This seems like
a good fall film, charming and entertaining, with a few great performances.
Not exact matches
This summer's box - office totals have also suffered from the expansion of blockbuster season as a handful of
films likely to be among the year's biggest releases are slated to come out this
fall, among them
best - selling novel adaptation Gone Girl, Christopher Nolan's Interstellar, and the latest Hunger Games installment.
The Academy dubbed it the year's
best movie, but it is still an indie
film and — Oscar bump or not — it will
fall well short of any blockbuster's box - office gross.
Traditional attitudes still widely assumed to be valid are, in fact, generally bankrupt, The attempt to force Hollywood to produce «
good»
films has
fallen with the demise of the old Roman Catholic Legion of Decency.
In this respect, the «psychic» who regularly liven up the press in the New Year — at least in the US — with predictions that California will
fall into the sea, the president will be abducted by aliens and some
film star will give birth at the age of 65, evidently understand their audience
better than the astrologers.
With a promising start, the
film seemed building up to something real
good, only to completely
fall apart in the final third.
(And although Galifianakis too often
falls back on his ostentatiously off - kilter shtick, the comedian fares much
better here than he did in The Hangover and actually does a decent job with the
film's dramatic moments.)
The
film had a
good idea, but it quickly
falls apart, and becomes a tired
film that tries too hard to deliver the thrills.
The first couple of times we saw My Darling Clementine on the late show we watched the beginning,
fell asleep in the middle, woke up at the end, and thought we had sat through one of the
best films we had ever seen.
Redmayne kind of does the same thing as
well, so the
film falls squarely on Vikander's shoulders.
In this romantic
film, the lazy neer - do -
well nephew whose uncle is a wealthy owner of apple orchards,
falls in love with a poor girl.
The pressure off, they're free to make out like teenagers and
fall in love, a happy interlude the
film covers with smart economy, so as to spend more time on getting to know this «hot grandma» (she's struggling to keep her middle daughter pregnancy - free through high school), as
well as the couple's first big fight, occasioned when she wonders why he still doesn't want to sleep with her after nearly 20 dates.
Talladega Nights: The Ballad of Ricky Bobby co-stars Will Ferrell and John C. Reilly re-team with that
film's director, Adam McKay, to tell the tale of two pampered
best friends whose single parents
fall in love and decide to marry.
He is aided in this effort by Gordon's former mistress Myrna Loy, who has all of the
film's
best lines (When her protecter Baxter
falls asleep on a couch, Loy complains «A few more nights like this and I'll be out of condition.»)
The
film was
good and I liked the bit when megamind was
falling with his gun I rate 5 for megamind
falling and when they thought metroman died
The ensemble thriller stars Kevin Spacey, Paul Bettany, Jeremy Irons, Zachary Quinto, and Penn Badgley, and was one of the
better reviewed
films released this
fall.
The
best argument for shooting on celluloid in the digital age gets made in the Romanian
film When Evening
Falls on Bucharest or Metabolism.
Although in many respects a more stylish, authentic, tougher - minded
film than «Hotel Rwanda,» director Michael Caton - Jones» respectable and
well - intentioned Beyond the Gates (aka Shooting Dogs) still
falls into the trap of filtering an inherently African story through the eyes of a noble white protagonist — in this case, two of them.
The story here was actually pretty
good, but the
film moves at an absolute snails pace,
felling well longer than 96 minutes.
There's a unique novelty in general to this
film's featuring its protagonist as a biopic in the starring role, and as a war
film, it has a few other twists, but when it
falls to formula, it
falls pretty hard, with very mid-20th century Hollywood tropes to its plotting, characterization and, for that matter, fluff which tends to get a little too fluffy for its own
good.
It does have a few holes story wise, but the performances from Granger and Walker alone make this worthy of a view, and it is not hard to
fall in love with how Hitchcock shoots his
films, as
well as the music he selects to raise the hair on the back of your neck at the precise, appropriate time.
With a strong supporting cast that includes James Marsden, Tim Robbins, Wes Bentley, Joan Cusack, Jennifer Jason Leigh, Linda Cardellini, Loretta Devine, and Thomas Mann, Shira Piven's
film, from a script by Eliot Lawrence, earned very
good reviews when it premiered in Toronto last
fall, and it opens in limited release this weekend.
A
well acted, and executed
film with an interesting concept,
Fallen delivers, and with a cast like this, it's also a must see.
However, I felt that Blood Car could have benefitted from a few rewrites as the concept is very
good, but it does
fall short of what the
film could have been.
An indifferent stylist at
best, [Jaglom's]
films stand or
fall depending on the talent and appeal of his leads, and he's found a
good one in Frederick.
I thought that the
films premise was
good, but halfway through the
film, everything
falls apart, and the
film just drags on, and becomes boring, unimpressive and dull.
Garland, whose only other directorial feature is Ex Machina, a
film I thought was the
best movie of its entire year, tries his hand at adapting this phenomenal book into a screenplay and then into a
film, but he couldn't do it without
falling back on a ton of typical elements, and that's a real shame.
TURAN:
Good versus evil
films often rise or
fall on the strength of the evil doer, and in the Oscar - winning Philip Seymour Hoffman, Mission Impossible 3 has a spectacular actor who delivers some deeply unnerving speeches.
Studi's other notable
film credits include: THE ONLY
GOOD INDIAN, which he also produced, THE NEW WORLD, STREET FIGHTER, SERAPHIM
FALLS, THREE PRIESTS and such prestigious television movies as CRAZY HORSE, COMANCHE MOON, STREETS OF LAREDO, BROKEN CHAIN and BURY MY HEART AT WOUNDED KNEE.
Sicario is a
well written story, however the
film does
fall short in some scenes with slow moving plot points and a handful of unnecessary scenes.
A horse breeder travels to Argentina to obtain
good racing stock where she
falls in love and copes with a future hated father in law, A great
film pure joy.
There are a ton of really silly moments that went way overboard, even for a Transformers
film, but once the buildings start
falling and the bombs start dropping you'll start to form a smile on your face that doesn't go away for a
good 45 minutes.
Thank you for being one of the few reviewers who understood the brilliance of the early games as
well as the reason why the
film fell so short.
This
film if it would have been rewritten might have been
good fun, but the end result just suffers from a poor plot that ends up
falling flat.
Falling in love with a girl from that same group, this
film shows how bad can come from
good and vice versa.
Paul Thomas Anderson's The Master might have lost the Golden Lion in Venice (while still winning
Best Director and
Best Actor (s) awards), but it emerged as the most critically acclaimed
film of the
fall festival season.
Not that any
film in which it's OK to
fall in love with your
best friend can be truly authentic, but what do you expect?
Bay and screenwriter Ehren Kruger must have noticed that amphetamine - fueled mugging tested
well in Revenge of the
Fallen, so the third
film is graced with the brilliantly hyperactive Ken Jeong — perhaps the one actor in Bay's 17 - year directing career who perfectly embodies his outsized, everything - plus - half - again - as - much style — and John Malkovich.
With all of my complaints about how this
film all too often discards promising plot areas to spark a sense of unevenness, hurrying, outside of that area of storytelling, is hardly a big deal, so what this series really has to worry about is, of course, bloating, because all of this unevenness, as
well as repetition, could have perhaps been avoided if this saga wasn't just so blasted overblown, not necessarily to the point of
falling flat as too sprawling to stick with, but decidedly to the point of feeling rather overambitious.
Though
well acted and beautifully crafted, «Devil in a Blue Dress»
falls short of being something special because, although the concept of an African American
film noir is commendably original and the background climate - of racial prejudice and the post-WWII hangover in L.A. - is fascinating, the actual mystery is pretty run - of - the - mill.
may run a wee bit long (111 minutes) for single digit kidlets but this family
film, about the (literal)
fall of a toupee wearing, A-list movie star mutt into service at a firehouse was a pretty
good sit.
Firehouse Dog may run a wee bit long (111 minutes) for single digit kidlets but this family
film, about the (literal)
fall of a toupee wearing, A-list movie star mutt into service at a firehouse was a pretty
good sit.
Though the
film attempts to link the five stories, it
falls well short of the Altman Standard for creative interweaving.
It's a lot
better than Transformers: Revenge of the
Fallen, but it's not quite as
good as the first
film.
It's a very
well - made
film from a technical aspect, but in an attempt to appease those who have nothing but contempt for anything outside the»87 original, it
falls into a trap of repetition, turning a men - on - a-mission
film into a slowly dying group of cartoon characters.
Since director Sebastian Gutierrez likes to employ loosely connected vignettes in his
films, these deleted scenes should
fall into place pretty
well.
The second Hanks
film this
Fall isn't one that's going to get him nominations (though a Critics Choice
Best Actor in an Action Movie nod could be a possibility).
While the main event of the
film certainly did happen, as
well as some of the scenes (some of them, excerpted from the documentary, are shown during the end credits), the
film as a whole does tend to traverse familiar territory as far as feel -
good sports
films go, especially with the final game where all of the loose ends comfortably
fall into place.
Also this summer, independent and foreign
films feature an anime dream warrior («Paprika»), Parisian gangsters («Angel - A»), four women, a wedding, a funeral and a disco («
Falling»), spectral kidnappers («Ghost Train») and
good old - fashioned sex («Lady Chatterley»).
Last year's Jackie was a psychologically devastating look at the widowed Jackie Kennedy boasting one of the absolute
best performances of the year by Natalie Portman, whereas in comparison LBJ is a
film that will be thrown on in American History classes only for teenagers to
fall asleep.