Although some dismissed Pee - wee's Big Adventure as little more than an inventive movie for kids when it was released back in 1985, over the years (and as those children grew older), it has gained more respect as being
a good film in general, although Paul Reubens» personal problems does still leave this in the «guilty pleasure» category for different reasons.
Not exact matches
The Pyongyang government denounced the
film as «undisguised sponsoring of terrorism, as
well as an act of war»
in a letter to U.N. Secretary -
General Ban Ki - moon
in June.
Or were not a few of them like the
General Patton we are shown
in the famous (and quite factual)
film, relishing the trial and potential glory of combat, loving the strategic game, certainly not wanting to «sit back and watch,» but still ultimately knowing that this «love of war»
in them was not an entirely
good trait?
A
good picture of the
general squalor, cynicism, and despair
in Soviet life was provided by a documentary
film Tak Zhit Nel» zya (roughly «We can't go on living like this»), which was released into movie theaters
in the summer of 1990.
The VR
film has been used
in a series of experiential tasting events
in leading bars and travel retail environments across the world, as
well as being available on YouTube and Facebook for the
general public.
If Arsene Wenger and his assistants decide against adjusting their tactics to get the
best out of their marquee summer signing by letting him run with the ball at defences, Lacazette needs to take the initiative by training and watching game
film to learn how to thrive
in Arsenal's system and
in English football
in general.
Comprised of interviews with finance types, individuals involved
in the escort business, as
well as Spitzer himself, Gibney's
film traces the former New York Governor's career from his start as an attorney
general determined to take down corruption on Wall Street, to his status as a political joke after he was forced to resign for patronizing the Emperor's Club VIP escort service.
Companionship, dancing, music,
film, theater, literature, the arts
in general, and simple things like spending hours vegging at home, or cooking a
good meal, having a hot chocolate
in...
Here you'll find reviews of the latest
films as
well as DVD recommendations
in For Your Queue, tales of
general woe
in So That Happened, and other fascinating reportings.
Johnson writes her character
well enough, though the
film's
general dearth of women characters — there are three, two of them serve mostly as Mother figures (and,
in Perabo's case, as a hooker), and the other is a waitress — is something I hope he takes note of.
«The Intern» stars both of them respectively and say what you will about sappy plots like this, «The Intern» is a very, very
good film about life
in general.
These minor points aside, Beginners is without doubt one of the
best films of 2011, with an outstanding performance from Plummer, great writing, and through being an immensely rewarding viewing experience
in general.
They're all impressive - large,
well engineered monstrosities with actors thinking and acting
in ways that humans never think or act - and not one of them has the pure humanistic love that this
film has for its characters and for people
in general.
Laura Poitras» thrilling look at the Edward Snowden affair (and government snooping
in general) is one of the year's
best - reviewed documentaries (and possibly this month's
best new
film, period).
There's a unique novelty
in general to this
film's featuring its protagonist as a biopic
in the starring role, and as a war
film, it has a few other twists, but when it falls to formula, it falls pretty hard, with very mid-20th century Hollywood tropes to its plotting, characterization and, for that matter, fluff which tends to get a little too fluffy for its own
good.
There is promise
in the one episode of Dome sent to critics and the series could work
well, despite the fact that the
general conceit of people living
in a microcosm has been a staple of literature,
film and TV forever.
The result was a new megastar period for him he is still
in and the
film holds up very
well considering what has followed
in the genre and big budget filmmaking
in general.
It is also an interesting political take on the chain of command
in the military, lampooning the superior officers as incompetent fools, despite having their hearts
in the right place, the
film manages to successfully create sympathy for Col. Berman (Ed Harris)
in that despite his
general inability to do the job, he is actually
well liked.
Terrible plot, lackluster effects, a trainwreck sense of direction, and an absolute lack of an epic scope that the first two delivered on so
well makes Superman IV: The Quest for Peace not only the worst Superman
film, but one of the worst comic book movies
in general
I tend to agree here on the fact that «The Departed» has certainly is Scorsese's
best film in over a decade, it works on multiple levels for not just fussy cinemagoers but
general audiences as
well, and unlike those aforementioned examples it never feels slow, self - important or clunky.
One of the
best things about Tarantino
films in general and Django Unchained
in particular is that the viewer is never sure where the narrative is going.
If you are a fan of Tarantino and just
good movies
in general, Django Unchained is one
film you can count on.
As said, the acting is superb, especially Ruffalo and Dern, but Krause's character gets left behind big time, and the kids that are treasured so much by the characters as
well as the story
in general get next to no development, which isn't
good when you consider the
film's emotionally heavy climax.
Now, for most video game adaptations or huge tentpole
films in general, such a comment would sound too
good to be true — but this is coming from the director Snowtown Murders and last year's Macbeth.
I don't think
film festival mega-stars like Lars von Trier or Abbas Kiarostami or Wong Kar - Wai are nearly
well - known or influential enough to have this kind of impact, on movie fans
in general or on other filmmakers.
Sure, MCU
films had done spectacularly
well in the past, but who among the
general movie - going public had ever heard of a superhero who shrinks to the size of an ant?
Jackman has done a wonderful job
in the role, widening the character's popularity from a comicbook fans to the
general cinema - going public: It is only
well - earned audience affection that allowed him to survive the execrable X-Men Origins: Wolverine, as idiotic a
film as has ever had the misfortune to be screened publicly.
Look at «The Hangover», because the first
film was so
well liked the sequel became an even bigger hit, but because the sequel was considered to be inferior by critics
in general, the 3rd
film really suffered and paid the price as it came nowhere near the previous
films domestic box office grosses.
This Asian (South Korean / Chinese)
film made
good use of that figure, with sometimes disturbing, but very
well done fight scenes and
in general, beautiful cinematography.
Billy offers several asides to Marty over the course of the
film, expanding on the lack of
good roles for women, and the sexist component to moviemaking
in general.
The first half of the
film sets the stage (coach), with Ruth feeling out his wagonmates as
well as Brit and professional executioner Oswaldo Mobray (Tim Roth), one - time Confederate
general Sandy Smithers (Bruce Dern), cowpoke Joe Gage (Michael Madsen), and a Mexican watching over the joint
in Minnie's absence named Bob (Demian Bichir).
I would advocate trying to see the
film in the 70 mm roadshow presentation (a list of theaters offering such a presentation is here) on the
general principle that it's
good to see things
in 70 mm.
They were effusive
in their response, as
well as disclosing some of the
in - jokes put
in the
film by the animators, and, on a serious note, what fantasy
in general, and zombies
in particular, can teach bout bullying that makes it both effective and palatable.
Director Jonathan Liebesman background
in horror
films shines through
in some genuinely tense moments, and one or two of the action sequences are
well executed (a massive shoot - out on a freeway overpass is a particular highlight), but the potential of this movie is both wasted by a lack of
general coherence, and then destroyed by dialogue that swings wildly from cheesy patriotic to unintentionally hilarious.
In an era where so many films are merely stealing elements from each other, The Mack emerges as one of the most unique, and even if it lacks the focus and jointed structure to call it a great film for mainstream viewers, it is well worth seeking out for fans of not only Blaxploitation films, but gritty crime dramas in genera
In an era where so many
films are merely stealing elements from each other, The Mack emerges as one of the most unique, and even if it lacks the focus and jointed structure to call it a great
film for mainstream viewers, it is
well worth seeking out for fans of not only Blaxploitation
films, but gritty crime dramas
in genera
in general.
If,
in general, foretelling what's going to be
good and what's not is a bit of a blindfolded darts game, these
films at least are known quantities, and on their strength alone, we can be pretty excited for 2014.
This had the effect of making it far
better known to
general audiences, yes, but it simultaneously obscured a bit of the
film's brilliance
in terms of its critical appraisal.
TIFF doesn't go overboard with awards, but because it is a public festival
in the middle of a big city, the Audience Award is one of the most important awards they give out because it not only indicates which
film is truly spectacular, but it means it also plays very
well with
general audiences.
Particularly notable are the obsession with technology and surveillance from Benny's Video, here updated from VHS to smartphones and the Internet; the racial suspicion of Code Unknown; the revenge nightmare from Hidden; the euthanasia theme from Amour (which also featured Trintignant and Huppert as father and daughter, suggesting a sequel of sorts), as
well as more
general themes of family dysfunction and the obliviousness of the
well - to - do towards immigrants — it's no coincidence that the
film takes place
in Calais, yet never once shows the Migrant Jungle.
The 1970s were not
in general a
good time for
film composers, until Star Wars came along at least.
A year after reissuing it on DVD
in an apparently barebones platter, Echo Bridge gave the
film its Blu - ray debut, initially as a
Best Buy exclusive
in January but one that moves to
general retail on the first Tuesday of May.
Moriarty (Jared Harris) and the rationale (or,
better, the lack thereof) of his plan are the
best things about this sequel, which broadens the scope of the first
film to have Holmes (Robert Downey Jr.) and Watson (Jude Law) traverse Europe by train, horse (Holmes is forced upon a miniature one, since he sees the larger ones as «dangerous at both ends and uncomfortable
in the middle»), ship, and foot — fighting, outrunning bullets, and witnessing or causing
general destruction as they go.
Fans of the Korean auteur (as
well as fans of
good sci - fi
in general) were understandably very vexed by the decision to cut the
film down by twenty minutes and add expository voice over, eager to see the director's original, uncompromising vision.
Civil War was also partly
filmed with IMAX cameras and the movie
in general tends to feel big, visually - speaking,
in - between its action sequences and many establishing shots of locations around the globe (as
well as the massive title font that's used to identify each individual change
in location)- making IMAX the preferable viewing format for Civil War.
Distributor eOne reported that the
film did exceptionally
well in London, as you'd expect for a reviews - driven title, but also
in the south - east
in general, with big numbers at plexes
in Guildford, Tunbridge Wells and Chichester.
The
film starts off with the imminent collapse of the planet Krypton, where the powerful
General Zod (Shannon, Mud) tries to take over the system
in an attempt to save the planet, while the great Jor - El (Crowe, Les Miserables) and his wife Lara (Zurer, Angels & Demons) secure the escape for their infant boy, Kal - El (Cavill, Immortals), as
well as a codex containing the DNA of Krypton's unborn future, to a remote but habitable (for Kryptonians) planet Earth.
The editing
in this
film, the fimmaking
in general, is among the
best films of the year.
Basically, it is
good news that Birdman and The Grand Budapest Hotel have performed so strongly: excellent
films in that «indie - literate» middle ground that many
in the industry have been worrying had been neglected
in the
general rush to big - budget, big - box - office superhero pictures.
Four years later, he again stole the show as Bill Lumbergh
in «Office Space,» and although it helped to buy him comic cred and parts
in films like «Dodgeball,» «Talladega Nights» and «Pineapple Express,» he still remains a
well - kept secret from the
general public.
In the 1960s, his feature film debut, he plays the haunted and pale Boo Radley in To Kill A Mocking Bird; in the 1970s he immortalized his love for the smell of napalm in the morning as a general who like to surf and plays Wagner when going into battle; in the 1980s he plays a quiet, down - on - his - luck country singer who does odd jobs for room and board while trying to put his life back together; and in the 1990s his turn as the bombastic Apostle E.F. might just be the best single performance of that decad
In the 1960s, his feature
film debut, he plays the haunted and pale Boo Radley
in To Kill A Mocking Bird; in the 1970s he immortalized his love for the smell of napalm in the morning as a general who like to surf and plays Wagner when going into battle; in the 1980s he plays a quiet, down - on - his - luck country singer who does odd jobs for room and board while trying to put his life back together; and in the 1990s his turn as the bombastic Apostle E.F. might just be the best single performance of that decad
in To Kill A Mocking Bird;
in the 1970s he immortalized his love for the smell of napalm in the morning as a general who like to surf and plays Wagner when going into battle; in the 1980s he plays a quiet, down - on - his - luck country singer who does odd jobs for room and board while trying to put his life back together; and in the 1990s his turn as the bombastic Apostle E.F. might just be the best single performance of that decad
in the 1970s he immortalized his love for the smell of napalm
in the morning as a general who like to surf and plays Wagner when going into battle; in the 1980s he plays a quiet, down - on - his - luck country singer who does odd jobs for room and board while trying to put his life back together; and in the 1990s his turn as the bombastic Apostle E.F. might just be the best single performance of that decad
in the morning as a
general who like to surf and plays Wagner when going into battle;
in the 1980s he plays a quiet, down - on - his - luck country singer who does odd jobs for room and board while trying to put his life back together; and in the 1990s his turn as the bombastic Apostle E.F. might just be the best single performance of that decad
in the 1980s he plays a quiet, down - on - his - luck country singer who does odd jobs for room and board while trying to put his life back together; and
in the 1990s his turn as the bombastic Apostle E.F. might just be the best single performance of that decad
in the 1990s his turn as the bombastic Apostle E.F. might just be the
best single performance of that decade.