Sentences with phrase «good curatorial project»

Interferenze tra arte e cinema, an exhibition curated by Davide Giannella at PAC in Milan, could be the result of a good curatorial project, except for his strained common denominator «Glitch».

Maslyaev was nominated for the Innovation Prize in the category «Curatorial Project» («No Water Tomorrow») and «Regional Project» («History Demands to Be Continued») and the Sergey Kuryokhin Contemporary Art Award in the category «Best Curatorial Project» («No Water Tomorrow»).

An accompanying publication will reproduce works from the exhibition and supplementary ephemeral material used in the making of several pieces as well a curatorial project inspired by Melody Sumner Carnahan's The Form (1979).

An accompanying publication reproduces works from the exhibition and supplementary ephemeral material used in the making of several pieces, as well a curatorial project inspired by Melody Sumner Carnahan's The Form (1979).

Not exact matches

Situated in a townhouse, the new gallery is used to curate historic exhibitions by artists within the Petzel program, as well as focus on curatorial projects and publishing activities.

His curatorial projects got him voted «Best Exhibitionist» by the Village Voice (2011), and his promotion of the cross disciplinary arts got him featured in L Magazine's Who Made the New Brooklyn (2011).

PAPER has a regular programme of exhibitions, presenting the work of gallery artists as well as providing a platform for outside curatorial projects.

This has led to extensive writing and curatorial projects on and with artists such as Francis Alÿs, Matthew Buckingham, Tacita Dean, Fischli / Weiss, Zoe Leonard, Sharon Lockhart, Frances Stark, Simon Starling, R.H. Quaytman, James Welling, and Christopher Williams.

Last summer Gibbons and Ginsberg, best known for their recent curatorial project Deep Ellum Windows, made a seven - week, 13,000 - mile road trip together, making multimedia artworks along the way.

Working in a variety of different mediums including large - scale installations, inkjet prints, and music, as well as curatorial projects and theoretical writings, Gillick's work transcends disciplinary categories.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Miner will discuss his recent and in - process curatorial projects as well as his approach to creating contemporary art exhibitions.

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

He has also seen tens of thousands of exhibitions, filtering these into his own curatorial projects (which started with a show in his student kitchen during art school) that he now carries out at artistic director of London's Serpentine Galleries, as well as through various other outlets that include 89 +, a joint initiative with Google and Swiss Institute director Simon Castets to showcase work by artists born after 1989.

Proposals may include individual or group exhibitions, installations, or curatorial projects lasting up to two weeks; As well as performance, screenings, «happenings» or other experimental short programming lasting up to 72 hours.

Where can a dispersed curatorial project best express its identity?

He is currently the Artistic Director of Skaftfell, Center of Visual Art in East Iceland, as well a director of the curatorial and publishing initiative Atopia Projects.

Series I: Publications contains documentation and drafts (including some media and visual materials) related to Foci: Interviews with Ten International Curators (2001), and On Curating: Interviews with Ten International Curators (2009), as well as other writings and projects from 1997 to present including proposed articles and curatorial proposals.

The Chief Curator and Director of Curatorial Affairs at The Contemporary Austin, where she has worked since 2013, Heather Pesanti has organized monographic exhibitions and outdoor commissions of work by John Bock, Anya Gallaccio, Lionel Maunz, Wangechi Mutu, Monika Sosnowska, Robert Therrien, and Marianne Vitale, as well as the current exhibition of work by Rodney McMillian and a forthcoming project by Abraham Cruzvillegas (2019).

He is a co-founder, publisher, and artistic director of The Brooklyn Rail, the publishing press Rail Editions, and the Rail Curatorial Projects, as well as the host / producer of Off the Rail on Art International Radio.

Currently he is the Director / Senior Curator for the Torrance Art Museum as well as Founder and Curatorial Director of ARTRA Curatorial, an independent and voluntary curatorial projects management team which organizes international exhibition exchanges as well as the MAS ATTACK series of pop - up exCuratorial Director of ARTRA Curatorial, an independent and voluntary curatorial projects management team which organizes international exhibition exchanges as well as the MAS ATTACK series of pop - up exCuratorial, an independent and voluntary curatorial projects management team which organizes international exhibition exchanges as well as the MAS ATTACK series of pop - up excuratorial projects management team which organizes international exhibition exchanges as well as the MAS ATTACK series of pop - up exhibitions.

A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, OCCUPY MANA focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Alex Mirutziu's practice extends over a wide range of media and activities, including sculpture, drawing, poetry and performances as well as lectures and curatorial projects.

His curatorial projects have received grant awards from The Andy Warhol Foundation for the Visual Arts, The Elizabeth Firestone Graham Foundation, Lambent Foundation, and The Nathan Cummings Foundation, as well as endorsements and articles in Afterall, Artforum, Art in America, Afterimage, and The Wall Street Journal.

In 2010, he joined the Queens Museum of Art in a unique role that reports to both the curatorial and community engagement departments of the museum, identifying opportunities for commissioned artist projects to make meaningful connections with community organizations in Corona, as well as guiding artists towards the successful merger of aesthetic preoccupations with the social impact aspects of their projects.

In his talk, Feng will reflect on the current developments and discourses within the Chinese contemporary art field as well as presents his recent curatorial projects such as the Wuzhen International Contemporary Art Exhibition in 2016 titled Utopias / Heterotopias.

The island life allows her to finish upcoming projects, including a film called A Love Letter to My People, also a documentary on Gerald Vizenor, and a book called Violence No More (Arp Press), as well as an anthology of Indigenous curatorial writing and more.

Willard has worked as a curator in residence with grunt gallery and Kamloops Art Gallery, and her past curatorial projects include Beat Nation: Art, Hip Hop and Aboriginal Culture, a national touring exhibition, CUSTOM MADE (translation) at Kamloops Art Gallery, and select recent curatorial work includes: Nanitch: Historical BC Photography, Unceded Territories: Lawrence Paul Yuxweluptun, as well as LandMarks 2017 / Repères 2017.

In her curatorial as well as her writing projects she esteems to promote art made by female artists as well as harboring a special interest in Latin American art.

571 Projects supports the work of dynamic emerging and mid-career artists by bringing conceptually strong, well - crafted work to the notice of an engaged art going and collecting public, via special exhibitions, independent curatorial practice and an informed art consulting practice.

The goal of the project was to preserve Kellie's existing research, writing, and curatorial vision, as well as that of other scholars involved in the exhibition.

Curatorial Mutiny Pt 4, Nylon, London Best Eagle, (with Michele Naismith & Duncan McQuarrie), Transmission, Glasgow Fear it, do it anyway, Vilma Gold Project Space, London

(São Paulo, Brazil) This year's edition of the fair launched a new sector wholly dedicated to performance, as well as exciting curatorial projects in both the Solo and Repertoire sections.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Max Presneill is currently the Executive Director and Head Curator for the Torrance Art Museum as well as Curatorial Director of ARTRA Curatorial, an independent curatorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up exCuratorial Director of ARTRA Curatorial, an independent curatorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up exCuratorial, an independent curatorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up excuratorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up exhibitions.

Anabel Vázquez Rodríguez is well - known in the Boston area for her curatorial projects and individual works in photography, installation, and more recently, performance.

Their slogan, «The Weird Ear, The Better,» serves as a guideline to the curatorial themes across all of these projects.

The curatorial office and gallery present site - specific projects throughout the city, as well as within their gallery space in Aberdeen.

Rodriguez has held a number of residencies in recent years, most recently at the Bemis Center for Contemporary Art, in Omaha, Nebraska, and Long Road Projects in Jacksonville, Fla., as well as the International Studio and Curatorial Program in New York.

The presentations best poised to address the particular troubles we're facing at the moment can be found in Art Basel in Basel's Feature section of gallery - led curatorial projects.

Hoffmann takes into account both the larger historical and socio - political context in which an exhibition takes place as well as the relevant curatorial or art historical relationships pertaining to a project.

Topics under discussion included new formats for durational pedagogical projects and the production of events and curatorial publications, as well as more traditional museum education models.

His curatorial projects got him voted «Best Exhibitionist» by the Village Voice (2011), and his promotion of cross disciplinary arts got him featured in L Magazine's article «Who Made the New Brooklyn,» (2011).

Date: June 10, Wednesday Time: 6.30 — 7.30 pm Language: English Hosted by: Cosmin Costinas, Executive Director / Curator, Para Site Date: June 24, Wednesday Time: 6.30 — 7.30 pm Language: Cantonese Hosted by: Simmy Ling, Project Coordinator / Curatorial Assistant, Para Site Date: July 9, Thursday Time: 6.30 — 7.30 pm Language: Mandarin / English Hosted by: Freya Chou, Curator of Education and Public Programs, Para Site Date: July 16, Thursday Time: 6.30 — 7.30 pm Language: Cantonese Hosted by: Leung Mee Ping, Associate Professor, Academy of Visual Arts, HKBU Leung Mee Ping is a Hong Kong based artist as well as one of the founders of Para Site.

Since then, the Rail Curatorial Projects has curated a number of shows including Ad Reinhardt at 100 [17][18] at TEMP Art Space; Spaced Out: Migration to the Interior [19][20][21] at Red Bull Studios, Bloodflames Revisited [22][23][24] at Paul Kasmin Gallery, and 24/7 [25][26] at the Miami Beach Monte Carlo in 2014; Intimacy in Discourse: Reasonable and Unreasonable Sized Paintings [27][28][29] at SVA Chelsea Gallery and Mana Contemporary as well as Social Ecologies [30][31] at Industry City, Patricia Cronin's Shrine for Girls [32][33][34] at the Venice Biennale in 2015; and Hallway Hijack [35][36] at 66 Rockwell Place in 2016.

Funded by the Hong Kong Arts Development Council (HKADC) and private donations, it seeks to establish and maintain a platform for artists and other art practitioners to realize their vision in relation to their immediate and extended communities through the production of artistic works, exhibitions and curatorial projects as well as through dialogue, critical analysis, publications, research, education and cultural exchange.

Transformer also assists emerging arts groups, co-ops, collectives, curators and individual artists in providing temporal exhibition space for short - term projects, as well as providing professional development advice, curatorial input, and program development.

2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.

Artist Talk and Panel Discussion with Martha Wilson Wednesday, September 18 5 pm FREE The exhibition Martha Wilson: Staging the Self presents the artist's work dealing with issues of assumed and projected identity, as well as examples of her curatorial practice, in which she provides a site for the exploration of avant - garde art.

She has diversified experience developing and managing curatorial projects and educational programs for museums and other educational institutions, as well as local government agencies in the Baltimore / Washington area.