Sentences with phrase «good cinemas pretty»

There are good cinemas pretty much in every area of Paris in which a ticket for a teenager is 6 $.

Not exact matches

The New Geek cinema is trying to invite you into the tent in the back, to watch something, well, pretty disgusting to happen, and you are supposed to laugh at it.

Every year is a good year for action cinema, at least from a financial standpoint: If you count superhero movies, the genre pretty much has the top of the box - office charts on perpetual lockdown.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Nonetheless, Thor made it onto cinemas worldwide, and it did pretty well.

The finale is intense and gross, but that potato sack scene is executed so well and catches you so off - guard... it goes down as one of the truly creepiest moments of horror cinema for me; and I'm pretty confident saying many horror fans would agree with me.

These may have worked better in cinemas had the punchlines not been revealed in that two minute version of the film, but they're still pretty damn weak gags.

Compared to most authors, onetime New York it - boy Bret Easton Ellis «s works have had a pretty good translation record at the cinema.

By now, I've become well - enough accustomed to public transport in London as to know my way to the Rich Mix cinema in Shoreditch pretty comfortably, though I ended up one stop short due to closures on the Overground.

Robert Altman: The Oral Biography (Knopf) begins with an epigram that pretty well sums up Altman's attitude toward «truth» and «realism» in cinema and life.

In the meantime, this is a pretty good movie — one that will make you fall in love with the person you're sitting next to and the whole of cinema.

I liked the last Star Wars film quite a bit, and this new one looks pretty good too, but, really, they are Death Stars of cinema releases; vast, planet - sized pieces of machinery issuing scorched - earth marketing campaigns from which other distributors shrink in terror.

That formula may not be pretty or make for good cinema, but it improves educator and student engagement and gets results.

DVD and Blu - ray sales have been pretty damn good and it remains popular on Netflix, but ultimately it feels like the general public just didn't know what Dredd was, and with the price of cinema tickets these days nobody wants to risk paying out on a dud.

But I'm not one to care about voice acting, and bless its heart, Chikudenya Toubee does its best to present a sweet opening cinema, and I'll be damned if the music that accompanies said cinema isn't pretty darn cool too.

While the game did pretty blatantly rip off that landmark of action cinema, the gaming world is all the better for it.