I don't see
good cops trying to get bad cops out of the system.
Not exact matches
So, by your reasoning, if «People put so much importance on words» (implying that they don't matter and we shouldn't take thought of how we use them) then I ought to be able to sing along with the lyrics from pac's «hit»em up» with my black friends, curse in a kindergarten class as
well as a corporate meeting for my boss... what impression would a client have of my boss if I were cussing in a professional meeting or at a charity event... it doesn't add up, it's a
cop - out rebuttal...
trying to find loopholes or applying «human reasoning» like» ll take a swearing guy who's helpful» doesn't change Jesus or scripture it's just setting up a what - if scenario and
trying to allow that to in some way justify your stance when again, that doesn't change The Holy Spirit or His heart in those who have been born again... the verses (inspired by His own Spirit) speak for themselves.
Top the
Cops is also an opportunity to generate some
good PR with the teens and with the community at large, McKinnie explains: show them they're human, that they're not just
trying to get them in trouble, and let the other, older drivers see them making nice with the youngsters.
As proven by Machida and Cro
Cop, you're
better off keeping your mouth shut and defending yourself if you test positive, than
trying to be an honest athlete.
The story of a professional jewel thief (James Caan)
trying to make
good, it introduced audiences to Mann's stylish, atmospheric approach to filmmaking and earned a number of strong reviews.Mann next returned to television, acting as executive producer of the popular TV
cop series Miami Vice (1984 - 90).
Well, we're not so sure, but it's something bad, given how hard they
try to kill Irene and Charlie / Hank (that's the two names for the
cop's personalities).
Set to be directed by Gaghan as
well, the story follows a deep cover agent who loses everything and starts over as a beat
cop in Brooklyn only to discover the organized operation he was
trying to bring down is alive and kicking right under his nose.
Mostly it is a means to show some events that transpired before the execution of certain key characters, which come to a head in the present - day Hong Kong that sees Ming
trying his
best to eradicate any information that would tie him to being the triad mole in the police department so that he can continue to be the
good cop he dreams of being.
The film might've been
better if Matthew figured it out earlier and they had more of a cat - and - mouse effect, with Matthew
trying to acquire evidence to get the
cops to go after the real kidnapper instead of treating him as the one and only suspect.
This seemingly highlights and underscores every perceived failing or emptiness in Annie's life, and the passive - aggressive competitiveness of Helen (Rose Byrne), Lillian's wealthy and newer friend, does little to bring about the
best in Annie, even as a local
cop, Nathan (Chris O'Dowd),
tries his
best to get to know her.
After a rocky start involving an intentionally unrelated and surreal dream sequence (a painfully unfunny, extended bit involving the gang as a rock band,
trying to elude some
cops), the guys of Broken Lizard, led by the movie's director Jay Chandrasekhar, do find a
good excuse for making a sequel over a decade and a half later.
LA Confidential is a movie filled with drama and a roller coaster plot filled with twists and turns.There is a
good cop turned lieutenant
trying to avenge his father's honor, the crooked
cops in the station, and an emotional
good cop with bad tendencies.
The film spends eighty percent of its running time telling you the mostly unnecessarily detailed history of the Green Lantern Corps, which I'll
try to bullet point as
best as I can here: Planet Oa is the home plant of the Corps, which are basically intergalactic space
cops.
Not all of them pan out so
well (remember when they
tried and failed to make a Beverly Hills
Cop show?)
The story of one New York
cop trying to stop a skyscraper full of international terrorists all by himself, is still one of the
best, and is my vote for top heist film of all time.
With # 250,000 missing from the evidence room, and his colleagues all pointing their fingers at him, Gabriel has to
try and work out if he is a
good or bad
cop.
Her parents (Alan Turturro and Edie Falco) are exhausted from their own problems and
trying to
good cop - bad
cop with their daughter.
Starring James McAvoy, Jamie Bell, Eddie Marsan, Jim Broadbent and Imogen Poots, the film follows
cop Bruce Robertson, a degenerate
trying to solve a murder case and get a promotion, all while keeping the
good times rolling.
A
good, smart police procedural, set partly at Harvard University, with a homicide
cop and forensic scientist (Ricardo Montalban and Bruce Bennett),
trying to crack a murder with sexual overtones.
Robert De Niro (Showtime, The Score) plays the role of the
cop and father, Vincent LaMarca, a New York homicide detective who
tries to make a
good name for himself despite the fact that his own father had been executed for murder himself.
While some may argue that Scorsese has done
better crime films, I
tried to find a movie where it evenly shows both sides working towards each other (the
cops and the robbers, just like the PNP and JLP in Ghett» A Life just not as
well executed).
The film follows Bronx
cop Ralph Sarchie (Bana), a real - life NYPD veteran turned demonologist, who
tries his
best night after night to clean up the dank and dangerous streets.
His pictures always non-traditional (even Beverly Hills
Cop is surprisingly stately in its development and resolution), Brest is at his
best in presenting the broad, the theatrical, even the melancholy through his word jumble (Walken can say «absconded» without irony; Lopez can't even read in the film without moving her lips), and at his worst when
trying to justify surprise moments of spontaneous lovemaking and unlikely romance (see also: Meet Joe Black).
Good movies not to make this list... The Professional, Brooklyn's Finest,
Cop Land (mostly Jersey, but
cops and couple scenes New York), Money Train, Taking Pelham 123, Juice, Get Rich or Die
Trying, Margin Call, WallStreet: Money Never Sleeps, Smoke, Die Hard: With a Vengeance, New Jack City, Clockers, Searching for Bobby Fischer
There's a nice sense of New Bordeaux being a lived in place, filled with criminals,
cops, racism and
good people just
trying to make their way through life with minimal fuss.
Trying to play through as a «
good cop» by arresting baddies instead of filling them with lead is very rewarding.
If I just exceeded the speed limit
trying to prevent somebody from setting off a fertilizer bomb at a crowded event, and you're the
cop that catches me, my
good intentions don't mean I don't have to pay the speeding ticket.
Cops asked them to move but were mostly inept and uninterested, made the excuse of «
well they can't park on the street» (OK, but that doesn't mean you can volunteer my property...)
tried to lecture ME about being a
good neighbor... They
tried to claim it's a civil issue though when I asked them if my neighbor breaks into my house is that a civil issue too just because he's my neighbor, they quickly changed their tune... Not to mention I consulted with an attorney at the time who said it was a criminal trespass issue since it's not a boundary dispute, which I informed them of.