Sentences with phrase «gold paintings marks»
This series of eleven white and gold paintings marks the artist's first collaboration with his twin, Korapat Arunanondchai.
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Her untitled paintings feature copper and gold wires embedded in heavily gessoed surfaces, and fields of marks left with goldsmith's tools, most notably the thinnam, traditionally used to incise ornamental patterns in bangles.
by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!
This transfer usually occurs after Perez has painted a canvas with a field of loose, expressionistic marks, or laid down a ground of gold or silver leaf, which remains visible as negative space after tracing an image.
Mark Flood Paintings From The War For Social Justice Ever Gold [Projects] 1275 Minnesota Street # 105, San Francisco, CA 94107 November 4, 2016 — December 22, 2016 Reception: November 4, 6 - 9 pm November 4, Ever Gold...
Shimmering complex red, blue, gold and white contemporary abstract mixed media painting in resin and oil by Erin Parish, whose trademark paintings are marked by the repetition of cir...
In her large paintings, Ferris overlays geometric grounds with graffiti - like markings in airbrush — juxtaposing earthy blacks, greens, purples, and browns with vivid, chemical bursts of gold, pink, acid green, and chartreuse.
Mark Starling January, 2018 Dye, black pepper, salt, oil pastel, 24k gold leaf, colored pencil, acrylic paint, Formica, adhesive and walnut on cotton rag paper 30.75 x 23.5 inches
Paintings from his ground - breaking Anthropometry series will also be on display, for which Klein employed models as «living brushes» to create marks on the canvas in front of an audience, as well as Fire Paintings and Klein's later works in gold.
«Nancy Lorenz: New Work» (closes on Saturday) Operating in the gap between painting and the decorative arts, Ms. Lorenz's latest efforts add to the history of modernist abstraction by way of seemingly gestural marks and lines fashioned from mother - of - pearl inlaid in surfaces of silver, white gold or palladium.
The Venice paintings, shimmering surfaces in silver and gold that recall the mosaics of St. Mark's and that city's Byzantine splendor, are juxtaposed with the New York works — giant sheets of shiny and scratched copper, cut through by dynamic vertical gestures that conjure the force of Manhattan and its powerful, electric skyline.
In Cain's painting, loose pink and gray graffiti - like marks appear above the gold leaf and then, suspended on top of the graffiti, is a frame of painted stripes lined with cut - out fringes along the bottom.
Ever Gold [Projects] presents Mark Flood's Paintings from the War for Social Justice, an exhibition of decorative wall hangings that obliquely acknowledge ongoing struggles.
Mark Flood: Paintings from the War for Social Justice, through Dec. 22, at Ever Gold [Projects], 1275 Minnesota St., Suite 105, sfaq.us / ever - gold - projGold [Projects], 1275 Minnesota St., Suite 105, sfaq.us / ever - gold - projgold - projects
Other recent exhibitions include Come As You Are at Annarumma Gallery, Naples; Stars & Stripes at Gordon Gallery, Tel Aviv; Highlight: Summer One at Hollis Taggart Gallery, New York; Maker's Mark at Regina Rex, New York; Some New American Paintings at Ever Gold in San Francisco; and Summer Mixer 2015 at Joshua Liner Gallery, New York.
It's Nice Outside, an exhibition of new paintings by Mark Mulroney, opened at Ever Gold just a few days ago.
Painter in Residence Tim Gould used paint layers, stencilled text and imagery, highlighted with gold leaf, to create a table inspired by the marks it had gained over the years.
Taking your gold acrylic paint, create small polka dots where marked.