Sentences with phrase «good character development in»

Board Policy 2520.5 requires students to receive instruction in good character development in high school.

With one of the best twists ever conceived, fun gameplay, and some of the best character development in the Star Wars universe, it's a no brainer to have these two seminal RPGs available on Xbox Backwards Compatibility.

Taking on the role of the Phantom Thieves as word of their shenanigans becomes more widespread, the bonds the player character creates with his teammates and well - meaning allies to the cause show off some of the best character development in years.

I have generally stood by the statement that Final Fantasy VIII has perhaps the best character development in the history of gaming.

Not exact matches

The great issues of our time are moral: the uses of power; wealth and poverty; human rights; the moral quality and character of society; loss of the sense of the common good in tandem with the pampering of private interests; domestic violence; outrageous legal and medical costs in a system of maldistributed services; unprecedented developments in biotechnologies which portend good but risk evil; the violation of public trust by high elected officials and their appointees; the growing militarization of many societies; continued racism; the persistence of hunger and malnutrition; a still exploding population in societies hard put to increase jobs and resources; abortion; euthanasia; care for the environment; the claims of future generations.

This is natural, since the tradition had undergone considerable development before it was embodied in our canonical Gospels, and during this time it had been exposed to the influence of what we may call the «futurist eschatology,» as distinct from the» realized eschatology» which gives its character to the earliest preaching, as well as to the earliest tradition of the teaching of Jesus.

In Modern Fantasy: Five Studies (Cambridge University Press, 1975), C. N. Manlove has argued that the use of the supernatural — and I would include magic — is not simply a possibility in the fantasy tale; it is a driving force in the story and takes a central role in the development and shaping of characters as well as ploIn Modern Fantasy: Five Studies (Cambridge University Press, 1975), C. N. Manlove has argued that the use of the supernatural — and I would include magic — is not simply a possibility in the fantasy tale; it is a driving force in the story and takes a central role in the development and shaping of characters as well as ploin the fantasy tale; it is a driving force in the story and takes a central role in the development and shaping of characters as well as ploin the story and takes a central role in the development and shaping of characters as well as ploin the development and shaping of characters as well as plot.

Tough draws on neuroscience, economics, psychology and child development to show how qualities such as self - mastery and optimism are what make children succeed and persevere, and how, in the light of this, good parenting, supportive mentoring and thoughtful, character - based schooling can make all the difference.

* Day 1 Monday, February 22, 2016 4:00 PM -5:00 PM Registration & Networking 5:00 PM — 6:00 PM Welcome Reception & Opening Remarks Kevin de Leon, President pro Tem, California State Senate Debra McMannis, Director of Early Education & Support Division, California Department of Education (invited) Karen Stapf Walters, Executive Director, California State Board of Education (invited) 6:00 PM — 7:00 PM Keynote Address & Dinner Dr. Patricia K. Kuhl, Co-Director, Institute for Learning & Brain Sciences * Day 2 Tuesday February 23, 2016 8:00 AM — 9:00 AM Registration, Continental Breakfast, & Networking 9:00 AM — 9:15 AM Opening Remarks John Kim, Executive Director, Advancement Project Camille Maben, Executive Director, First 5 California Tom Torlakson, State Superintendent of Public Instruction, California Department of Education 9:15 AM — 10:00 AM Morning Keynote David B. Grusky, Executive Director, Stanford's Center on Poverty & Inequality 10:00 AM — 11:00 AM Educating California's Young Children: The Recent Developments in Transitional Kindergarten & Expanded Transitional Kindergarten (Panel Discussion) Deborah Kong, Executive Director, Early Edge California Heather Quick, Principal Research Scientist, American Institutes for Research Dean Tagawa, Administrator for Early Education, Los Angeles Unified School District Moderator: Erin Gabel, Deputy Director, First 5 California (Invited) 11:00 AM — 12:00 PM «Political Will & Prioritizing ECE» (Panel Discussion) Eric Heins, President, California Teachers Association Senator Hannah - Beth Jackson, Chair of the Women's Legislative Committee, California State Senate David Kirp, James D. Marver Professor of Public Policy, University of California, Berkeley Assemblyman Kevin McCarty, Chairman of Subcommittee No. 2 of Education Finance, California State Assembly Moderator: Kim Pattillo Brownson, Managing Director, Policy & Advocacy, Advancement Project 12:00 PM — 12:45 PM Lunch 12:45 PM — 1:45 PM Lunch Keynote - «How Children Succeed: Grit, Curiosity, and the Hidden Power of Character» Paul Tough, New York Times Magazine Writer, Author 1:45 PM — 1:55 PM Break 2:00 PM — 3:05 PM Elevating ECE Through Meaningful Community Partnerships (Panel Discussion) Sandra Guiterrez, National Director, Abriendo Purtas / Opening Doors Mary Ignatius, Statewide Organize of Parent Voices, California Child Care Resource & Referral Network Jacquelyn McCroskey, John Mile Professor of Child Welfare, University of Southern California School of Social Work Jolene Smith, Chief Executive Officer, First 5 Santa Clara County Moderator: Rafael González, Director of Best Start, First 5 LA 3:05 PM — 3:20 PM Closing Remarks Camille Maben, Executive Director, First 5 California * Agenda Subject to Change

By studying campers» experiences and camp's impact on the lives of young people, ACA provides parents with the knowledge to make good decisions, to thoughtfully guide their children, and to offer opportunities for powerful lessons in community, character building, skill development, and healthy living.

Speaking on education in the West, the Governor noted that the downward trend in education should be worrisome due to the role of education in development and bringing enlightenment to the human mind, platform for leadership recruitment and the means for character building and good citizenship.

a) is of good character as attested to by two Ghanaians who are notaries public, lawyers, senior public officers or other class of persons approved of by the Minister; b) has not been convicted of any criminal offence and been sentenced to imprisonment for a term of twelve months or more; c) is of independent means; d) is in the opinion of the Minister capable of making a substantial contribution to the development of Ghana; and e) has attained the age of eighteen years.

Fast and Furious is his claim to fame, and if he handles the famed space opera in the same way as he handled the neon drifting adolescent movies, we're in for good deal of paper - thin character development.

Even thought the film is light on character development, and strove to be more of a pure action film (one of the most influential and parodied in fact), it is still entertaining, even though it's really just ok, and not all that good (unbelievable and unrealistic action aside).

Jeremy Renner's character doesn't go through any development at all through the movie and Gemma Arterton was a useless character as well, and seemed to only be in the movie to show her body off.

We appreciated as well the freedom provided in the character development, as well as the innovations introduced in the combat and spells systems.

It won't win any beauty pageants or appraisal for artistic ingenuity, and it probably won't be marveled at for its in - depth story and character development; but if you crave that old fashioned, non-stop mayhem of an old school first - person shooter, no one does it better and with more attitude then Serious Sam.

What this film seriously lacks in a coherent and discernable plot and character development, it more than makes up for it with tons of style, great cinematography, and well - placed tension.

As a single entry in the MCU, Avengers: Infinity War is as good as anything Marvel Studios has released in the last decade, but what makes it truly special is how it elevates everything that came before and makes every character and narrative development even more meaningful.

Cooper and Lawrence do their best, but the material consistently works against them, from the overwrought dialogue to the never - ending plot twists in place of character development.

As said, the acting is superb, especially Ruffalo and Dern, but Krause's character gets left behind big time, and the kids that are treasured so much by the characters as well as the story in general get next to no development, which isn't good when you consider the film's emotionally heavy climax.

It's well - acted in every scene, realistic in its character development, set in a place that feels like a town down the street, and always level in a way that so many directors find it hard to control.

With a feature film reboot of Red Sonja stuck in development hell for the best part of a decade now, it seems that the character may be heading to the small screen, with Bleeding Cool reporting that X-Men: Apocalypse director Bryan Singer is developing an R - rated TV series.

Over the course of its five - year run, Taxi was one of the best - loved sitcoms in North America because its comedy was derived from the creation and development of characters who were fleshed out and felt real — even [or maybe especially] the burnt out, but warm - hearted «Reverend Jim» Ignatowski [Christopher Lloyd] and the Gravases, Latka [Andy Kaufman] and Simka [Carole Kane].

The Marvel X-Men spinoff was stuck in development hell for years, following the character's less - than - well received debut in 2009's X-Men Origins: Wolverine.

There was some unexpected character development, which worked well in the context of the story.

Very few villains have been given all that much character development in the MCU, but Black Panther took the time for audiences to actually get to know Killmonger, and it's resulted in one of Marvel's best antagonists yet.

Tony Hale (Arrested Development) voices the character for the English language version of Batman Ninja, giving one of the best performances of the crazed clown since Mark Hamill back in the Batman: The Animated Series days.

Previous incarnations of the patriotic superhero were stunning in their crap - itude, and the mere presence of good character development and high production values make this one look like a winner.

Those looking for more character development will find plenty on the TV incarnation, but what you won't find is the kind of bone - breaking football sequences that make «Friday Night Lights» one of the best in the genre.

Interactions bring out the best in Thor and Loki, highlighting personalities and character development as Hemsworth and Hiddleston bounce off the other during both tricks and compassionate dialogues.

Neighbors is light on character development, ridden with logic issues and doesn't flow particularly well, but director Nicholas Stoller never loses sight of that chief appeal, resulting in a feature that may not be particularly memorable, but is still a fun watch.

The writing is always very good at worst — and brilliant at best — there are new developments for every regular [and major recurring] character; the most mundane events take on unexpected significance, while major events, no matter how seemingly over the top they might be, are so well grounded in the reality of the show's premise that they feel completely natural.

«The Grudge» suffers from a lack of character development and several minor gaffes in its own internal logic, as well as the kind of often nonsensical horror - movie plot calculation that leaves shamelessly obvious openings for endless sequels.

Though the narrative shares some obvious similarities with the three - act structure of the first movie, «Catching Fire» is superior in just about every way, including stronger, emotionally - charged performances from Lawrence and Hutcherson and better character development for the other tributes, who are more than just numbers and faces this time around.

While the casting of Crispin Glover as a disassociated loner who discovers he has the power to talk to rats is sort of inspired, «X Files» expat writer Glen Morgan's Willard suffers (and yes, I feel silly for saying this) from a lack of character development, a forced psychoanalytic structure, and a sort of inbred Comic Book Guy fondness for self - reference (i.e., the majority of the bit characters have animal names — a sort of thing used best in Landis's An American Werewolf in London and Dante's The Howling: Mrs. Leach, Mr. Garter, Janice Mantis, George Boxer, and so on) that grates.

During their brief stopover in San Francisco, we talked everything from Community getting renewed for a fifth, improbable season, to winning the aforementioned Academy Award, to the differences between adapting source material from another medium and writing an original screenplay, to character development, and casting The Way, Way Back with some of the better (if not the best) comedic actors of their (and our) generation.

This same story and idea could have been structured in a different way with better character development and more heart to have the audience feel a bit more sympathy for David or the children.

Clocking in at just a smidgeon over two hours, it doesn't feel long at all, with good use of character development, not only for the human characters, but also for the dogs, who all have varying personalities that make them easy to distinguish once you get to know them.

It adheres quite well to the formula of the first film, giving us many scenes of character development, putting Rocky in the role of the extreme underdog, followed by scenes of intense training, and a finale in the ring with everything on the line.

There is some good character development which is nice to see in an action film these days.

James Rhodes / War Machine (Don Cheadle) has a smaller, but meaningful role to play in the proceedings here by comparison, while Clint Barton / Hawkeye (Jeremy Renner) and Scott Lang / Ant - Man (Paul Rudd) are the established MCU players who get the least onscreen development - but Civil War makes up for that by giving these characters some of the best action scenes in the movie.

This Dawn of the Dead jettisons character development in favor of quick brush strokes, so it helps that the characters are well acted by Polley (as a gold - hearted nurse), Ving Rhames (as a hardass security guard), Mekhi Pfifer (as a street - thug - slash - soon - to - be-daddy, whose wife nurses a zombie bite and a swelled pregnant belly that's a gruesome set piece waiting to happen), and especially Jake Weber (in the Brendan Gleeson role from 28 Days Later, a de-facto dad for the band of survivors).

I suppose that the film's financial lessons are occasionally enlightening and interesting, but they seem better - suited for a documentary by Stone about the 2009 bailout, or would have been better - served in a movie that more effectively merged all of these tectonic shifts with character development that the filmmakers cared equally about.

This looks to have all of the good character development seen in Chan - wook's Korean cinema (Oldboy, Thirst, JSA).

Even though this is not one of the best Star Trek films in terms of plot or storyline; it is one of the best for humour and character development, and I will certainly be coming back to see what happens to them in the next instalment.

Bolstered by a terrific performance by Pierce Brosnan (After the Sunset, Laws of Attraction), perhaps his best in a feature film to date, this is a wholly likeable dark comedy full of quirky but well - rounded characters and little touches in the character development that sets it apart from other films of a similar nature.

While I do feel that Scorsese's film is, in some important respects, better overall than Infernal Affairs due to its emphasis on character development, richer themes, and more fleshed out motivations, there are at least two reasons why I think that it will never make Infernal Affairs obsolete.

Meyer brings in strong character development, tie - ins with previous Star Trek films, gripping action, in - jokes, well - crafted sets and special effects, and a complex story that brings intelligence to the forefront.

The writing also continues to be top - notch — from the sparkling dialogue, to the excellent character development, to the smartly plotted narrative that keeps you coming back for more — while the show's absurdist tone works even better in a period setting like the late 1970s.