 x 3.2 cm) RH - 1092
Printed on kozo paper mounted over gold leafed dibond on handmade stretchers, sealed in matte resin and hand applied gloss resin
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