Sentences with phrase «good background scenes»

Excellent soundtrack, good voice acting, good background scenes (though some are overused), compelling story.

Not exact matches

Some of the best - known background painters, including James Perry Wilson and George and Belmore Browne, carefully captured the scene using an exacting grid system to make these curved - wall backgrounds appear infinite.

If Bay shot footage of an intersection, the animators would integrate computer imagery into Bay's background plate so they could better control the action of the animated characters moving through the scene.

Against my better judgment on account of oversensitivity, I agreed to help a security team, (where someone knew I had some kind of background in health care) in a place I frequent, by learning how to administer first aid in a multiple shooting scene.

I did ponder over some of the scenes where there is music in the background though as its way too loud for its own good.

Aside from the well - noted fact that more superior long - form drama (and comedy) can be found on television than in cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each other across space and time on many themes of character, identity, success, failure, anger and disappointment.

The extras are well - done too: background on Jackman's character, a documentary on fight adviser Sugar Ray Leonard, some standard - issue behind - the - scenes stuff, audio commentary and interactive features with Levy, bloopers, outtakes and a DVD copy.

The disc has a nice suite of extras including a wide - ranging audio commentary by the director, a good making - of documentary (30 minutes), a short featurette in which the real - life brothers discuss their family's boxing background, about a quarter hour of deleted scenes with optional director commentary, and the theatrical trailer (all of the latter four in HD).

Les Affamés definitely isn't the gore fest the Romero - type zombie movies usually are, but there are still plenty of jump scares throughout the film, although, to be fair, they mostly do these well, thanks to a sparse use of background music and some well - paced scenes.

There's a scene early in the film (chapter 8) in which Patricia Clarkson's character is standing well into the background and we can still make out the individual dots on her clown costume; many of Tim Orr's images are postcard - perfect to begin with, but this is the sort of rendering that drives you to buy a video printer and fulfill that promise.

Antal uses the widescreen canvas to good effect, framing windows within windows to emphasize multiple points of view (indeed, conflicting principles are what eventually set these men at one another's throats) and favouring a steady yet highly mobile camera that's mindful of spatial dynamics when roaming off to follow someone, underscoring the urgency within a scene as differing agendas unfold in the foreground and background.

It attempted to tell of a star - crossed romance between two conservative young adults from not - all - that dissimilar backgrounds (played by Lily Collins and Alden Ehrenreich) set in the backdrop of the 1950s Hollywood movie - making scene and all of its well - known tropes, while under the controlling — and perhaps crazy — command of billionaire Howard Hughes (Beatty).

Darkest Hour: Behind The Scenes / / Gary Oldman, director Joe Wright and in the background Lily James on the War Rooms set at Ealing Studios - «Since a good portion of the movie takes place down there, we wanted this claustrophobic atmosphere, the pressure on the people, but also the sense of perseverance» - Joe Wright / / #DarkestHour #GaryOldman #WinstonChurchill #JoeWright #LilyJames #behindthescenes #WT

Baranski, Hines, and Sarandon get together for a low - key scene that happens to be the best one in the movie, where they sit down together and trade background information, issuing silly little one - liners that speak to their world views, no extensive slow - motion montages of weak sight gags required.

There are great scenes here that showcase some good background on each character.

The set - up and background to the riots is well handled and the opening scenes of animation were original, unexpected and provoking.

As well, Emmerich places a variety of visual reminders of the past plot in the background of scenes, including a massive portrait of Smith's character in the White House.

Boasting the best camera work outside the Namibian desert or the Canadian wilderness, with bravura one - takes and brazen 360 degree pans dripping with suggestive menace, this is a film that makes you scan the background of every scene for looming danger.

Consider this one stupefying gutbuster: the good guy shoots the bad guy and in a standard thriller moment; then suddenly we see the two in a maudlin rushing ambulance scene, with the good guy holding the bad guy's hand, telling him he's going to make it as treacly music plays in the background.

DeBlois has not toned down the little touches in favor of the spectacle, though; Toothless is just as much of a giant oversized kitten in disguise as ever, and the film is at its best when these giant lizards are bounding around the background of a scene left to their own devices.

He always was very good at using his music to really underscore the emotion, and something that I really wanted to do on this movie was to keep the song playing until the end, so that music did not just become sound bits in scenes, just to have noise in the background, but they actually became their own identity, and hence became more important for the scene.»

However, many low - light scenes - like Irina's early dinner with brother Paul and housekeeper Female [like «tamale»]- still hold up well, with a good balance between orange / amber lighting, and the brown / black décor and backgrounds.

Overall, the scenes are well drawn, and the author has given much attention to detail with backgrounds and clothing.

In this one scene, which should be a dramatic and hear - rending moment, the shoddy animation, lack of detail and background music as well as the crap sound effects leaves the whole thing feeling like a badly done pantomime rather than stunning cinematic moment.

Some of this includes «ambient» audio logs that play in the background, scenes on the computer screens to help players find out what's going on, and or cut scenes where players will meet NPCs that help unfold the backstory as well as the main story itself.

It would have been much better to have more cutscenes with in - game models rather than static backgrounds and character drawings, but the dialogue scenes are still effective none - the-less.

Character models look just as good as the console versions (and Nate still has his patented half - tuck), the only difference is in some of the action scenes, the frame rate drops, and the characters look like they were rendered onto the background, and not seamlessly integrated as with a console game.

Each campaign is very well done with proper background information and cut scenes.

The artist, a professor at the University of California, Los Angeles, paints unadorned coastal scenes, pared down to pale washes over carbon - dark backgrounds, as well as figures drawn from dance: in this case, the works of the British choreographer Frederick Ashton.

Like all good super her @s we cloak our ordinary public personas and arrive on the scene as dead women artists — masked guerrilla girls — wielding the F word (feminism) to hold our public and cyber institutions accountable to women and youth across cultures and economic backgrounds who are otherwise left on the wrong side of the Digital Divide.

New Yorker Ross Bleckner, another well - known name, offered paintings of surreal scenes of an eye on a silvery background, also going for $ 10,000.

Android Oreo features a slew of under - the - hood and behind - the scenes improvements to make your smartphone experience even better: things like background app limits, smarter Wi - Fi, and Adobe RGB and Pro Photo RGB color profiles.

Despite Google's best efforts to curb the worst offenders with behind - the - scenes improvements in Oreo like Background Execution Limits, often the best course of action is to simply delete or disable what you don't need to begin with.

Also, remember that the Galaxy A8 and A8 + come with real - time HDR, so scenes with a bright background are also handled well in both modes.

Google's head of augmented and virtual reality, Clay Bavor, told The Verge that Google will keep striving for better cameras based on Tango technology, like a depth sensor, but these will ultimately be added to phones as just an aspect of ARCore: «I think Tango fades into the background as more an enabling technology that kind of works behind the scenes,» he explained.

Special Agent, Criminal Investigator AFOSI Detachment 611 — Osan AB, ROK (8/2003 — 8/2004) • Held integral role in the handling of 40 + criminal, fraud, and CI investigations, the largest caseload for AFOSI / Pacific Air Force Command, bringing unit to the highest pro-active rate in 8 years • Collaborated with the Department of Homeland Security and Customs Division in an international fraud case, the first joint effort between these departments and the result of mutual interest coordination avenues between numerous entities • Protected valuable DOD resources and assets by conducting major counterintelligence, criminal, and fraud investigations, including close support through crime scene searches, evidence preservation, and laboratory analysis requests • Testified in court - martials, interviewed key witnesses, and performed interrogations of persons suspected of committing major violations of the Uniform Code of Military Justice • Managed and utilized human informants to detect illegal activities as well as conducting undercover investigations • Investigated AFOSI applicant backgrounds to determine suitability for positions in department, also serving as a point of contact for counterintelligence, anti-terrorism, and local criminal awareness briefings on base